Night In the House 1935 - Articles Page 4

The 14th Annual Provincetown Tennessee Williams Theater Festival is pleased to announce the details of its full 2019 program in September, titled Tennessee Williams and Yukio Mishima.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

When I left the Studio Theatre at the Horowitz Visual and Performing Arts Center at Howard Community College in Columbia where the Rep Stage is housed, I went up to Director Joseph W. Ritsch with a big smile on my face. He told me he wanted to end their season with a comedy that audiences would enjoy. Well, mission accomplished!

It was a special event as The Philly Pops under the baton of the always entertaining and talented David Charles Abell offer a De-lightful "De-Lovey" weekend of music.

Artistic Director Helgi Tomasson and San Francisco Ballet today announced programming for the 2020 Repertory Season. Building on a heritage of commissioning groundbreaking dance from today's top choreographers, uncovering new choreographic talent, staging modern classics, and preserving the works that make up the canon of classic ballet, the 2020 Season places SF Ballet at the forefront of innovation and preeminence. Highlights include two new SF Ballet commissions by Cathy Marston and Trey McIntyre, and a co-commission with American Ballet Theatre of a work by Alexei Ratmansky; as well as works by George Balanchine, David Dawson, Harald Lander, Edwaard Liang, Benjamin Millepied, Mark Morris, Liam Scarlett, Helgi Tomasson, and Stanton Welch. The Season's three story ballets include Balanchine's A Midsummer Night's Dream, Wheeldon's Cinderella, and Tomasson's Romeo & Juliet.

Today, April 15 (3pm EST), Pulitzer Prize Administrator Dana Canedy will announce the winners of the the 2019 Pulitzer Prizes, including the finalists and winners for the Pulitzer Prize for Drama. This announcement marks the 103rd year of the Prizes. For more information on this year's and all past years' winners and finalists, please visit http://www.Pulitzer.org.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.

The Cleveland Orchestra and Music Director Franz Welser-M st announced details of their 2019-2020 season which encompasses 76 concerts over 26 weeks. One significant highlight includes a festival designed to explore music and art that was banned, marginalized, and destroyed during the Nazi's Degenerate Art movement, and the continuing impact of censorship on creative expression in society today. The festival will center on Alban Berg's Lulu, one of the 20th century's most influential operas, and includes partner programming with the area's notable arts institutions.

The Drama League has named honorees of this year's special recognitions at the 85th Annual Drama League Awards!

This summer's 16th annual Bard SummerScape festival comprises more than seven weeks of music, opera, theater, dance, film, and cabaret, centered around the 30th anniversary season of the Bard Music Festival, 'Korngold and His World.'

This summer's 16th annual Bard SummerScape festival comprises more than seven weeks of music, opera, theater, dance, film, and cabaret, centered around the 30th anniversary season of the Bard Music Festival, 'Korngold and His World.' This intensive examination of the life and times of Erich Wolfgang Korngold

The Adelphi Orchestra will feature Randall Mitsuo Goosby, Violin (First Prize winner of the Adelphi Orchestra Competition, First Prize winner of the Sphinx Competition ) in the rarely performed and defiantly triumphant Korngold Concerto for Violin in D major, Op. 35. Randall Goosby's performance of the Korngold Violin Concerto will be the centerpiece in a program entitled "From Vienna with Love" which will also feature Strauss's Overture to Die Fledermaus and concludes with the beautiful Symphony no 2 in D major by Brahms. The concert,  conducted by Richard Owen on Sunday October 27th at 7PM will take place at  NYC's historic Good Shepherd - Faith Presbyterian Church located in the heart of Lincoln Center. Tickets on sale now.

Joh Hartog Productions Presents FEFU AND HER FRIENDS at The Bakehouse Theatre.

Just in time for the Halloween season, Arena Dinner Theatre brings back a creepy old theatrical thriller, 'Veronica's Room.' Written by Ira Levin, who also wrote 'Rosemary's Baby,' the 1973 play has an early '70s horror vibe that isn't seen onstage much these days. But given audience reactions on opening night and at the preview performance, maybe it should.

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents 54 Celebrates Dame Julie Andrews on Sunday, September 16. What do “A Spoonful of Sugar,' “Do-Re-Mi,' “I Could Have Danced All Night,' and “Ten Minutes Ago” have in common? Why Dame Julie Andrews of course! Over the course of her practically perfect seven-decade career, Julie has entertained and inspired audiences across the globe with her performances in My Fair Lady, Cinderella, Camelot, Mary Poppins, and The Sound of Music to name just “a few of our favorite things.”

Actors Co-op Theatre Company (Ovation Award-Winner 2017 Best Play, Intimate Theatre for 33 Variations) presents the first show in its 27th Season with the thriller ROPE, written by Patrick Hamilton, directed by Ken Sawyer, produced by Kevin Shewey.  ROPE will preview on Thursday, September 20 at 8pm and will open Friday, September 21 at 8pm and run through Sunday, October 29 at the Actors Co-op Crossley Theatre, 1760 N. Gower St. 90028 (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.

Tacoma Little Theatre is delighted to announce their 100TH SEASON of theatre beginning in September. 

 A mystery of hidden pasts, lost loves and false identities in a world where living things cannot grow. Members of the Geer family star in a revival ofThe Chalk Garden by Enid Bagnold, a unique comedy that blends witty humor with insightful truths. Susan Angelo directs Bagnold's captivating psychological chamber piece for a June 30 opening at Theatricum Botanicum's outdoor amphitheater in Topanga.

German soprano Evelyn Herlitzius, scheduled to make her San Francisco Opera debut as Brunnhilde in Wagner's Der Ring des Nibelungen (The Ring of the Nibelung), has withdrawn from the upcoming engagement due to health reasons. While San Francisco Opera regrets this casting change, the Company is honored to welcome in her stead the equally acclaimed Swedish soprano Irene Theorin as Brunnhilde, the pivotal heroine of Wagner's magnum opus. A celebrated Brunnhilde, Theorin's engagement will mark her first complete Ring in the United States with three cycles of the work at the War Memorial Opera House, June 12-July 1, 2018.

What our schoolbooks lack in historical accuracy, art can sometimes pick up the slack by being a reliable, more enthusiastic source to fill in those gaps. This becomes abundantly clear immediately upon experiencing the haunting yet beautifully-dramatized world premiere play LITTLE BLACK SHADOWS, Kemp Powers' captivating new drama under the astute direction of May Adrales, that is now continuing its final set of performances at South Coast Repertory in Costa Mesa through April 29. Visually striking and richly layered, the play piques the audience's curiosity with its riveting storytelling while educating them on a side of American slavery that most probably didn't know too much about before.

The Drama League has announced, today, Tony® Award-winners Harriet Harris, Julie White, and Tony Award-nominee Christopher Sieber will announce the2018 Drama League Awards Nominees.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Martyna Majok's COST OF LIVING has officially won the 2018 Pulitzer Prize for Drama.

Rehearsals are in full swing for The 5th Avenue Theatre's production of Kiss Me, Kate, which begins performances next Friday, April 6.

A story relevant to generations past and present, Shakespeare's cautionary tale of love serves as a modern metaphor for the influence of society over individual freedom. For although the personal journeys of Romeo & Juliet are integral to the tale, this is a love story within a clear social and political context - the collective identity of the group is considered more important than the desires of its citizens, dooming the young lovers from "opposite sides of the tracks" to their tragic end as their personal lives are molded by the hostilities of the previous era. Beginning in the 1930s during a time when a rigid dictatorial system had taken over the country, the Capulet family represents the upper-class conservatives with stiff, militaristic movement, while the Montagues represent the liberal low and middle classes, danced with loose, flowing motions laced with pedestrian naturalism.

In addition to seeing some wonderful performance, the great things about wring reviews are that you to get to think, learn, and write. So it was with last Thursday's Firstworks production of AMERICAN RHAPSODY: THE GERSHWIN SONGBOOK with Michael Andrew, Michelle Amato and seventeen piece Gershwin Big Band before a nearly full-house at Veterans Auditorium in Providence. The music was fabulous and I have been thinking about it and the Gershwins ever since.