Natalia Makarova News

The Music Center welcomes the return of American Ballet Theatre (ABT) with the company's production of the 19th century classic ballet, La Bayadere, which will be performed at The Music Center's Dorothy Chandler Pavilion for the first time from July 13 - 15, 2018.  The final engagement of the 15th season of Glorya Kaufman Presents Dance at The Music Center, La Bayadere is set in royal India and tells the story of eternal love, fate, vengeance and justice.  The production will highlight ABT's stellar roster of international ballet stars, including Principal Dancers Isabella Boylston, Jeffrey Cirio, Misty Copeland, Hee Seo, Cory Stearns, Gillian Murphy, Devon Teuscher and Christine Shevchenko.

Jump For Joy! The Off-Broadway cast recording of the New York premiere production of the new musical Unexpected Joy, with book and lyrics by Bill Russell (Side Show) and music by Janet Hood (Elegies for Angels, Punks, and Raging Queens with Bill Russell), will be recorded and released by JAY Records. Produced by John Yap, the recording will feature the original cast of The York Theatre Company production who will gather at Sear Sound Studios (353 West 48th Street) on Monday, May 14, 2018 to lay down the tracks for the recording.

New York City Ballet's Centennial Celebration at the Koch Theater in Lincoln Center of the 100th anniversary of Jerome Robbins' birth honors the prodigiously gifted dancemaker, the company's Co-Founding Choreographer, with a ballet lover's feast of five programs from May 3rd to May 20th 2018. The run include two world premieres as well as 20 ballets by Robbins. He died in 1998 at the age of 80, but “Robbins 100” shows beyond a doubt that his legacy endures.

American Ballet Theatre's 2018 Spring Season opens with eight performances of Giselle beginning Monday evening, May 14, led by Hee Seo in the title role, opposite Roberto Bolle as Albrecht and Gillian Murphy as Myrta. Guest Artist Natalia Osipova will perform the title role on Friday, May 18 opposite David Hallberg as Albrecht.

American Ballet Theatre's 2018 Spring Season at the Metropolitan Opera House, May 14 - July 7, will feature the World Premieres of AFTERITE by Wayne McGregor and Harlequinade by ABT Artist in Residence Alexei Ratmansky. Tickets for ABT's 2018 Spring Season at the Metropolitan Opera House go on sale at the box office on Sunday, March 25 at 12 Noon.

With 11 titles set to be broadcast to more than 500 UK cinemas and to another 1,000 in 40 countries across the globe, the Royal Opera House's Live Cinema Season 2018/19 will showcase a wide variety of ballet and opera, including three new works, all relayed live from Covent Garden. The 2018/19 Season will feature the great classic of The Royal Ballet's repertory The Nutcracker and world-renowned opera stars including Michael Fabiano, Jonas Kaufmann, Anna Netrebko and Eva-Maria Westbroek among other treats.

The modern love story based on Shakespeare's Romeo and Juliet, West Side Story Suite, returns in Program Two. Miami City Ballet's own Sharks and Jets rumble, fall in love, dance, and sing in this abbreviated version one of the greatest Broadway musicals. A sold-out smash-hit by Miami City Ballet in 2013, the vibrant West Side Story Suite returns in celebration of legendary choreographer Jerome Robbins' 100th birthday.

Continuing to unite artists from across fields around a common theme, Damian Woetzel's innovative series, DEMO, enters into its third season with a special performance, October 20 21, 2017 in the newly renovated Kennedy Center Terrace Theater.

Continuing to unite artists from across fields around a common theme, Damian Woetzel's innovative series, DEMO, enters into its third season with a special performance, October 20 21, 2017 in the newly renovated Kennedy Center Terrace Theater.

Casting for American Ballet Theatre's 2017 Fall Season at the David H. Koch Theater was announced today by Artistic Director Kevin McKenzie.

The Juilliard School announced today that it has selected Damian Woetzel, director of the Aspen Institute Arts Program, artistic director of Vail Dance Festival, and former principal dancer at New York City Ballet, to serve as its seventh president beginning July 2018.

Los Angeles audiences will discover a new perspective on many timeless classics interpreted through a contemporary lens as they journey through The Music Center's dance season and uncover themes of conflict between female strength and societal expectations.  The 2017/2018 Glorya Kaufman Presents Dance at The Music Center (Dance at The Music Center) season is replete with powerful characters, riveting storylines, modern choreography and theatrics that take the traditional narrative ballet to a new level.  Audiences are invited to venture into the world of dance and experience realms of expression beyond expectation.  The coming season opens with the U.S. premiere of Matthew Bourne's The Red Shoes (September 15-October 1, 2017), a beloved fairytale and Hollywood classic where life imitates art, presented by Dance at The Music Center and Center Theatre Group. 

San Francisco Ballet, long recognized for pushing boundaries in dance, has announced its 2017-18 Season program and schedule. This summer, SF Ballet will return to Festival Napa Valley for one performance only on Friday, July 21, 2017, accompanied by members of the SF Ballet Orchestra. In addition, this October, the Company will once again participate in World Ballet Day LIVE, a day-long streaming event (details to be announced).

On Sunday, April 23, 2017 at 7:30pm, Works & Process at the Guggenheim presents New York City Ballet's Music Director Andrew Litton, a longtime conductor of symphony orchestras around the world who recently added ballet orchestra maestro to his achievements with his appointment at NYCB.

On Sunday, April 23, 2017 at 7:30pm, Works & Process at the Guggenheim presents New York City Ballet's Music Director Andrew Litton, a longtime conductor of symphony orchestras around the world who recently added ballet orchestra maestro to his achievements with his appointment at NYCB. Litton will share his unique perspective on the similarities and differences between these two experiences, and will illuminate the intricacies of NYCB's vast musical repertory prior to the Company's upcoming Here/Now Festival, featuring 43 ballets created for NYCB since 1988, which will take place from April 25 through May 21 at the David H. Koch Theater at Lincoln Center.

HILDA MORALES, former soloist of American Ballet Theatre, and former principal dancer of the Pennsylvania Ballet, will be teaching a master class for the Classical Ballet Theatre in Herndon, Virginia on March 26, 2017.

HILDA MORALES, former soloist of American Ballet Theatre, and former principal dancer of the Pennsylvania Ballet, will be teaching a master class for the Classical Ballet Theatre in Herndon, Virginia on March 26, 2017 from 10 A.M. - 12 Noon. For more information contact Classical Ballet Theatre atwww.ctnva.org

Alonzo King LINES Ballet is pleased to announce its Spring Season at Yerba Buena Center for the Arts, May 4-14. The season pairs visionary choreographer Alonzo King with Bob Holman, legendary founder of the Bowery Poetry Club, endangered language activist, poet and filmmaker.

Ballet Concerto en Miami, FL cerrara sus puertas despues de 55 años. Una de las escuelas de ballet clasico de mayor calidad en Miami, Ballet Concerto abrio sus puertas en 1961 y posteriormente fundo la primera compañia de ballet profesional en el sur de la Florida en 1964. La escuela produjo nombres reconocibles en el mundo de la danza, mas destacadamente Fernando Bujones, y la compañia creo un precedente para el ballet clasico en Miami al invitar a los mas extraordinarios artistas del ballet del siglo veinte al sur de la Florida por primera vez. Artistas invitados incluyeron a Rudolph Nureyev, Carla Fracci, Cynthia Gregory, Natalia Makarova, Ivan Nagy, Gelsey Kirkland y Alexander Gudonov para nombrar solo algunos. Ballet Concerto se conservara como una institucion clave en el desarrollo de las artes y la cultura en el sur de Florida, especialmente entre de la comunidad hispana. Las directoras Sonia Diaz y Martha del Pino, que se exiliaron del Ballet Nacional de Cuba, donde bailaron junto a Alicia Alonso y bajo la direccion de Fernando Alonso, implementaron y mantuvieron el plan de estudio riguroso que hoy en dia destaca al ballet clasico cubano. No hay duda de que el cierre de esta gran institucion deja un enorme vacio, sobre todo en el corazon de las tres generaciones que estudiaron y bailaron en Ballet Concerto y en la memoria de los que fueron testigo de la evolucion de las artes culturales en Miami entre los años sesenta y ochenta, cuando la escuela y compañia estaban en la cima.

Ballet Concerto School in Miami, FL will close after 55 years. One of the oldest and arguably one of the highest quality classical ballet schools in the region, Ballet Concerto opened its doors in 1961 and subsequently Miami's first professional ballet company, Ballet Concerto Company, in 1964. The school produced some recognizable names, most notably Fernando Bujones, and the company set a precedent for classical ballet in the area by bringing the most extraordinary ballet artists of the twentieth century to South Florida for the first time. Guest artists included Rudolph Nureyev, Carla Fracci, Cynthia Gregory, Natalia Makarova, Ivan Nagy, Gelsey Kirkland, and Alexander Gudonov to name a few. Ballet Concerto will be remembered as a key player in the development of arts and culture in South Florida, especially within the Hispanic community. Artistic Directors Sonia Diaz and Martha del Pino, who defected from Ballet Nacional de Cuba, where they danced alongside Alicia Alonso and under the direction of Fernando Alonso, implemented and maintained the rigorous classical curriculum that Cuban ballet has since become known for. There is no question of the void left by the closing of this Miami establishment, mostly in the heart of the three generations, and thousands of students who studied and danced at Ballet Concerto and in the memory of those who witnessed the evolution of the cultural arts in Miami between the 1960's and 1980's, when the school and company were at its peak.