Joel Hackbarth News

New Line Theatre, 'the bad boy of musical theatre,' continues its 24th season of adult, alternative musical theatre, with the St. Louis premiere of the outrageous JERRY SPRINGER THE OPERA, running tonight, March 5-28, 2015, at the Washington University South Campus Theatre, 6501 Clayton Road. This show contains very adult content and language.

New Line Theatre, 'the bad boy of musical theatre,' continues its 24th season of adult, alternative musical theatre, with the St. Louis premiere of the outrageous JERRY SPRINGER THE OPERA, running March 5-28, 2015, at the Washington University South Campus Theatre, 6501 Clayton Road. This show contains very adult content and language.

New Line Theatre, "the bad boy of musical theatre," opens its 24th season of adult, alternative musical theatre with the St. Louis premiere of the new musical BONNIE & CLYDE, running now through October 25, 2014. BroadwayWorld has photos of the cast onstage below!

New Line Theatre, 'the bad boy of musical theatre,' opens its 24th season of adult, alternative musical theatre with the St. Louis premiere of the new musical BONNIE & CLYDE, running tonight, Oct. 2-25, 2014.

New Line Theatre, "the bad boy of musical theatre," opens its 24th season of adult, alternative musical theatre with the St. Louis premiere of the new musical BONNIE & CLYDE, running Oct. 2-25, 2014. BroadwayWorld has a first look at the cast below!

New Line Theatre, "the bad boy of musical theatre," opens its 24th season of adult, alternative musical theatre with the St. Louis premiere of the new musical BONNIE & CLYDE, running Oct. 2-25, 2014. Tickets are available in advance through Metrotix,314-534-1111 or Metrotix.com.

New Line Theatre, "the bad boy of musical theatre," announces its 24th season of adult, alternative musical theatre, including the St. Louis premiere of the new musical BONNIE & CLYDE, running Oct. 2-25, 2014; the St. Louis premiere of the outrageous JERRY SPRINGER THE OPERA, running March 5-28, 2015; and one of the masterpieces of the art form, the darkly satiric THREEPENNY OPERA (which isn't really an opera), running May 28-June 20, 2015.

Looking over a list of New Line Theatre's shows for the past 23 years is a very telling experience. This is a group dedicated to restoring the old and embracing the new. That's why their current production of HANDS ON A HARDBODY shouldn't shock you that it's so damn good (it really is), because this is exactly what they do so well. They take something tuneful and different, perform it enthusiastically in an intimate environment, and the audience is rewarded with a fresh and invigorating experience. Go see HANDS ON A HARDBODY now!

I'm a horror film fan, and I saw NIGHT OF THE LIVING DEAD for the first time at a midnight show when I was a teenager. Like the movie, the musical version (music by Matt Conner, lyrics by Stephen Gregory Smith and Conner) focuses our attention on the victims of a sudden outbreak of zombies. Sure, there are plenty of scenes of zombie mayhem in the original work, but the bulk of the film is really about a group of disparate people struggling to survive in an abandoned farmhouse. This is why I particularly enjoyed New Line's St. Louis premiere of this surprisingly tuneful adaptation. It's a serious-minded production that doesn't take a campy approach or attempt to spoof its subject, and I can appreciate that tact. This is an engaging and well acted presentation that takes a look at how humans behave in the direst of circumstances, and it's a must-see for fans of daring musical theatre.

Scatological, unpredictable, and oddly whimsical at times, BUKOWSICAL is not easily defined or categorized, and that's actually part of its appeal to me. Spencer Green (book, lyrics) and Gary Stockdale (book,lyrics and music) have concocted an interesting musical stew, some of which details the life and times of writer Charles Bukowski, and some of which seems to be skewering the entire idea altogether. For instance, the man himself doesn't bring to mind anything remotely resembling a warm and fuzzy character, and yet the music for this piece is incredibly sunny and upbeat. This makes for a fascinating juxtaposition between the lyrical content and the music that accompanies it. In fact, the words are often graphic and vulgar, but, at times, they're also surprisingly erudite and witty. These contradictions alone act to sum up Bukowski's complicated existence and ultimate status as a wordsmith. New Line Theatre's production captures this drunken genius in all his splendor. You may be shocked by what you see or hear, but I guarantee you won't forget it. This is cutting edge theatre at its finest.

New Line Theatre, 'the bad boy of musical theatre,' closes its 22nd season now through June 22, 2013, with the regional premiere of one of the most outrageous shows the company has ever produced. With book and lyrics by Spencer Green and Gary Stockdale, and music by Stockdale, BUKOWSICAL is a wacky, high-energy - and gleefully adult - musical comedy, an ironic and insightful 21st-century reboot of the classic American musical comedy, exploring the intersection between sex, drugs, booze, and art, all through the life story of the great American novelist and poet Charles Bukowski. BroadwayWorld has new shots of the cast in action below!

New Line Theatre, 'the bad boy of musical theatre,' closes its 22nd season May 30-June 22, 2013, with the regional premiere of one of the most outrageous shows the company has ever produced. With book and lyrics by Spencer Green and Gary Stockdale, and music by Stockdale, BUKOWSICAL is a wacky, high-energy - and gleefully adult - musical comedy, an ironic and insightful 21st-century reboot of the classic American musical comedy, exploring the intersection between sex, drugs, booze, and art, all through the life story of the great American novelist and poet Charles Bukowski. BroadwayWorld has a first look at the cast onstage below!

New Line Theatre closes its 22nd season May 30-June 22, 2013, with the regional premiere of one of the most outrageous shows the company has ever produced. With book and lyrics by Spencer Green and Gary Stockdale, and music by Stockdale, BUKOWSICAL is a wacky, high-energy - and gleefully adult - musical comedy, an ironic and insightful 21st-century reboot of the classic American musical comedy, exploring the intersection between sex, drugs, booze, and art, all through the life story of the great American novelist and poet Charles Bukowski.

New Line Theatre, 'the Bad Boy of Musical Theatre,' will continue its 21st season of rock theatre March 1-24, 2012 with the American regional premiere of the Broadway rock musical CRY-BABY.

New Line Theatre, 'the Bad Boy of Musical Theatre,' will continue its 21st season of rock theatre March 1-24, 2012 with the American regional premiere of the Broadway rock musical CRY-BABY.

New Line Theatre, 'the Bad Boy of Musical Theatre,' will continue its 21st season of rock theatre March 1-24, 2012 with the American regional premiere of the Broadway rock musical CRY-BABY.

New Line Theatre, 'the Bad Boy of Musical Theatre,' will continue its 21st season of rock theatre March 1-24, 2012 with the American regional premiere of the Broadway rock musical CRY-BABY, which The Wall Street Journal called 'the funniest new musical since Avenue Q.' The stage musical is based on the cult classic John Waters film starring Johnny Depp. The original creative team is reworking and re-orchestrating the show for New Line, to make it a smaller, more intimate musical for this first production since Broadway.

Though Shakespeare's first play, TWO GENTLEMEN OF VERONA, is ungainly and raw at times, many of the devices and plot mechanisms that will soon become the playwright's stock in trade are present in its text. As such, it remains a crude example of an early work by a master still fine tuning his craft. In Galt MacDermot (music), John Guarre (lyrics) and Mel Shapiro's (who polished and 'corrected' the Bard's book) 1971 musical adaptation it becomes a light-hearted and enjoyable introduction to his work, full of the same pluck and irreverence that distinguished MacDermot's Hair, but fully capable of standing on its own merit too. New Line Theatre and director Scott Miller's current production of Two Gentlemen of Verona not only rocks, but it's hilarious as well, aided greatly by the spectacular efforts of an enthusiastic cast and a crack band. I honestly can't recall when I've ever witnessed an audience laugh at and enjoy Shakespeare more; the resident 'Bad Boy of Musical Theatre' has come through again.