Steve Murray - Page 11

BWW Review: CABARET at SF Playhouse is an eye-popping, wonderfully acted revival that is as relevant today as when it premiered in 1966.

BWW Review: THE SAN FRANCISCO GAY MEN'S CHORUS PRESENTS 'QUEENS' at The Sydney Goldstein Theater, a retrospective of powerful LGBTQ Queens from the 60's to today.

BWW Review: Jen Silverman's WINK at Marin Theatre Company explores the thin line between savagery and civilization.

BWW Review: KISS MY AZTEC! at Berkeley Repertory Theatre is a Hilarious, Socially Hip Historical Romp Through the Aztec Empire

BWW Review: ONCE at The Gateway Theater brings us the Tony winning score and heartwarming story of love lost, musical passion and the courage to move on.

BWW Review: ARCHDUKE at TheatreWorks Silicon Valley is Rajiv Joseph's biting satire on modern terrorism filtered through the lens of 'the shot heard round the world'.

BWW Review: BROADWAY BARES / SAN FRANCISCO STRIPS IV : COMIC STRIPS at DNA Lounge is the 4th annual Richmond Ermet Aid Foundation benefit Burlesque-style strip show.

BWW Review: MELISSA ERRICO - LEGRAND AFFAIR at The Venetian Room is a heartwarming homage to Errico's longtime friend, mentor and collaborator Michel Legrand.

BWW Review: THE VIEW UPSTAIRS at New Conservatory Theatre Center follows a time-travelling millennial back to the historic Upstairs Lounge in 1973.

BWW Review: AMERICAN PSYCHO - THE MUSICAL at The Victoria Theatre is a slick, campy well executed musical adaptation of the shocking Bret Easton Ellis novel.

BWW Review: SIGNIFICANT OTHER at SF Playhouse is Joshua Harmon's unorthodox romantic comedy about finding the fairytale Mr. Right

BWW Review: THE GOOD BOOK at Berkeley Rep is Denis O'Hare and Lisa PLeterson's must-see examination of faith, meaning, science and rationalism.

BWW Review: JAZZ at Marin Theatre Company is Nambi E. Kelley's ambitious adaptation of Toni Morrison's tribute to the musical genre and African-American culture.

BWW Review: 110 IN THE SHADE at The Gateway Theater is a sweet and poignant romance set in a 1936 drought-stricken Southwest town praying for a miracle of rain.

Vanity Fair, William Thackery's 19th century exploration of female conventions and ambition as seen through the discerning eyes of Kate Hamill (Sense and Sensibility, Pride and Prejudice, Mansfield Park) is a delight for the eyes and a thoughtful female perspective on gender roles that continue to evolve today. With its sparkling cast of seven actors playing dozens of roles and first-rate direction by Jessica Stone, Thackery's carnival-like satire of British society portrayed through the cunning, strong-willed Becky Sharp is as contemporary today as it was shocking in its day.

BWW Review: THE GENTLEMAN CALLER at New Conservatory Theatre Center is a poignant, intimate meeting between two literary giants- Tennessee Williams and William Inge.

BWW Review: HERSHEY FELDER: A PARIS LOVE STORY at Mountain View Center For The Arts is piano virtuoso and actor Hershey Felder's stunning portrait of Claude Debussy.

BWW Review: IN OLD AGE at Magic Theatre is the fifth offering in Nigerian-American playwright's Mfoniso Udofia's nine-play Ufot family cycle.

BWW Review: THE DIARY OF ANNE FRANK at Center Repertory Company beautifully tels the enduring tale of hope and humanity in the face of horrific inhumanity

BWW Review: THE BRITS ARE COMING at Davies Symphony Hall salutes the music of our friends across the pond with style, camp and the lush sound of the 300 member chorus.