Thomas F. DeFrantz

The Perelman Performing Arts Center will present Is It Thursday Yet?, The March, and Motion/Matter: Street Dance Festival at the new performing arts center at the World Trade Center site in Lower Manhattan. 

With the support of Walder Foundation, Chicago Dancemakers Forum announces the continuation of its City-Wide Production Residency Project, which was piloted in 2020-2021 and matches local dance-making artists with performance venues for a period of experimentation and creative development in a technical theater space.

Discover the fourth season of Inside the Dancer's Studio, a podcast by the National Center for Choreography - Akron. Listen to engaging interviews with choreographers from across the United States as they discuss their craft, process, and perseverance in the world of dance-making. Available on Spotify and Apple Podcasts.

From April 28-30, Gibney Center will present the world premiere of up against, a new work by acclaimed performer Jennifer Nugent. Through invitation, memory, movement, text, and sound, Nugent's up against emphasizes physical resonance.

Released on HBO Max kicking off celebration of Black History Month. The documentary traces the origin in Africa and follows the evolution through each decade and genre while exploring and commenting on the political and social influences that shaped the artistry of today.

BAM's DanceAfrica will continue its celebration with special Memorial Day weekend programs, including A Return: Liberation as Power (May 24—31), featuring six Haitian visual artists’ meditation on liberation; a special “for teens by teens” event Haiti In Full Scope—exploring the history, art, and culture of Haiti, and more.

The 36th Annual NY Dance and Performance Awards, The Bessies, reconceived this year to honor all of the 2019/20 nominated artists, took place tonight as a virtual ceremony.

The NY Dance and Performance Awards, The Bessies, New York City's premier dance awards honoring outstanding creative work in the field, today announced the nominees for the 2019-20 season. This year, all of the nominees will be honored.

This Week's New Classified Listings on BroadwayWorld for 1/16/2020 include new jobs for those looking to work in the theatre industry.

Darius de Haas (Shuffle Along, Rent, Children of Eden) is looking very animated lately, especially as presented in a new cartoonified recording session video of "Real Thing," released today, Friday, March 29, as a single from the album "All the Possibilities: Broadway Sings Wartofsky" on Yellow Sound Label.

New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event. Yerushalmy and a cast of 20 dancers and scholars, ranging in age from 20 to 68, perform deconstructed installments of Nijinsky's “Sacre” (1913), Graham's “Night Journey” (1947), Ailey's “Revelations” (1960), a mix of Cunningham works “Rainforest,” “Sounddance”, “Points in Space”, “Beach Birds”,  and “Ocean” (1968-1990), dance numbers from the 1969 Fosse's film “Sweet Charity”, and a response to Balanchine's “Agon” (1957) that includes none of the original choreography.

New York Live Arts (Live Arts) to present the New York premiere of Netta Yerushalmy's Paramodernities, March 14-17, 2019, having commissioned the work as part of the Live Feed Residency Program. The complete six-part encyclopedic series is a multidisciplinary work that weaves theory and performance into a four-hour-long hybrid event.

LUMBERYARD Center for Film and Performing Arts joins forces with New York Live Arts (Live Arts) to present the world premiere of Kathy Westwater's Rambler, Worlds Worlds A Part, February 14-16, 2019, having commissioned the work by selecting Westwater as the recipient of LUMBERYARD's 2017 Solange MacArthur Award for New Choreography. In Rambler, Worlds Worlds A Part, Westwater, whom The New Yorker has called "an unconventional choreographer now experiencing a surge of recognition," extends her 20-plus-year exploration of pain and the body, including the pain of others. While contemplating if it is possible to fully communicate the experience of one's own pain-and its opposite, bliss-or to fully know another's, the cast of dancers, including Westwater herself, responds to and celebrates the profound music of post-minimalist composer Julius Eastman.

Dance/NYC, New York City's leading organization dedicated to promoting the knowledge, appreciation, practice, and performance of dance in the metropolitan area, today announced content for its tenth annual Symposium happening Friday, February 22 and Saturday, February 23, 2019, at Hunter College. This is the only gathering of its kind for dance leaders, makers, and supporters in the metropolitan New York City area. Hundreds will gather for panel discussions, case studies, interactive workshops, individual legal and management consultations, a networking lunch, and more. (Visit Dance.NYC for complete program.)

LUMBERYARD Center for Film and Performing Arts joins forces with New York Live Arts (Live Arts) to present the world premiere of Kathy Westwater's Rambler, Worlds Worlds A Part, February 14-16, 2019, having commissioned the work by selecting Westwater as the recipient of LUMBERYARD's 2017 Solange MacArthur Award for New Choreography.

LUMBERYARD Center for Film and Performing Arts joins forces with New York Live Arts (Live Arts) to present the world premiere of Kathy Westwater's Rambler, Worlds Worlds A Part, February 14-16, 2019, having commissioned the work by selecting Westwater as the recipient of LUMBERYARD's 2017 Solange MacArthur Award for New Choreography. In Rambler, Worlds Worlds A Part, Westwater, whom The New Yorker has called "an unconventional choreographer now experiencing a surge of recognition," extends her 20-plus-year exploration of pain and the body, including the pain of others. While contemplating if it is possible to fully communicate the experience of one's own pain-and its opposite, bliss-or to fully know another's, the cast of dancers, including Westwater herself, responds to and celebrates the profound music of post-minimalist composer Julius Eastman.

With over fifty presenters, conference attendees engaged in a vibrant discourse on ballet structure, technique(s), and form; race; gender; and, sustainability at New York University's Center for Ballet and the Arts and Barnard College, Columbia University.

Afrofuturism is a literary, cultural and otherwise artistic aesthetic that combines elements of science fiction, history, fantasy and magic realism to address issues concerning people of color. So where does queerness fit into this aesthetic? Some answers could be found in afroFUTUREqu##r, a four-day festival of sorts, that went up at the JACK theatre last week in Fort Greene, Brooklyn.

The New Jersey Performing Arts Center (NJPAC) observes its Annual Rev. Dr. Martin Luther King, Jr. Celebration, "Keeping the Dream" on Friday, January 16 and Saturday, January 17 with performances, a Ninth Annual Girl Scout Sleepover, and student/family arts education workshops.