SLEUTH Comes To The New Vic In Santa Barbara In June
by Stephi Wild
- May 20, 2022
Ensemble Theatre Company (ETC) presents the fifth and final show of its 2021-2022 Season, one of the most iconic and celebrated thrillers ever written, SLEUTH, by Anthony Shaffer and directed by Jenny Sullivan. SLEUTH begins previews on Thursday, June 9 at 7:30pm, opens on Saturday, June 11 at 8:00pm and runs through Sunday, June 26, 2022 at The New Vic, 33 W. Victoria Street in Santa Barbara.
BWW Review: Audience Favorite THE SOUND OF MUSIC Sings Once More in La Mirada
by Michael Quintos
- Apr 27, 2022
THE SOUND OF MUSIC's built-in charm and charisma is indeed very much present in McCoy Rigby Entertainment's latest stage iteration of this classic stage production, now playing at the La Mirada Theatre for the Performing Arts through May 15, 2022. Filled with visually-captivating production values, a gorgeous-sounding orchestral sound, and an overall, infectiously winning spirit, this new production is a fun, pleasantly nostalgic throwback to the old-fashioned Broadway book musical.
HAMLET Announced At Antaeus Theatre Company, Running May 20- June 20
by A.A. Cristi
- Apr 12, 2022
Antaeus Theatre Company returns to in-person performance with a new production of Hamlet, directed by Shakespearean expert Elizabeth Swain and featuring long-time company member Ramón de Ocampo in the title role. Performances begin May 20 and continue through June 20 at the Kiki & David Gindler Performing Arts Center in Glendale. Low-priced previews begin May 15.
World Premiere Of THE DOUBLE V Comes to Matrix Theatre
by Stephi Wild
- Oct 11, 2019
The multi-award-winning team that brought you When Jazz Had the Blues returns with Playwright Carole Eglash-Kosoff's new original play, The Double V at the Matrix Theatre. Directed by Michael Arabian with set design by John Iacovelli. Nic Few leads a dynamic cast!
ORRY Comes to Lee Strasberg Theatre
by Stephi Wild
- Oct 2, 2019
Orry a?" You're invited to the funeral of three-time Oscar winner and Hollywood legend, costume designer Orry-Kelly. Don't expect a little thing like death to stop the whip tongue and quick wit of the unapologetically gay Australian rascal who dressed and heard the secrets of stars like Marilyn Monroe, Bette Davis, Olivia de Havilland, Merle Oberon, Ingrid Bergman and Mae West a?" just to name a few. Fearless, funny and outspoken, Orry-Kelly lived life to the fullest, from his childhood in Kiama, to reveling in Sydney's underworld nightlife, to chasing his dreams of acting in New York, to Hollywood. Based on his memoir a?oeWomen I've Undresseda?? a?" found in a pillowcase in suburban Sydney nearly 51 years after his death a?" Orry incorporates music, dance, vaudeville routines, puppetry, digital art, special effects and a taste of those incredible gowns to share his irresistible story. Anyone who loves classic movies, fashion, gossip and Cary Grant will love Orry.
BWW Review: An Effective HANDJOB Delivers
by Gil Kaan
- Sep 8, 2019
The Echo Theater Company presents a stunning world premiere of Erik Patterson's HANDJOB. Echo Theatre's artistic director Chris Fields quite ably directs his talented cast, as two sets of actors alternately depict the scenario of a curious, middle-aged gay man hiring a shirtless housekeeper/cleaner for a session of cleaning, leering and lusting. Patterson's very witty and smart script of clever puns and sharp observations gets even more witty and even smarter after a big reveal, that I won't be spoiling.
BWW Review: Languid Production of FRANKENSTEIN Will Have No One Clamoring, “It's Alive!”
by Jonas Schwartz-Owen
- Aug 23, 2019
The California Premiere of Nick Dear's adaptation of Frankenstein features a heartbreaking performance by Michael Manuel as a creature born innocent but ugly, taught to hate and rebel against humanity. Manuel carries the production on his hulking shoulders, which becomes crippling due to a confounding script and unusually lifeless direction from Los Angeles star director Michael Michetti.
Erik Patterson's HANDJOB Comes to The Echo
by Julie Musbach
- Aug 2, 2019
When a gay writer hires a man to work as a a?oeshirtless cleaner,a?? homophobia, racism and issues of consent bubble to the surface in the world premiere of Handjob, an outrageous comedy by Erik Patterson. Chris Fields directs the Echo Theater Company production, set to open on Sept. 7 for a seven-week run through Oct. 21. Three a?oepay what you wanta?? previews take place on Sept. 4, Sept. 5 and Sept. 6.
BWW Review: THE CRUCIBLE at Lobero Theatre
by Maria Nockin
- Apr 28, 2019
Opera Santa Barbara presented a musically dramatic rendition of THE CRUCIBLE. As an opera it struck the emotions with a stronger hammer than the play did with mere words. If you can be in Santa Barbara tomorrow afternoon, don't miss the performance at the Lobero Theatre.
BWW Review: RAGTIME at Pasadena Playhouse
by Cary Ginell
- Feb 20, 2019
Pasadena Playhouse's vibrant re-thinking of Lynn Ahrens and Stephen Flaherty's masterpiece, 'Ragtime' is a triumph of innovation and imagination. The show has been extended until March 7.
RAGTIME Extends At Pasadena Playhouse Through March 9
by A.A. Cristi
- Feb 15, 2019
Pasadena Playhouse, the State Theater of California is extending its an all new version of Ragtime: The Musical through Saturday March 9. With strong critical acclaim and audience reviews, performances have already been selling out. Six more performances have been added March 5-9.
BWW Review: RAGTIME Revival Couldn't Come at a Better Time
by Ellen Dostal
- Feb 15, 2019
How do you scale down an epic musical like RAGTIME for a smaller stage and a different time? When it opened at the Shubert Theatre in Century City in 1997, the cast numbered nearly fifty, the same as it would for its Broadway debut later that year. The stage was enormous and the production filled every inch of it. I still remember how the sheer volume of the choral numbers gave me chills.
« prev 2 … next »
|
|
