Ellen Dostal News

Remember the joy of being a kid and spending hours upon hours acting out stories using whatever you could find? When two sticks stood in for a swordfight to save the day or a towel became the mantle of a king? That's what it feels like watching PigPen Theatre Co. in THE OLD MAN AND THE OLD MOON at The Wallis. 

Without a doubt, Andrew Lloyd Webber's hit musical CATS is of an era. Based on one of Lloyd Webber's favorite books as a child, T. S. Eliot's Old Possum's Book of Practical Cats, it was a perfect vehicle for the tastes of theatre lovers in the eighties, the decade of excess. The large-scale production, which opened on Broadway in 1982, was a highly theatrical concept featuring an elaborate light show, impressive dance numbers, and an intoxicating score, exactly what the public had come to expect from the composer of JESUS CHRIST SUPERSTAR and EVITA.

Here she comes, world! The first national tour of the Tony Award-winning Best Musical Revival of Hello, Dolly!, starring Tony Award winner Betty Buckley, launched earlier this year from the Stanley Theatre in Utica, New York. The show just opened in San Francisco!

Never has the relationship between Iago and Roderigo in Shakespeare's OTHELLO stolen the show like it does in the current A Noise Within production, directed by Jessica Kubzansky. With an outwardly nonchalant Michael Manuel as the revenge seeking villain, and Jeremy Rabb, an actor who knows comedy like the back of his hand, as his unsuspecting lackey, the situational humor in Shakespeare's tragedy comes front and center. That's right, humor.

How do you scale down an epic musical like RAGTIME for a smaller stage and a different time? When it opened at the Shubert Theatre in Century City in 1997, the cast numbered nearly fifty, the same as it would for its Broadway debut later that year. The stage was enormous and the production filled every inch of it. I still remember how the sheer volume of the choral numbers gave me chills.

WITNESS UGANDA, a documentary musical, opened at The Wallis in Los Angeles on February 6 and is running through February 23, 2019.

The need for human connection runs deep in WITNESS UGANDA, a musical by Griffin Matthews and Matt Gould based on Matthews' real-life experiences in Uganda. At its center is the idea that we are all part of a global family - one world, one heart - connected by an invisible thread that never lets go.

Here she comes, world! The first national tour of the Tony Award-winning Best Musical Revival of Hello, Dolly!, starring Tony Award winner Betty Buckley, launched earlier this year from the Stanley Theatre in Utica, New York. The show just opened at LA's Hollywood Pantages Theatre.

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature MISS SAIGON, A CHRISTMAS CAROL and More!

What would Christmas in LA be without the Troubies? A lot less funny. Happily, artistic director, writer, and head jokester Matt "Mashup" Walker and his coterie of clowns aren't about to let anyone down. Not only are they back with their seventeenth annual holiday show, they're proving just how smart they really are when it comes to delivering a performance that has its finger on the pulse of what's happening now.

The countdown to Christmas begins and ends with an all-out love blitz this year in For the Record's latest world premiere, LOVE ACTUALLY LIVE, a hybrid entertainment that blends scenes from Richard Curtis' 2003 film Love Actually with live performances of the movie's soundtrack. Co-produced by the Wallis Annenberg Center for the Performing Arts, it is a celebration of love in all its messy, complicated, wonderful glory in a Las Vegas-style vision designed to impress.

The 2019 Los Angeles Drama Critics Circle is excited to welcome in a new season of Los Angeles theatre, the 50th since its inception. Founded in 1969, the Circle currently includes 20 critics covering productions across the Greater Los Angeles area. 

How does a busy soprano balance career, family, motherhood, and art? If that soprano is Julie Makerov, it's all about scheduling and planning ahead of time. Makerov, who will be appearing as one of four soloists with LA's Verdi Chorus this weekend at First United Methodist Church in Santa Monica, says that's the key to managing all of her commitments.

New work is the lifeblood of the theatre and it is also the sole focus of LA-based SkyPilot Theatre Company. Going one step further, SkyPilot's niche is 'producing only original plays, created by LA playwrights,' which they have done consistently since 2010.

On Sunday, October 27th, Theatre West presented a beautiful new addition to the urban art landscape in Los Angeles with the unveiling of local artist Levi Ponce's latest mural featuring Judy Garland. Painted in full color and pictured with the Emerald City behind her, the portrait immortalizes one of the most beloved singers of all time in her signature role - Dorothy Gale from the classic 1939 MGM musical, THE WIZARD OF OZ.

LA's most talented and prolific Theatre Critics take to the stage to answer the questions that keep us up at night, 'Who are these critics, what do they do, and how do we find them?'

LA's most talented and prolific Theatre Critics take to the stage to answer the questions that keep us up at night, 'Who are these critics, what do they do, and how do we find them?'

Tracey Paleo, founder of Gia On The Move, will join notable special guests at the Los Angeles Better Lemon's 'Meet The Critics II'Panel, October 27, 2018, from 10:00AM to 12:00PM.

One of the things theatre does extremely well is create something out of nothing. That's pretty much the key to Stephen Mallatratt's adaptation of Susan Hill's gothic ghost story THE WOMAN IN BLACK, which ushers in the Halloween season at Pasadena Playhouse.

For eight of the last ten years, Wicked Lit has created theatre among the dead - quite literally - at Mountain View Mausoleum in Altadena. Three stories adapted from classic literature have been the norm most recently, with a fourth story functioning as a framing device to connect the pieces and bring a sense of camaraderie to the crowd. The result is an exceedingly entertaining evening of indoor-outdoor theatre in one of the spookiest venues in Southern California.