What's going down at McKinley High?
Today we are talking to one of the stars of the smash hit Broadway revival of Frank Loesser's HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, co-starring Daniel Radcliffe, Tammy Blanchard and John Larroquette, at the Al Hirschfeld Theater, this actor can also be seen in the just-concluded final season of HBO's BIG LOVE and in a recurring role on ABC's BROTHERS & SISTERS - Mr. Christopher J. Hanke! Discussing everything from HAIR and hippies to business suits and HOW TO SUCCEED, as well as a thorough analysis of his CRY BABY experience and even a little IN MY LIFE, Hanke opens up about his co-stars, characters, collaborators and even shares a few audition stories.
Totem Pole Offers More Shows in 2011- County grant funds children's theatre
With one show stopping number after another, Burlesque to Broadway splashes onto The Triple Door stage for three nights only, starring Quinn Lemley, her backup gals and an intoxicating 10-piece big band.
Ben Vereen is back. And he's brought his bowl of cherries. On February 18, 2011, the legendary song and dance man will perform his concert, Stepping Out With Ben Vereen, at Town Hall in celebration of the release of his corresponding album. In the concert, recorded live during its recent Hartford engagement, Vereen highlights his stage career and delivers American Standards with his signature 'razzle dazzle' as only he can.
Armed with a Grammy nomination for the special collector's uber-box set Minotaur, the Pixies announce that they will bring their critically-acclaimed 'Doolittle Tour' to 13 Canadian cities this Spring. The tour will kick off April 9 at the Metro Center in Halifax and work its way across to Western Canada, ending in Vancouver on May 3. This will be the Pixies' most extensive tour of the provinces, and will see the band visiting several Canadian cities for the very first time. In addition, the tour will make stops at three U.S. cities, including Detroit at the Fox Theatre on Friday, April 22 at 7:30 p.m.
With one show stopping number after another, Burlesque to Broadway splashes onto The Triple Door stage for three nights only, starring Quinn Lemley, her backup gals and an intoxicating 10-piece big band.
Rock tenor Rob Evan is perhaps most famous for his essaying of the dual title roles in Frank Wildhorn's JEKYLL & HYDE ten years ago on Broadway - and playing the leads in the new rock reinterpretation of the score known as JEKYLL & HYDE: RESURRECTION - but since that time he has appeared in entertainment entities as diverse as LES MISERABLES, Disney's TARZAN, Alan Menken & Howard Ashman's LITTLE SHOP OF HORRORS, concert performances of CHESS, THE MUSIC OF ANDREW LLOYD WEBBER, The Dream Engine and, of course, his muse-like work for Paul O'Neill, creator and composer of the international phenomenon known as the Trans Siberian Orchestra, as well as the Lord of Excess himself and a rock god like none other, BAT OUT OF HELL visionary Jim Steinman. There's a lot more to the story of Evan, Steinman and DANCE OF THE VAMPIRES than may seem at first bite. In this exclusive conversation, Evan and I discuss his many stage and concert appearances, as well as his extensive studio work - including BATMAN and many new, unheard compositions - with the resplendent and reclusive rock icon known to friends as just Jimmy. Here's a big bloody bite of my conversation with Rob Evan, who can be seen in a number of upcoming appearances on concert stages across the world, including his upcoming ROCK TENOR series of shows. More information is available at his official site here.
2010 was a year filled with all sorts of exciting BroadwayWorld interviews - here's some of this year's highlights!
Civic Light Opera of South Bay Cities and Executive Producer James A. Blackman III proudly closes their 19th season with Walton Jones' musical holiday tribute to the swing era.
Stephen Sondheim to Jerry Herman to Andrew Lloyd Webber, Michael John LaChiusa to Kander & Ebb to Dempsey & Rowe, PUTTING IT TOGETHER to MILLION DOLLAR QUARTET on Broadway - the phenomenally gifted co-founder of the Signature Theater is one of the brightest lights in directing today - whether in regional theatre or on Broadway or the West End - and a mere glance at his resume reveals many of the reasons why. Discussing the current production of SUNSET BOULEVARD opening later this month at the Signature, plus a complete rundown of the upcoming Kennedy Center production of FOLLIES, in this, his most comprehensive interview to date, Eric Schaeffer bares all and reveals what makes his productions shine so bright on Broadway and beyond.
Today we are taking a look and a listen to the winter finale of Fox's hit musical comedy series GLEE and its accompanying soundtrack, GLEE: THE CHRISTMAS ALBUM, both of which premiered this week. 'Tis the season for all good GLEE gifts and if a special Christmas episode - 'A Very Glee Christmas' - just wasn't enough, then the two recently released soundtrack albums can surely fuel your fire until the post-Superbowl special episode in the new year!
B.B. King Blues Club & Grill is located at 237 West 42nd Street (between 7th and 8th Avenues) New York, NY 10036
Civic Light Opera of South Bay Cities and Executive Producer James A. Blackman III proudly closes their 19th season with Walton Jones' musical holiday tribute to the swing era.
Civic Light Opera of South Bay Cities and Executive Producer James A. Blackman III proudly closes their 19th season with Walton Jones' musical holiday tribute to the swing era.
As the leaves are turning into a rainbow of colors, and we await the first snowflakes to fall, DC theatergoers are anticipating Arena Stage's first two productions in their new Mead Center, while Harry Connick, Jr. introduces children to a friendly elf, and Snow White and a red rose and a guy named Fred make a stop at The Kennedy Center. That red-haired orphan brings Sandy and a bitchy Ms. Hannigan and a pooch named Sandy to Olney, MD. Synetic Theater Artistic Director and his wife/choreographer reunite on the stage, a Ziegfeld Folly stars in a one-woman show, and doughnuts are served at The Studio Theatre.
Mack and Mac Productions presents a brand new and unique showcase of one of the world's greatest Musical Theatre composer/lyricist's works in a brand new light, starring some of the West End's hottest talent.
Who has more style? More flair? More imagination? More sheer visual power in each and every frame of every single one of his films than the master of the modern movie musical - and director of the greatest Shakespeare film adaptation ever created, bar none - the fabulously talented and extremely entertaining film genius otherwise known as Baz Luhrmann. In this BWW World Premiere Exclusive InDepth InterView we talk everything from Broadway to Hollywood to Oz - with chairing this year's NYMF, Blu-Rays of his previous films, WICKED onstage and onscreen, GLEE, (the other) Oz, Lady Gaga, Kanye West, Beyonce, Andrew Lloyd Webber and much, much more in-between - so follow the digital yellow brick road to the cyber emerald kingdom in the wonderful world of Baz.
The role of Tony in WEST SIDE STORY may be the most difficult role to cast in musical theatre. It requires a young performer who can sing a tenor role, dance Jerome Robbins' iconic choreography, and act convincingly enough to make the audience believe that love-at-first-sight is a true possibility in the real world. Not every production of the show is successful in getting someone who scores in all these departments.
After his early triumph in some truly troubled musicals - among them the most notorious of twenty-first century cult Broadway musicals, the infamous DANCE OF THE VAMPIRES - this dashing and terrifically talented Broadway leading man went on to star in the most successful production to date of Stephen Schwartz's delicate Gallic musical THE BAKER'S WIFE - causing even the WICKED composer himself to be taken aback by the sheer power of this tenor's voice - and is now singing the most talked about song of the New York Musical Theater Festival - from the new musical THE HISTORY OF WAR - the captivatingly charming and charismatic Max Von Essen. In this thorough discussion we go into his experiences working with Jim Steinman, Roman Polanski, Michael Crawford, John Rando, Mandy Gonzalez and the rest of the cast and creative team of DANCE OF THE VAMPIRES and how that flash of brilliance of a Broadway debut prepared him for the plight of the working actor making his way on Broadway today. We also discuss the details of his new NYMF musical and singing his star-making solo and adding another notable entry to his pristine performance record. Additionally, we talk about playing Enjorlas in the LES MISERABLES revival co-starring Lea Michele and Daphne Rubin Vega as well as his upcoming appearances and events - such as BROADWAY UNPLUGGED - plus how he keeps his voice in shape to traverse the treacherous vocal territory required of the tenor rock ballads he excels at enacting in song - and thoroughly slaughtering.(He'd be the last to admit he has cords of steel, but he does.) He may be known for 'For Sarah', but this interview is all Max.
Today we are talking to the heart-stopping bombshell of BODY HEAT and PEGGY SUE GOT MARRIED, the satirical queen of comedy in SERIAL MOM, the Mother of mass suicide in THE VIRGIN SUICIDES and the unforgettable dog-trainer in MARLEY & ME, as well as the greatest Martha since Uta Hagan in the Edward Albee's ferocious work of staggering genius, WHO'S AFRAID OF VIRGINIA WOOLF; star of stages and screens all over the world, the one and only Kathleen Turner. Talking theatre (her new play HIGH), film (past and future, including a few in the can such as one co-starring Jason Ritter), television (she plays David Duchovney's confidant on CALIFORNICATION), and her erudite insights on the cultural significance of the basic arts - like theatre - in a technology-drenched world. Ms. Turner also talks about working with Francis Ford Coppola, John Waters, Edward Albee, Michael Douglas, William Hurt, James Woods, Kirsten Dunst, Sofia Coppola, Jason Ritter, Emily Deschanel and a host of other huge Hollywood and/or Broadway heavyweights. Her unmistakable voice and spirit paw and purr through every word she selects, she is the cat's pajamas - or should I say, cat's negligee.
The Cincinnati Arts Association is pleased to announce its 2010-11 Season - a season that invites Tri-state audiences to have a playful night out at the Aronoff Center or Music Hall and experience some of the finest musicians and performers in the world playing some of the best music ever written. These intriguing additions to another vibrant Cincinnati arts season are certain to continue CAA's long-standing mission of presenting an eclectic mix of alternative entertainment choices to Cincinnati theater-goers. The exciting Let's Play season features the return of many audience favorites, and offers something for just about everyone.
Okay, it's official, fall has arrived! And fall means theatre season, and that means things are really getting rolling here at Vermont Stage!
Broadway In Chicago is proud to announce the complete 2011 Broadway In Chicago Spring Season Series. This season will include LES MISÉRABLES, WORKING, HAIR, THE MERCHANT OF VENICE, WISHFUL DRINKING and NEXT TO NORMAL. Off-Season Specials include RAIN: A TRIBUTE TO THE BEATLES, SPRING AWAKENING and DISNEY'S BEAUTY AND THE BEAST.
This week, we are taking a look at Sunday evening's starry West End salute to Stephen Sondheim which was broadcast in the UK on TV and everywhere on the BBC website, BBC PROMS: SONDHEIM AT 80. This unforgettable event stars Dame Judi Dench, Maria Friedman, Bryn Terfel, Caroline O'Conner, Julian Ovenden, Daniel Evans, Jenna Russell and Simon Russell Beale singing selections from Sondheim's entire oeuvre - among them: 'Send In The Clowns', 'Broadway Baby', 'Children Will Listen', 'Move On' and 'Side By Side'. Dame Dench's recreation of her Desiree Armfeldt - a role currently essayed by Bernadette Peters who opened this week in the replacement cast of the Broadway revival of A LITTLE NIGHT MUSIC, replacing Tony-winner Catherine Zeta-Jones - is merely impossibly elegant decoration on a decadently rich, rewarding, fulfilling and entertaining gateau of celebratory Sondheimian greatness. A piece of birthday cake like few others. Come along and hear it for yourself if you haven‘t already!
1963 | Off-Broadway |
Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1963 | Drama Desk Awards | Best Playwright | Oliver Hailey |
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