Susan Walters News

Freeform announced today that the GLAAD award-winning series will conclude with a special three-night series finale event that will premiere on Monday, June 4 at 8:00 p.m. and conclude on Wednesday, June 6 at 8:00 p.m. with a supersized episode.

On Saturday evening, October 14, 2017, at the David H. Koch Theater, I saw a performance by NYCB including five contemporary pieces choreographed by four members of NYCB and the fifth who had trained at SAB (School of American Ballet, the official school of NYCB).

One of the finest ballet companies in the country is in town this week at the Kennedy Center for two programs that feature the work of some of the world's most famous choreographers.

Justin Peck's newest work, 'The Decalogue,' was placed at the far end of a daunting program this past Thursday as part of New York City Ballet's expansive 'Here/Now' festival. Following Lynne Taylor-Corbett's resonate 'Chiaroscuro,' Jorma Elo's sublime 'Slice to Sharp,' and Peter Martins' transportive, if overlong, 'Stabat Mater,' the sting of anticlimax would have been difficult to avoid for even the most robust work. The evening's narrative was moving to an aesthetic statement, but riding these pieces was also a burden of archaic catharsis which 'The Decalogue' is not equipped to shoulder. However, if dislodged from the context of the program, Justin Peck's newest work represents his most mature excavation of dance form and gives hope that ballet can be not simply dressed up in new fashion, but have its soil tilled for invigorating innovation.

On Sunday, April 23, 2017 at 7:30pm, Works & Process at the Guggenheim presents New York City Ballet's Music Director Andrew Litton, a longtime conductor of symphony orchestras around the world who recently added ballet orchestra maestro to his achievements with his appointment at NYCB.

On Sunday, April 23, 2017 at 7:30pm, Works & Process at the Guggenheim presents New York City Ballet's Music Director Andrew Litton, a longtime conductor of symphony orchestras around the world who recently added ballet orchestra maestro to his achievements with his appointment at NYCB. Litton will share his unique perspective on the similarities and differences between these two experiences, and will illuminate the intricacies of NYCB's vast musical repertory prior to the Company's upcoming Here/Now Festival, featuring 43 ballets created for NYCB since 1988, which will take place from April 25 through May 21 at the David H. Koch Theater at Lincoln Center.

Desperate to understand what is happening to her, Caitlin visits her mother, Dr. Tannhauser, a renowned biomedical researcher, in the hopes that her mother can provide some answers about Caitlin’s growing meta-human powers.

Peter Martins' reconstruction of the 1836 tragicomedy, 'La Sylphide', and Balanchine's 1972 update of 'Tschaikovsky Piano Concerto No. 2' proved to be a particularly felicitous pairing for a February 12th to 18th run at the Koch Theater during New York City Ballet's Winter Season. 'La Sylphide', with choreography by the Danish icon August Bournonville to a score by Herman Lovenskjold, is a masterpiece of surprisingly campy humor plus gorgeous 'white ballet' ensemble work for the ladies. After that opener, the audience is warmed up and ready for one of Mr. B's most ingenious plotless neoclassic treasures.

As part of New York City Ballet's Winter Season 2016 at Lincoln Center's Koch Theater, the program appropriately entitled 'Masters at Work' was a perfect pairing of two disparate yet in one way similar creations by the troupe's founding choreographers, George Balanchine and Jerome Robbins. Mr. B's Liebeslieder Walzer, which premiered in November of 1960, is a lush and romantic evocation of 19th century Vienna to the music of Johannes Brahms set to poems by Friedrich Daumer and Johann Wolfgang von Goethe. In contrast, Robbins's Glass Pieces dating from 1984 is a pulsing portrayal of urban urgency in the 20th century with Philip Glass's minimalist score as the accompaniment.

Following last season's popular BALLET 2014 engagement, New York City Ballet principal dancer Daniel Ulbricht returns with a topflight ensemble in remarkable works by a variety of acclaimed choreographers, performed to live music, this weekend, July 29-August 2 in the Ted Shawn Theatre.

Following last season's popular BALLET 2014 engagement, New York City Ballet principal dancer Daniel Ulbricht returns with a topflight ensemble in remarkable works by a variety of acclaimed choreographers, performed to live music, July 29-August 2 in the Ted Shawn Theatre. Principals, soloists, and corps de ballet members of New York City Ballet and Boston Ballet perform works by prominent artists including iconic American choreographer Jerome Robbins; New York City Ballet's current resident choreographer Justin Peck; Danish dancer, director, and choreographer Johan Kobborg; and Tony Award-winning choreographer Christopher Wheeldon, who achieved both his choreographic start and widespread acclaim at New York City Ballet.