BWW Review: PELLEAS ET MELISANDE at Metropolitan OperaJanuary 16, 2019Pélleas et Mélisande last night was hands down the best thing the Met has done this season. No arias, no duets, no trios, no choruses, just ravishing melodies bathed in some of the most complex web-like, ethereal harmonies.
BWW Review: AIDA at Metropolitan OperaJanuary 9, 2019Aida has been called the grandest of grand operas and the production that has graced the Met stage for the last (unbelievably) 30 years still looks absolutely amazing - towering columns, massive sandstone blocks, etc. Oddly, the audience did not applaud the sets (as they have in every other performance of this production I've seen - about 10 times). The big news of the night on Monday was the house debut of American soprano Kristin Lewis, who has made a name for herself across Europe in many Verdi roles. Her Radames was tenor Yonghoon Lee who seems to be the Met's go-to-tenor for the bigger roles these days. Amneris was a spunky young kid named Dolora Zajick - this kid is gonna go places!
BWW Review: SHE LOVES ME at Elmwood Playhouse, Nyack, N.Y.November 14, 2018Ironically, Miklos Laszlo's 1937 play 'Parfumerie' was not produced in the United States until 2009. Yet that did not stop the Hungarian hit from becoming the inspiration for a whole host of American films, plays and musicals: first the 1940 film, 'The Shop Around the Corner' with James Stewart and Margaret Sullivan, then in 1949 as 'In the Good Old Summertime' with Judy Garland and Van Johnson, then in 1998 as 'You've Got Mail,' with Tom Hanks and Meg Ryan. It also inspired the 1964 musical by Jerry Bock and Sheldon Harnick, (the team behind 'Fiddler on the Roof').
BWW Review: FUN HOME at White Plains Performing Arts CenterOctober 18, 2018'Fun Home' the Tony-winning musical, based on Alison Bechdel's autobiographical graphic novel, is a serious show about a serious topic, showing how members of a dysfunctional family come to terms - sort of - with their sexuality, and their place in the world. Spoiler: some of them deal with it better than others.
BWW Review: VANYA AND SONIA AND MASHA AND SPIKE at Elmwood PlayhouseSeptember 20, 2018'I dreamed I was 52 and unmarried,' so says Sonia, at the very beginning of Christopher Durang's dryly eccentric comedy about the middle-aged children of a pair of literary professors who thoughtlessly named their children after the characters in Chekov plays.
BWW Review: SOUVENIR at Penguin Repertory TheatreAugust 28, 2018Singing poorly is an easy task for those of us who can't sing. But it's daunting task to singers who have spent a lifetime refining their vocal production. As Florence Foster Jenkins Debra Jean Templin puts aside all of her skill and technique to become the legendary tone-deaf diva, society matron cum opera singer.
BWW Review: A FOX ON THE FAIRWAY at Elmwood PlayhouseMay 17, 2018Ken Ludwig had a worldwide hit with 'Lend Me a Tenor,' which was a throwback of sorts to the madcap physical British stage comedies of yesteryear. According to all the press materials for his play, 'A Fox on the Fairway,' this play is another tribute to the great English farces of the 1930s and 1940s. And truth be told there are many valid comparisons, but the comedy is of a far less polished and elegant form in his play (the female love interest actually says she needs to kiss her paramour's 'balls' for luck). This kind of low brow humor is found everywhere in 'A Fox on the Fairway.'