This 1982 Pulitzer Prize-winning thriller has rocketed back into the spotlight, thanks to this 2020 Tony Award®-winning Best Revival from Roundabout Theatre Company. “This is a play that deserves to be staged regularly all over America—though it’s hard to imagine that it will ever be done better than this. It keeps you guessing all the way to the final curtain” (The Wall Street Journal).
In 1944, on a Louisiana Army base, two shots ring out. A Black sergeant is murdered. And a series of interrogations triggers a gripping barrage of questions about sacrifice, service, and identity in America. Broadway’s Norm Lewis leads a powerhouse cast in the show Variety calls “a knock-your-socks-off-drama," directed by Tony winner Kenny Leon.
Although Norm Lewis' name appears about the title of the production, he shares the stage with one of the strongest ensembles in recent memory. This is definitely a show that works best when everyone works together and there is no shortage of talent within the cast. Every member has there moment in the spotlight and rest assured, they make you feel every word that leads to a finale that is sure to leave a gut punch.
Norm Lewis’s Davenport is a steady hand as the audience’s guide through the hornet’s nest of Fort Neal; he’s shrewd and strategic, knowing when to be ingratiating and when to take a stand, to find out the truth of what’s happened. Connell excels as a man trying to navigate his way out of the racist maze he finds himself lost in. Each of the soldiers has his time to shine, especially Tarik Lowe as the outspoken, unafraid Private Melvin Peterson and Sheldon D. Brown as the amiable and deeply tragic Private C.J. Memphis. The banter between the soldiers - vital, vivacious young men — offers a key balance to the heavy subject matter and to the seriousness of the investigation. As the deeply problematic Sgt. Waters, Eugene Lee has the toughest job. His performance is riveting and uncomfortable in the best sense; even as he says some of the most hateful things heard on a stage around here in quite some time, Lee convinces us that his character believes he’s doing the right thing.
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