Joseph Harrison - Page 2

In 1979, the office was a very different place than it is today. Secretarial pools, typewriters, and carbon copy memos were regular fixtures as was, unfortunately, blatant misogyny and sexism in the workplace. Thankfully, we have grown and evolved as a society since then, but sometimes looking back on those times can give us perspective on our current world, and can, in fact, be quite entertaining as well. That’s certainly the case with Titusville Playhouse’s 59th season opener, 9 TO 5 – THE MUSICAL, an energetic and funny adaptation of the classic film.

Sometimes a production comes along that finds the perfect synergy between content, cast and creative vision ultimately delivering an elevated theatrical experience. And when that show is lesser known, but wildly entertaining that makes this perfect alignment seem even more rare. I am thrilled to say that The Winter Park Playhouse has found just such a production in DESPERATE MEASURES, the final offering in its 20th season. This rollicking, hilarious and superbly performed musical comedy is sure to thrill and shows off why The Winter Park Playhouse is truly a gem in the Orlando theatre community.

Here in Orlando, we are lucky to be a stop for many Broadway tours and also very fortunate that these get to play in the magnificent Dr. Phillips Center For the Performing Arts. But rarely do we have the chance to see a limited run of an acclaimed Broadway musical with much of its original cast in place. But next week, we have just that chance when Stephen Sondheim’s INTO THE WOODS lands in Orlando, fresh off a successful run on Broadway and original production at City Center ENCORES!. One of those cast members who has been a part of the production from the very beginning is Cole Thompson, who plays the young lad, Jack. I had a chance to catch up with Cole and learn about his take on the role and his exciting journey with INTO THE WOODS.

“White. A blank page or canvas. The challenge: bring order to the whole.” These words begin Stephen Sondheim’s Pulitzer Prize and Tony Award winning musical, SUNDAY IN THE PARK WITH GEORGE – an exploration of the passion and beauty found in creativity and art as told through the fictionalized eyes of the artist Georges Seurat. In mounting this rarely produced musical as the close to its 58th season, Titusville Playhouse gloriously captures the emotion, the urgency, the relevance, and the importance of this Sondheim classic and delivers it flawlessly.

There are some musical theatre scores that burrow themselves into your subconscious and stay with you long after the first listen or the first time experiencing a show in a darkened theatre. For me, Lucy Simon’s score for THE SECRET GARDEN is one of those that has permanent real estate in my head ever since I first listened to the cast album 32 years ago . Maybe it’s Ms. Simon’s soaring, beautiful melodies or Marsha Norman’s poetic and poignant lyrics (and book) but THE SECRET GARDEN is, vocally, as luscious and verdant as the garden that features prominently in the play. It is a perfect vehicle, then, for a company with “Vocal Arts” in its name – and in Central Florida Vocal Arts’ (CFVA) production, now playing through May 7th at the Dr. Phillips Center, the music takes center stage and is allowed to blossom into something truly magical.

'Laughter through tears is my favorite emotion', states southern sage and beauty shop owner Truvy Jones in STEEL MAGNOLIAS. No line of dialogue describes so well the audience's experience while viewing this hilarious and touching play. And in Osceola Arts’ latest production of the Robert Harling classic the laughs (and tears) are plenty – orchestrated by six talented actors embodying these old friends from Chinquapin Parish, Louisiana.

One of the first things I realized when I moved to Orlando back in 2020 was the extremely active and vibrant arts scene. This came as a real surprise because, as an outsider, I had previously only associated the area with theme parks and tourism. I quickly learned about the wealth of talent, artistic offerings and culture available to us all here in the City Beautiful and of the amazing venues and spaces where art and culture happen here every day and have since had a chance to personally experience so many of those spaces as I review performances there. One of those key spaces, or cultural “hearts” of the city, is the Dr. Phillips Center for the Performing Arts – a stellar, state of the art venue that houses multiple performance spaces and makes its mission to provide “Arts For Every Life”. To learn more about the Dr. Phillips Center and everything it has to offer today (and for the future), I sat down with CEO Kathy Ramsberger who provided a bit of background on her own journey and discussed the role the center plays bringing arts and culture to the people of Orlando and beyond.

URINETOWN: THE MUSICAL may not be the most appealing title for a show, but it has proven over the last 20+ years since its journey to Broadway (scoring ten Tony nominations and three awards) that it can be a real crowd pleaser, despite the unfortunate title (and unique subject matter). With music and lyrics by Mark Hollmann and book and lyrics by Greg Kotis, URINETOWN is that rare breed of musical – a tuneful and entertaining satirical comedy with a deeper commentary on the state of the world. And for Theatre South Playhouse in Dr. Phillips this production is a long time coming – as they were poised to open a production of the show in March 2020. So, just like the characters in URINETOWN, you might say the theatre company has been “holding it” for three years (sorry, I couldn’t resist). And the wait seems totally worth it for this production delivers a funny, entertaining and rollicking good time from beginning to the very last “flush.”

The latest offering by Florida Theatrical Association at the newly-opened Orlando Fringe Arts Space in downtown Orlando, is the Central Florida premiere of Adam Rapp’s, THE SOUND INSIDE. This Tony Award nominated play provides audiences with a complex and fascinating journey into an unlikely relationship between a tenured Yale creative writing professor and a brilliant but enigmatic student. A layered story – THE SOUND INSIDE feels at times to be a thriller, at others a love story, but throughout – a mystery.

In the world of theatre, there are some shows that simply resonate on a different level. In my experience, this happens when the perfect cast comes together with visionary creatives at the perfect moment in time. And when these puzzle pieces all snap into place, it delivers a performance that just feels different, one that makes the audience feel like they are lucky to be in that moment together. If you have experienced this before, you know, it is truly magical. Typically, this has been, for me, a feeling primarily reserved for popular, highly acclaimed shows, usually on Broadway (but not always). On Thursday night – I experienced that same rush, those same chills, and that same rare feeling sitting in the audience for the first time at the historic Athens Theatre in Deland, Florida – witnessing their latest production of THE HUNCHBACK OF NOTRE DAME. As I sat there, I forgot that the amazingly talented cast were all volunteers – brought together by their love for the art and a passion for performance – and reveled as they delivered a stunning piece of musical theatre that was truly wonderous to behold.

What happens when you take nearly 300 students representing 52 productions from 33 high schools from across Central Florida and put them onstage at Orlando’s Dr. Phillips Center for the Performing Arts? You get the Applause Awards – the annual ceremony, modeled after the Tony Awards which features performances from the winners of “Outstanding Musical” and culminates in the selection of two overall winners who advance to the High School Musical Theatre Awards in New York City (also known as The Jimmy Awards). One of last years winners, Jackson Chase, sat down with me to talk about his experience during last years’ awards, his adventure in New York at the Jimmy Awards, and share advice for all those students hoping for a similar experience this year.

Some theatrical productions just come around at the perfect moment in time. And here today, in Florida, with self-expression and, specifically, drag queens, under fire seemingly every day, a show like KINKY BOOTS – conveying the importance of acceptance and walking a mile in someone else shoes (or high-heeled boots) is just what our weary hearts need. And in the closing production of its 2022 – 2023 season, Orlando Shakes provides a joyful, exuberant, colorful, and highly entertaining show that conveys a message we all need to hear.

In the skilled and creative hands of Titusville Playhouse, INTO THE WOODS is fresh and fantastic – with all the familiar elements, yes – but with a current sensibility and a unique aesthetic that made me feel like I was seeing this show for the first time again.

One of the things I love about musical theatre is how it can be so many different things all at once. Shows that tackle a deep subject or address a serious social topic sit next to light and fun stories of queens and knights in shining armor, and all make great musicals. And some shows, like PRISCILLA, QUEEN OF THE DESERT tackle all of the above, but do so wrapped in a glittery, colorful wrapping. So, I was particularly excited to make it out to Titusville to see Titusville Playhouse’s PRISCILLA, QUEEN OF THE DESERT (now playing through March 26th) – and found there a rollicking, good time that also strikes a particular nerve at this moment in history.

Who is creepy, kooky, mysterious, spooky and altogether ooky? It’s the Addams family of course! This iconic, weird and wacky family first graced the pages of the New Yorker in a comic strip by Charles Addams 85 years ago and since then have spawned a fan-favorite 1960’s TV show, a series of films and even a recent hit series, “Wednesday”, on Netflix. But in Andrew Lippa’s 2010 Broadway musical, THE ADDAMS FAMILY, audiences get to see a new side of the macabre exploits of Gomez, Morticia and their family – told through the magic of musical theatre. But like everything the Addams family does, this musical is far from normal. And New Generation Theatrical’s latest production of the musical hits all the right notes (played on an old, dusty organ of course) and creates an immersive treat that is a thrill to experience.

A new cabaret series is now underway in Orlando featuring stars from some of Broadway’s most beloved musicals. The series, called “Broadway On the Rocks” will offer it’s next show on Saturday, March 4th at the newly renovated Rocks Lounge at the Hyatt Regency Orlando. During each one-hour show, performers will share songs and stories from their lives on-stage, accompanied by pianist John R. Mason, III. Taking the stage on April 22nd will be Megan Reinking (HAIR, DRACULA THE MUSICAL, HBO’s Boardwalk Empire). I caught up with Megan and talked about her theatrical career, her experience on Broadway, and her thoughts on living in Orlando.

Getting to see a newer musical produced for the first time in the area by a local theatre is a particular thrill. That is especially the case for a musical like THE PROM, which has built a following due to it’s popular Broadway run and the recent musical film on Netflix. And in the hands of the skilled creative team and fantastic cast at Theatre South Playhouse, this Central Florida regional professional premiere is in excellent hands. It is fresh and fantastic and in the intimate TSP space, the audience is given the rare chance to connect on a personal level with the frenetic and fun story unfolding on stage.

A new cabaret series is coming to the Orlando featuring stars from some of Broadway’s most beloved musicals. The series, called “Broadway On the Rocks” premieres on Saturday, February 18th at the newly renovated Rocks Lounge at the Hyatt Regency Orlando and is just the first of three concerts planned. During each one-hour show, performers will share songs and stories from their lives on-stage, accompanied by pianist John R. Mason, III. Taking the stage for the first performance in the series will be Lindsay Northen (WICKED) and Jared Bradshaw (JERSEY BOYS, CHARLIE AND THE CHOCOLATE FACTORY), a talented husband and wife duo who relocated to Orlando during the pandemic and have come to call the City Beautiful home. I caught up with Jared and Lindsay and talked about their Broadway journey, how they ended up here in Orlando, their YouTube following and what to expect during their evening of cabaret.

Experiencing something familiar through a new lens can be particularly thrilling. Whether that be a story brought to the stage from a beloved book or film, an untold side of a familiar tale or a modern take on a classic – experiencing something old in a new and different way is exciting. That was my experience seeing The Winter Park Playhouse’s latest production, NUNSENSE A-MEN! – a mounting of the classic Dan Goggin musical comedy with a twist – all the Nuns that in“habit” the stage are played by men (thus the “A-Men!” in the title.) And as with so many productions of this audience favorite before it, The Winter Park Playhouse’s production of NUNSENSE A-MEN! delivers many laughs and a downright good time.

Clue has evolved over the years beyond the dining room table and has since inspired a musical, several books and video games, and a 1985 film. It is this camp classic film that serves as the basis for CLUE ON STAGE, a theatrical mounting of the movie, which is now being lovingly and hilariously performed on stage now at Osceola Arts.