Will They Ever Love Us on Broadway 1981 - Articles Page 5

There's blood on my program. At first, I thought it was a printing design, but upon further inspection, I realized that, yes, I have blood stains on my program. Normally, I would be concerned, but given that the first three rows at the Moonlight Players Theatre have been designated 'Splatter Zone,' I didn't think much more of it from the safety of my seventh-row seat. Having played out to sold out crowds in its first and second weeks, Moonlight Players' EVIL DEAD: THE MUSICAL will end its run this coming post-Halloween weekend. But fear not, Deadites, for you can also catch Ash Williams and his boomstick on a special Halloween performance as well. The hugely-popular Off-Broadway musical condenses Sam Raimi's Evil Dead trilogy into a two-act musical that celebrates the films' subversive comedy take on 1980s gore. And it does so with a gusto and a panache that knows just how ridiculous and trope-heavy the source material is.

I've recently had the great pleasure of interviewing actress Addie Morales, who is currently in rehearsals for North Carolina Theatre's upcoming production of West Side Story, where she'll be starring in the coveted role of Maria. Addie has previously played the role numerous times regionally at the Lyric Opera of Chicago, Barrington Stage Company, Casa Mañana, and New London Barn. Her other regional credits include Tick, Tick, Boom at Playhouse Square and The Buddy Holly Story at Casa Mañana.

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.

The Ferryman Casts Broadway's Youngest Stars! Meet Jackson, Alex, Jack & Noelle!

ReFrame, a collaborative initiative of WIF LA and Sundance Institute, announced the inaugural class of ReFrame Rise directors at the 2019 Women In Film Annual Gala on Wednesday, June 12 at The Beverly Hilton Hotel. The inaugural class of ReFrame Rise directors include Desiree Akhavan, Haifaa al-Mansour, Patricia Cardoso, Hanelle Culpepper, Sydney Freeland, Zetna Fuentes, Tina Mabry and Meera Menon.

With an immense and exciting programme of 265 shows, Pleasance has programmed a bumper year for you to enjoy this summer with theatre, comedy, music, circus, family shows, magic and dance. There's surely nowhere else you'd rather be!

42nd Street, the iconic Broadway masterpiece and winner of the Tony Award for Best Musical in 1980, is tap-dancing its way onto the Charleston Coliseum & Convention Center's Little Theater stage in Charleston, WV from April 26th, 2019 through May 11th, 2019 courtesy of the talented performers and crew of the Charleston Light Opera Guild.

Coyote StageWorks, the Coachella Valley-based award-winning Actors' Equity professional theater company, will conclude its Tenth Anniversary season with the comedy "Greater Tuna" that will run for nine performances from March 22-31, 2019 at the Palm Springs Art Museum's Annenberg Theater.  "Greater Tuna" is a hilarious send-up of small-town morals and mores. Set in a fictional small town in Texas, this popular comedy stars two skillful, transformative actors who will take on 22 roles as they portray the town's wacky inhabitants. "Greater Tuna" was written by Jaston Williams, Joe Sears, and Ed Howard and will star Alan Denny and Chuck Yates. The production will be directed by Larry Raben. "Greater Tuna" was the very first production Coyote StageWorks mounted ten years ago.

Surrey Civic Theatres presents Merideth Kaye Clark Performs Joni Mitchell's BLUE Album, on March 27, 2019, at 7:30pm on the Main Stage at Surrey Arts Centre (13750 88 Avenue). Hailed as 'a masterful performer' (BroadwayWorld.com) with 'powerhouse pipes' (Seattle Times), Clark will perform Joni Mitchell's iconic BLUE album from beginning to end while playing the guitar and dulcimer, accompanied by Mont Chris Hubbard on piano and violin. This emotionally resonant performance will give Joni Mitchell fans the opportunity to experience the album anew, while conjuring the magic and memories of their initial encounter with this timeless music about love and loss. Ethereal songstress Raine Hamilton will open the evening with her prism-clear vocals, accompanied by violin, guitar, cello, and double bass to create a resonant chamber folk sound.

Okay, this week, I only have to throw out two CDs, but it hurts! I'll never forget May 31, 1992--the 46th Annual Tony Awards. I had just turned 16 and was eagerly tuning in to absorb the Broadway of it all. I didn't really know much about any of the shows, other than that friends and family in New York had flipped for Guys And Dolls and that my parents had loved an earlier incarnation of Jelly's Last Jam when it played the Mark Taper Forum in Los Angeles. Glenn Close was hosting and Patti LuPone was presenting and I was not moving from my seat on the couch until I had a ranked list of the shows I wanted to see when I got to New York to visit my grandparents for Thanksgiving.

San Francisco's 42nd Street Moon has announced the complete array of programming for its upcoming 2019-2020 season.

Birdland will kick-off their exciting month of programming with the following acts

In time for Black History Month, BroadwayHD, the premiere streaming service for live theater in the US and countries across the globe, has pulled together a special playlist that honors African Americans on the stage. From Audra McDonald as Billie Holiday in Lady Day at Emerson's Bar & Grill, to Duke Ellington's Sophisticated Ladies, and the galvanizing drama Pipeline, by award-winning playwright Dominique Morriseau, BroadwayHD presents this month hours of exciting theater celebrating the writing, performances, and music of some of the most talented individuals to ever appear on the stage.

Going strong after more than 45 years, Grammy Award winner The Manhattan Transfer, with tenor vocals from Kean University alumnus Alan Paul '71, will captivate Kean Stage audiences with their distinctive four-part harmonies at Enlow Recital Hall at 3 p.m. on Sunday, September 30.

Presented by a brand new Production group, 4 Leaf Music Productions, in Association with Golden Performing Arts Center, and based on a 1934 Kaufman and Hart play of the same name, this musical tells the story of three friends, Franklin, Charley, and Mary, and the progressive decadence of their bonds and their dreams. The story is told in reverse. When it begins, in 1980, they're in their 40's: Franklin, is a rich, successful, conceited and confused noted songwriter; Charley, the lyricist in the duo, has cut off ties with his partner after a nervous breakdown and Mary is a lonely alcoholic still secretly in love with Franklin from when they first met, years and years ago. As we move forward in the play but backwards in time, we see how their friendships disintegrate, along with their aspirations and Franklin's many whirlwind marriages. Rewinding through the '70s and '60s, we end up in 1957, when the three of them meet for the first time, on a rooftop in the city, all hopeful young talents per-chance gathering to watch Sputnik go by in the pre-dawn sky. The song they sing, 'Our Time' ('We're the movers, we're the shapers/ the names in tomorrow's papers'), is undercut by some very keen irony, since we've already seen how it all turns out, at the beginning.

As the brand-new Interim Executive Producer of Theatre Arlington I am thrilled to announce our brand-new 2018-2019 season. We had to make some changes in our season due to national tours and licensing restrictions. One show change affects the balance of the season as a whole and gave me the opportunity to make new artistic choices.

San Francisco Playhouse (Artistic Director Bill English; Producing Director Susi Damilano) announced casting for the final show of its 2017-18 Mainstage Season--Sunday in the Park with George, the quintessential Stephen Sondheim musical about the art of creation and the creation of art. Bill English will direct the 1985 Pulitzer Prize-winning musical.

This weekend marks the world premiere of UNBREAKABLE, an original work by composer and lyricist Andrew Lippa, co-commissioned by a nationwide consortium of ten gay choruses and featuring Lisa Vroman, Britney Coleman, and Marcus J. Paige.

Composer Thea Musgrave is celebrating these days. It's not just that she's marking her 90th birthday on May 27 with a concert in New York, but that the concert is showcasing a gaggle of world premieres, US premieres and NY premieres (along with more familiar works), which highlight her rich musical vocabulary and keen sense of drama.

Artistic Directors of Paines Plough James Grieve and George Perrin today revealed the full programme for ROUNDABOUT @ SUMMERHALL, kicking off at the Edinburgh Festival Fringe before a UK tour in Autumn 2018.

Directors David Roth (SHS '84) and Kerry Long (SHS '97) bring back one of their all-time favorite shows to the Staples stage: Stephen Sondheim's semi-autobiographical Merrily We Roll Along. With a brilliant 'Broadway-style' score and the deep insight one expects from any Sondheim endeavor, the musical is a spirited and moving cautionary tale for anyone who has ever pursued a dream.

A brand new season of West End musicals, gripping dramas, dynamic dance and one night concerts will go on sale at Wolverhampton Grand Theatre. Highlights include the return of the phenomenally successful smash hit musical THE BODYGUARD, a major new production of DOCTOR DOLITTLE THE MUSICAL, Belinda Lang and Oliver Cotton in DUET FOR ONE, Joe Pasquale, Russell Watson, Doreen Tipton's brand new live show DOREEN'S BIG TOP and the National Theatre return in 2019 with MACBETH.

National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announces five NNPN Rolling World Premieres (RWP): Ready Steady Yeti Go by David Jacobi, Ripe Frenzy by Jennifer Barclay, Apples in Winter by Jennifer Fawcett, The Mermaid Hour by David Valdes Greenwood, and Heartland by Gabriel Jason Dean. The five plays will receive a total of 17 NNPN RWP productions, with each play seeing at least three distinct productions in a 12-month period.

Arkansas Repertory Theatre, the state's largest nonprofit professional theatre, is proud to announce its 2018-19 Season. Beginning in September, the new season exemplifies The Rep's mission of producing diversified work of the highest artistic standards.

The Raymond F. Kravis Center for the Performing Arts is once again offering audience members a dazzling, star-packed lineup of amazing shows, memorable concerts, insightful lectures and very special events during the months of March and April.