Paul Batterson - Page 14

Paul Batterson

Since 2013, Paul Batterson has had a secret life: being a volunteer writer for BroadwayWorld. During this time, he has had the pleasure to see some of the best plays, musicals, and concerts, interview some of his personal heroes (Joe Walsh, Steven Page, and Ben Folds) and industry leaders (Andrew Lippa and Nathan Tysen) and watching Columbus theatre scene grow and grow. Batterson graduated from the University of Missouri with a degree in journalism and from Capital University with a teaching license. He has been married to his lovely wife Nancy for over three decades and has two grown children in Alicia Millerson, an actress in Denver, and Grant Batterson, who is heading to grad school in England.




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First Show:

Marmalade Gumdrops

Favorite Show:

I think EVITA is one of my favorite shows. It is great story telling about an event I knew nothing about and it changed my thinking of what a Broadway show could be.

Favorite Stories:

  • Henry Winkler - As a child growing up in the 70s, a person couldn't get any cooler than the Fonz. Getting a chance to meet Henry Winkler and hear tell the stories of his life journey was amazing.
  • Waiting in line half the adventure for Walsh fans - How many times do you get a chance to meet one of your heroes? It was so interesting to spend three or so hours with fans waiting to meet Joe Walsh at a record signing in his home town of Columbus, Ohio.
  • Squeeze’s Difford ready to test road waters in band’s NomadBand tour - Chris Difford pens some of the most poetic, thoughtful lyrics out there. It was interesting to sit down with him (via the miracle of Zoom) and see how he does it.
  • DEAR EVAN, Thanks For Everything. Sincerely, Columbus. - I truly enjoyed DEAR EVAN HANSEN because of the way it took the audience on a journey through despair to hope. It tackles some of the big issues of today (teenage suicide and social media) in a way that didn't sound preachy or like an afterschool special.
  • TOXIC AVENGER Earns a Glowing Review - You have to love a show whose opening line is a warning: The story we're about to tell you is so disturbing, we've stationed a registered nurse outside in the lobby. She is armed with a tranquilizer dart gun for those needing sedation. She also has Xanax and Vicodin she got off the internet."


BWW Interview: Steven C. Anderson Offers a Familiar Story from a New Prospective
BWW Interview: Steven C. Anderson Offers a Familiar Story from a New Prospective
March 7, 2014

When he writes a play, Columbus resident Steven C. Anderson usually begins within an idea and finds the right cast to present it. With THE WOLF TALES, which opens tonight, March 7 at the Studio Two Theatre in the Riffe Center, Anderson did things the other way around. He started with a cast and wrote a children's play tailor-made for their strengths.

BWW Reviews: SEINFELD New Man in Standup Tour
BWW Reviews: SEINFELD New Man in Standup Tour
February 28, 2014

Comedian Jerry Seinfeld is famous for creating SEINFELD, a show about nothing. As a standup comedian, Seinfeld proved he can make just about anything funny. Performing before a packed Ohio Theatre crowd Feb. 27 in Columbus, Seinfeld proved his point during the opening 10-minute diatribe about what it probably took most of the audience to get tickets for the show.

BWW Reviews: LA CAGE AUX FOLLES Anything But a Drag
BWW Reviews: LA CAGE AUX FOLLES Anything But a Drag
February 20, 2014

Having future in-laws meet can often be a pretty awkward experience, especially when the two sets of parents reside on opposite sides of the political fence. Few meetings could be more awkward than the ones in LA CAGE AUX FOLLES, a two-act musical being presented by Imagine Productions at Wall Street Nightclub in downtown Columbus.

BWW Interviews: Becoming John Lennon a Real Challenge for McNeil
BWW Interviews: Becoming John Lennon a Real Challenge for McNeil
February 17, 2014

Every time he looks at his niece Angela, Ron McNeil remembers John Lennon. McNeil's niece was born Dec. 9, 1980, a day after Lennon was shot and killed outside his apartment in New York City.

BWW Interviews: Balgord Enjoys Taking on Another One of the Webber Women
BWW Interviews: Balgord Enjoys Taking on Another One of the Webber Women
February 7, 2014

Back as part of a national tour for the first time in 17 years, Linda Balgord finds herself in familiar, but new territory. Balgord plays Madame Giry in THE PHANTOM OF THE OPERA, marking the fifth different character she's played in an Andrew Lloyd Webber musical.

BWW Reviews: CATCO is Kids' THE CAT IN THE HAT Brings Dr. Seuss' Book to Life
BWW Reviews: CATCO is Kids' THE CAT IN THE HAT Brings Dr. Seuss' Book to Life
January 16, 2014

The opening pages of Dr. Seuss' THE CAT IN THE HAT give a perfect description of a dismal January day in Columbus. CATCO is Kids production of THE CAT IN THE HAT at Studio One Theatre in the Vern Riffe Center might be the perfect cure for families suffering from cabin fever of the city's muck and mire season.

BWW Interview: Otis Williams Keeps The Temptations' Name Alive
BWW Interview: Otis Williams Keeps The Temptations' Name Alive
January 16, 2014

Surviving. A rock band and a television show may have named themselves after the concept and Gloria Gaynor may have sung about it. For the last 50 years, Otis Williams and the Temptations have lived it out.

BWW Reviews: WE WILL ROCK YOU Not Too Deep But Lots of Fun
BWW Reviews: WE WILL ROCK YOU Not Too Deep But Lots of Fun
January 9, 2014

The notoriously harsh London critics predicted a very short lifespan for WE WILL ROCK YOU, a musical centered on the rock band Queen's hits, when it opened May 14, 2002 at the Dominion Theatre in London's West End. The Guardian felt the production came across as 'ruthlessly packaged and manufactured,' with its plot finding 'more unlikely ways to wring out another Queen song' into the two and a half hour performance.

BWW REVIEWS: Weathervane's Take on LES MISERABLES Delightfully Different
BWW REVIEWS: Weathervane's Take on LES MISERABLES Delightfully Different
December 30, 2013

One of the great things about the theater is that art is constantly changing, constantly evolving. If it isn't, even the best of shows become stale, bland and, God forbid, boring.

BWW Interviews: Queen's Musical Has Had a Profound Effect on Peck
BWW Interviews: Queen's Musical Has Had a Profound Effect on Peck
December 26, 2013

Erica Peck was about five years old when Freddie Mercury died but the flamboyant lead singer for Queen has made a major impact on the Canadian singer's life.

BWW Reviews:  3 IN 30: WHITE ELEPHANT Offers Plays for Audiences with Short Attention Spans
BWW Reviews: 3 IN 30: WHITE ELEPHANT Offers Plays for Audiences with Short Attention Spans
December 16, 2013

When asked how long a novel should be, Ernest Hemmingway said he could tell a complete story in just six words. When the person doubted it, Hemmingway wrote 'For Sale: Baby Shoes. Never Worn.'

BWW Interviews: 3 IN 30: WHITE ELEPHANT to Deliver Three Overlooked Plays
BWW Interviews: 3 IN 30: WHITE ELEPHANT to Deliver Three Overlooked Plays
December 9, 2013

The 3 IN 30: WHITE ELEPHANT showcase, which will be performed 10:30 p.m. Dec. 13 and Dec. 14, at the MadLab Theatre, could easily be called the 'leftoverture.' The showcase, which features three 10 minute plays by area playwrights, presents works that just missed the cut of previous 3 in 30 productions.

BWW Reviews: SPEED-THE-PLOW Gains Momentum and Refuses to Slow Down
BWW Reviews: SPEED-THE-PLOW Gains Momentum and Refuses to Slow Down
November 4, 2013

Rarely has a curtain call so nicely traced the arc of a play as Otterbein University's production of SPEED-THE-PLOW did last Friday at the Campus Center Theatre. At the conclusion of the three-act play, each one of the actors Tori Hidalgo (Karen), Sam Ray (Charlie Fox) and Sean Murphy (Bobby Gould) try to sit in the comfortable leather chair behind the boss' desk only to be shooed away by another.

BWW Reviews: ASSASSINS Hit Their Mark
BWW Reviews: ASSASSINS Hit Their Mark
November 1, 2013

The Red Herring Productions' choice to stage Stephen Sondheim's ASSASSINS at the Riffe Center Studio One Theater couldn't have been more ironic. Less than a gunshot away from a stoic statue of William McKinley, Leon Czolgosz (played by Jay Rittberger) will assassinate McKinley for seven times between Oct. 31 and Nov. 9 and earn applause for it.

BWW Interviews: The Original Cast of JERSEY BOYS Reconnects with Audiences, Music as Midtown Men
BWW Interviews: The Original Cast of JERSEY BOYS Reconnects with Audiences, Music as Midtown Men
October 31, 2013

Christian Hoff has a record amount of voices inside his head. He holds a Guinness World's Record for 'Most Character Voices in an Audio Book' doing 241 separate voices in Tell Me How You Love the Picture, based on the career of movie producer Ed Feldman.

BWW Interviews: SPEED-THE-PLOW Hopes to Deliver at a Rapid-Fire Pace
BWW Interviews: SPEED-THE-PLOW Hopes to Deliver at a Rapid-Fire Pace
October 25, 2013

When Otterbein University sophomore Tori Hidalgo signed on to do the David Mamet play, SPEED-THE-PLOW, she thought it was a great chance to play Karen, a naive secretary that becomes the object of a bet between Bobby Gould (played by senior Sean Murphy) and Charlie Fox (senior Sam Ray).

BWW Reviews: Hancock and Company Provide a Vast Array of Jazz at New Albany
BWW Reviews: Hancock and Company Provide a Vast Array of Jazz at New Albany
October 10, 2013

With a white keytar strapped around his neck, Herbie Hancock provided one of the most musically iconic moments in the 1980s. His video for the instrumental 'Rockit' came in 10th on the VH1's '100 Greatest Videos of All Time.'

BWW Reviews: Otterbein's Massive Undertaking of LES MISERABLES Pays Off
BWW Reviews: Otterbein's Massive Undertaking of LES MISERABLES Pays Off
October 6, 2013

Fans of the show LES MISERABLES have had a smorgasbord of productions to choose from in central Ohio this year. After Cameron Mackintosh LTD released the rights to the musical to coincide with the release of the movie, several high schools and community theaters have taken on the massive task of presenting the musical.



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