Rob Levy - Page 3

There is a lot to wig out about with The Rep's production of The Mystery of Irma Vep. A rapid-fire mélange of B-movie insanity and camp hijinks, it is a throwback to a time when bawdy and raucous theater was a rebellious sign of the times.

Theater is at its most compelling when the work on stage stays with the audience long after they have left the production. This is especially true with Upstream Theater's Wildfire, a well-acted and perfectly executed play that delves deeply into the psyche of some pretty ugly people.

Expeditiously paced and featuring a talented ensemble, The Rep's Mojada: A Medea in Los Angeles is an unflinching look at the underbelly of immigration that continues this season's focus on offering intriguing dramas filled with complex characters.

In staging a refreshed version of Pride and Prejudice, the Rep has confidently made its case that well produced drama of classic works can continue to remain relevant in the context of contemporary times.

The arrival of the Repertory Theatre St. Louis' production of The Lifespan of a Fact could not be better timed. Although set in 2003, it's explorations of fiction versus nonfiction, fact versus embellishment and storytelling verses the truth could be ripped from the headlines of the modern world.

Angels In America is must-see event that is, in equal parts, a depiction, dialogue, response and conversation about the AIDS crisis. It also is underpinned by themes of race, life, death, faith and politics.

Adapte from the 1994 film, A MAN OF NO IMPORTANCE centers around Alfie Byrne, a down on his luck bus conductor and theater director whose latest theatrical production leads to a powerful journey of self-discovery.

DEAR MR. WILLIAMS centers on the parallel journeys between Batt and his beloved playwright. Sharing Williams passion for The Big Easy, Batt's metamorphosis from adolescent soccer player to an actor lauded by Helen Hayes is a bumpy coming-of-age story filled that is equally parts hilarious, ironic, tragic, contemplative and rousing.

Three decades later SAY ANYTHING remains one of best romantic comedies of the late 1980s. Confronting issues like adolescent love, social status and independence. Its crisp dialogue, witty charm and killer soundtrack provides the perfect launching point for John Cusack's enduring career.

After 30 years of tours and a successful run in the West End and on Broadway MISS SAIGON needed a fresh coat of paint. Boy did it sure get one!