Body Work 1987 - Articles Page 4

Redhouse Arts Center’s 2021-22 Main Stage Season has been announced, featuring the remounting of a previously cancelled show. With every production this season, Redhouse will utilize its versatile theatre space not only treat audiences to a thrilling theatre experience but allow for social distancing and a safe return back to live theater.

Earlier this month, we marked the 91st birthday of the living legend that is Stephen Sondheim with a look back at five London productions of his work that are embedded in my memory. This week, we honour a quintet of performances that has achieved the same result, even if this has meant choosing from an astonishing array of riches that could populate a column like this ten times over. In any case, here are just a few of the Sondheim star turns that linger in the mind.

From April 16-30, 2021, Carnegie Hall will present Voices of Hope, an online festival that examines the resilience of artists, exploring works that they felt compelled to create despite—and often because of—appalling circumstances and human tragedy.

The criteria are that these shows have been nominated for Best Musical from the 3rd Tony Awards (the ceremony that started the Best Musical category) in 1949 to the nominations of what will now be the 74th Tony Awards in 2021. I will be determining their signs based upon their Broadway premiere date. With those rules in mind, here we go!

Music director Leon Botstein leads The Orchestra Now in two spring concerts livestreamed FREE from the Fisher Center at Bard on April 10 and May 1, an exciting return to performing symphonic works with a larger orchestra on stage. The April 10 program features Tania León’s Pulitzer Prize-nominated work Ácana, alongside music by Bernstein, Stravinsky, and Mendelssohn. The May 1 performance is the first concert of a belated two-part tribute to Beethoven’s 250th birthday. The second part will be performed by the Bard Conservatory Orchestra on May 8.

Everybody's got the right... to be vaccinated. On last night's reunion of the original company of Assassins, beloved Broadway composer Stephen Sondheim, who turns 91 later this month, revealed that he is fully vaccinated against COVID-19. 

Four decades later and in the middle of a show business shut down, Brandy's Piano Bar is still offering live entertainment ... and some great hot toddies.

Rarely-seen installation works by pioneering artist Betye Saar (b. 1926) will receive their first dedicated exhibition in more than three decades at ICA Miami next October. Serious Moonlight spans significant installations created from 1980 to 1998, including Oasis (1984), a work that will be reconfigured for the first time in more than 30 years.

In this pandemic era, where the best we can hope for are performances in Brady family-like shadow boxes, it is exciting to find arts companies going beyond the norm to bring about entertainment while still following the Covid protocols.

On Sunday, November 8, three very special new friends of Los Altos Stage Company will present a very special performance as a fundraising event for the Company.

The renaming of the theatre was dedicated to Stephen Sondheim, the greatest and best known artist in American musical theatre on his 80th birthday. 

Indo-American Arts Council will present the Erasing Borders Dance Festival from September 20-27, 2020 at 8:30pm EST each day on Facebook Live.

Edinburgh's City Art Centre is to re-open its doors to the public on Saturday 12th September 2020 with a full range of new safety measures in place to ensure the safety of visitors and staff. The gallery reopens with two new exhibitions, City Art Centre at 40: Highlights from the City's Art Collection marking the City Art Centre's 40th anniversary and Bright Shadows: Scottish Art in the 1920s.

The first U.S. museum survey of the artist's work, Allan McCollum: Works Since 1969 honors the creator of the ubiquitous 'Surrogates' and one of the most overlooked artists of the 'Pictures' generation.

TheatreWorks Silicon Valley's Artistic Director Tim Bond and Executive Director Phil Santora announced today that the Tony Award-winning theatre will postpone the opening of its 51st mainstage season to March 2021, with eight plays presented through May 2022.

Sundance Institute announced today the 11 artists selected for its first-ever Women at Sundance | Adobe Fellowship, designed to meaningfully support women artists creating bold new work in film and media, with a priority on filmmakers from historically underrepresented communities.

Black Dance Stories has announced its August 2020 lineup featuring dancers and choreographers who use their work to raise societal issues, strengthen community through their programming, and use history as a source of inspiration.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

Bang on a Can has announced that it will postpone its inaugural LONG PLAY festival, scheduled for May 1-3, 2020, due to the COVID-19 crisis.

The Third Avenue Playhouse, located in historic downtown Sturgeon Bay, announces its lineup of six plays for the upcoming 2020 season. The plays include an early career work from playwright David Mamet, a 1964 musical by the legendary composer and lyricist Stephen Sondheim, a multi-award winning classic about the unlikely friendship between an elderly lady and her driver, the story of an unconventional advice columnist, and a farcical take on the making of Gone With The Wind.

I wish....more than anything that the Red Curtain would have extended their run of INTO THE WOODS just a little longer, because I knew of other people who had scheduling conflicts, but really wanted to see it. And they should have seen it. It was comparable to the 1987 Broadway version. I ended up catching the last show of the run on Sunday, February 23, at Staples Auditorium at Hendrix College, and though I thought the audience lacked in energy, the cast pushed on through their wishes like pros.

Boston Ballet's rEVOLUTION: Dance on the Edge features three works by pivotal choreographers which stretch the label 'contemporary' to its breaking point. The three pieces, which all premiered between 1957-1987 may trace through the timeline of progress for commercial ballet in America, but I question if anything a ballet company can do could live up to the streamlined, techno aesthetic toted by their marketing team. The title, with its radical use of capitalization, cuts through the smooth blackness on the cover of the program above a photograph of two dancers in an acrobatic pose in green leotards. Inside the booklet, a geometrically conceived sketch of a dancer invites us to an event called 'Turning Pointe' where we can engage with a?oeleading innovators in the arts, sciences, and industry who are building the future in Boston.a?? Another page announces Boston Ballet's upcoming collaboration with Stephen Galloway, the creative movement director for the Rolling Stones, promising to a?oeshatter expectations of what ballet can bea??. 

The Rose Art Museum has announced the gift of 50 works on paper from Baltimore-based collector Stephen Salny. This gift includes pieces by some of today's leading artists and significantly includes a number of works by Ellsworth Kelly, as well as pieces by Anni Albers, Josef Albers, Sonia Delaunay, Helen Frankenthaler, Damien Hirst, Jasper Johns, Alex Katz, Roy Lichtenstein, Robert Motherwell, Richard Serra, and Frank Stella. Many of the works enrich already existing clusters of work by the same artists while others are new to the Rose's permanent collection.

On Friday, March 13th, Barbara Richardson, Executive Director of Metropolitan Performing Arts (MPA), steps onto the stage taking on the role of the witch in INTO THE WOODS. The show, which first opened on Broadway in 1987, was nominated for 10 Tony Awards and won three, including those for Best Book (James Lapine) and Best Score (Stephen Sondheim). Barbara isn't the only MPA staff member to be part of the show. Portraying the role of The Baker is MPA music teacher Kaleb Burris. The Wolf/Cinderella's Prince is portrayed by Ryan Mayfield, an MPA alumni and choreographer. MPA set designer, Mark Martin plays the Mysterious Man and stage combat instructor Kellan Connolly portrays Rapunzel's Prince. The production is directed by Kris Heller with music direction by Ian Timmons and choreography by Ryan Mayfield and Shannon Jung. 

Paramount Theatre presents the world premiere musical The Secret of My Success. Based on the 1987 Universal Pictures hit movie starring Michael J. Fox, The Secret of My Success is a wildly funny new musical about corporate culture, unbridled ambition, mistaken identity and making your own way in life.