Teresa Reichlen News

Magic happened this past Thursday night at the gorgeous David H. Koch theatre as New York City Ballet lit the stage in the premiere week of their much-anticipated winter season. Getting back to their roots and showcasing what they do so well, the company's three-piece All Balanchine I program celebrated their master choreographer, dancing with undeniable effervescence as they attacked the movement to light up the music's striking affectations; it is an intrinsic quality, and one which makes the company so unique.

On Sunday, June 31, 2015, New York City Ballet offered the sweet, the mundane, and the historical. If I were a lyricist I could write a song about this, but since my iambic pentameter is almost non-existent, and my Stephen Sondheim thesaurus nowhere to be found, I guess I'll have to push forward in everyday prose.

So how far does an afternoon of Bournonville go? I would love to say a long way, yet in the performance on Sunday, May 24 at the Koch Theater, the dancers of the New York City Ballet proved that, while soaring high octane is definitely in their blood, the softer sounds and characterizations of Bournonville may be beyond their considerable and powerful techniques.

Hear the Dance:Russia, covered forty years of Balanchine accompanied by Stravinsky's music from his Apollo, created in 1928 for Diaghilev's Ballet Russes, to 1957's Agon, to two works from 1972, Duo Concertant and Symphony in Three Movements. In Balanchine's temple on Lincoln Center's campus, his choreography plagued the dancers with drops, trips, and slips.

In addition to being an incredible highlight of YAGP's work, what other night can one see the best of the best and the best to be on one stage? From quivering port de bras of an eager eleven year old to the stoic grace of Paloma Herrera, YAGP proudly endorsed its place in supporting generations of premier artists.

World's largest dance network and international student ballet scholarship audition - YOUTH AMERICA GRAND PRIX – will present its signature “Stars of Today Meet the Stars of Tomorrow” annual Gala at the David H. Koch Theater, Lincoln Center. The Gala will feature the finalists of the international ballet competition performing alongside today's most celebrated ballet stars – many of whom are alumni of YAGP.

What determines an artistic institution's longevity? How does such an institution thrive after the social, political, and economic forces that engendered it have disappeared? Museums, orchestras, theater and dance companies face these questions as they struggle to succeed in the cultural Darwinism that determines their survival. Some succeed. Others don't. New York City Ballet is a notable success story.

On the first ever World Ballet Day, October 1st 2014, I postponed watching the video stream of five top ballet companies in favor of attending what turned out to be a mesmerizing mixed bill featuring Balanchine ballets to the music of Stravinsky at the Koch Theater in Lincoln Center. YouTube can wait for me to catch up on the video stream later, but being in the audience at a live performance is always a one-time experience never to be recaptured except in the mind's eye.

Daniel Ulbricht/BALLET 2014 offers an exclusive opportunity for audiences to experience some of today's most remarkable ballet dancers in the intimate Ted Shawn Theatre at Jacob's Pillow Dance Festival, July 16-20. New York City Ballet Principal Dancer Daniel Ulbricht directs and performs with a select ensemble of top stars including Tyler Angle, Craig Hall, Robert Fairchild, Russell Janzen, Emily Kikta, Rebecca Krohn, Tiler Peck, Georgina Pazcoguin, and Teresa Reichlen. The program is equally impressive, including Christopher Wheeldon's Liturgy, danced to Arvo Pärt's ”Fratres;” Two Hearts, a collaboration between Benjamin Millepied and composer Nico Muhly; Furiant, created by NYCB Soloist Justin Peck; Sunshine, a solo for Ulbricht by Larry Keigwin; the world premiere of Opus 19. Andante, a duet by critically acclaimed young choreographer Emery LeCrone; and the classic Fancy Free, the first ballet created by Jerome Robbins and Leonard Bernstein in 1944, which subsequently inspired the full-length musical On the Town. Cast subject to change.

Peter Martins, Ballet Master in Chief of New York City Ballet, announced today that choreographer and NYCB Soloist Justin Peck has been named the Company's Resident Choreographer, effective immediately. In this new capacity Peck will create two world premiere ballets for NYCB each year, in addition to continuing to dance with the Company. Peck will become only the second person to hold the title Resident Choreographer at NYCB; the first was Christopher Wheeldon, who had the position from 2001 to 2008.

Peter Martins, Ballet Master in Chief of New York City Ballet, announced today that choreographer and NYCB Soloist Justin Peck has been named the Company's Resident Choreographer, effective immediately. In this new capacity Peck will create two world premiere ballets for NYCB each year, in addition to continuing to dance with the Company. Peck will become only the second person to hold the title Resident Choreographer at NYCB; the first was Christopher Wheeldon, who had the position from 2001 to 2008.

Daniel Ulbricht/BALLET 2014 offers an exclusive opportunity for audiences to experience some of today's most remarkable ballet dancers in the intimate Ted Shawn Theatre at Jacob's Pillow Dance Festival, July 16-20. New York City Ballet Principal Dancer Daniel Ulbricht directs and performs with a select ensemble of top stars including Tyler Angle, Craig Hall, Robert Fairchild, Russell Janzen, Emily Kikta, Rebecca Krohn, Tiler Peck, Georgina Pazcoguin, and Teresa Reichlen.

Daniel Ulbricht/BALLET 2014 offers an exclusive opportunity for audiences to experience some of today's most remarkable ballet dancers in the intimate Ted Shawn Theatre at Jacob's Pillow Dance Festival, July 16-20. New York City Ballet Principal Dancer Daniel Ulbricht directs and performs with a select ensemble of top stars including Tyler Angle, Craig Hall, Robert Fairchild, Russell Janzen, Emily Kikta, Rebecca Krohn, Tiler Peck, Georgina Pazcoguin, and Teresa Reichlen. The program is equally impressive, including Christopher Wheeldon's Liturgy, danced to Arvo Pärt's ”Fratres;” Two Hearts, a collaboration between Benjamin Millepied and composer Nico Muhly; Furiant, created by NYCB Soloist Justin Peck; Sunshine, a solo for Ulbricht by Larry Keigwin; the world premiere of Opus 19. Andante, a duet by critically acclaimed young choreographer Emery LeCrone; and the classic Fancy Free, the first ballet created by Jerome Robbins and Leonard Bernstein in 1944, which subsequently inspired the full-length musical On the Town. Cast subject to change.

Wednesday, May 28th, New York City Ballet presented a program bookended by Balanchine. Concerto Barocco articulated propriety and decorum in delicate glances; Jerome Robbin's Other Dances promulgated gentle desire in the pas de deux; Benjamin Millipied's Neverwhere delved into power plays; and Balanchine had the last laugh with the exuberant laissez-faire Who Cares?

Following the record-breaking attendance of Festival 2013, Jacob's Pillow Dance Festival announces the full 2014 Festival free and ticketed event schedule. Jacob's Pillow is a National Historic Landmark, home to America's longest-running dance festival, and a recipient of the National Medal of Arts. Noted dance writer Jennifer Dunning has called the Pillow "the dance center of the nation, possibly the world."

Following the record-breaking attendance of Festival 2013, Jacob's Pillow Dance Festival announces the 2014 Festival schedule. Jacob's Pillow is a National Historic Landmark, home to America's longest-running dance festival, and a recipient of the National Medal of Arts. Noted dance writer Jennifer Dunning has called the Pillow "the dance center of the nation, possibly the world."

A well honored tradition, New York City Ballet performs George Balanchine's rendition of the The Nutcracker.

New York City Ballet opened its annual season of George Balanchine's The Nutcracker, on Friday, November 29 at 8 p.m. at the David H. Koch Theater at Lincoln Center for the Performing Arts. The 2013 season of the holiday classic, sponsored for a second year by The Travelers Companies, Inc., will include 47 performances through Saturday, January 4, 2014. BroadwayWorld has a first look below!

AOL On Originals, AOL's premium video platform, launched its newest documentary series, city.ballet, today, offering a rare behind-the-scenes look at the day-to-day lives of the elite roster of artists who perform with the New York City Ballet.