Described by The Times as a charismatic virtuoso, recorder player Tabea Debus is constantly exploring the horizons of music for recorder and has performed widely across Europe, Asia, Colombia and the USA. Ohrwurm explores how tunes and dances wormed their way into many aspects of music-making in 17th and 18th-century Europe and, in traversing the centuries, contemporary compositions testify to the earworms secured place in modern life.PROGRAMCiaconna MedleyAfter various Italian composers including Antonio Bertali (1605-1669), Tarquinio Merula (1595-1665) and Claudio Monteverdi (1567-1643)(arr. Tabea Debus)Anonymous (16th century)La Monica or Une jeune fillette Pierre-Francisque Carroubel (1556-1611/15)Spagnolette from: Terpsichore, Musarum Aoniarum (Michael Praetorius, 1612)Gareth Moorcraft (born 1990)Diaries of the Early Worm (2019, for Tabea Debus)John Dowland (1563-1626)Prelude in GJohann Schop (1590-1667)Pavane Lachrimae John Dowland (1563-1626) La Mia Barbara The Earle of Essex Galiard, or Can she excuse my wrongsJacob van Eyck (1590-1657)Engels Nachtegaeltje Wolfgang Amadeus Mozart (1756-1791)Der Vogelfnger bin ich ja Henry Purcell (1659-1695)Fairest Isle Division Flute (1706) & John Johnson (around 1590)Variations on Greensleeves (arr. Tabea Debus)Suite delle Donne (arr. Tabea Debus)Claudio Monteverdi (1567-1643) Suite from Il Ballo delle IngrateLudwig van Beethoven (1770-1827) Fr EliseCharles Hurel (died c. 1692)Prelude, Allemande from: Suite in G Major for solo theorboJohann Sebastian Bach (1685-1750) Courante, Menuet 1 and 2 from: BWV 813 (arr. Tabea Debus)Giovanni Girolamo Kapsberger (1580-1651) Canzona in D minorAndrea Falconieri (1585-1656) La suave melodiaDiego Ortiz (c. 1510-1576)Segunda sobre tenores Italianos from: Trattado de Glosas (1553)$15 students tickets are available by phone or in person. Call the box office at 212 501 3330.
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