Jade Kops - Page 39

David William's new one man show, SMURF IN WANDERLAND, shares a personal story of discovery as he undertakes his own social experiment to challenge the notion that Sydney is dangerously divided by its' sporting loyalties.

The heart wrenchingly beautiful story of a father trying to connect to his son through stories comes to life with simplicity and sensitivity in a sublime production of BIG FISH.

Harvey Fierstein and Cindi Lauper's multi award winning, feel good hit KINKY BOOTS delighted Sydney's opening night audience with its heart-warming story of courage, acceptance and fabulous footwear.

Rajiv Joseph's acclaimed play BENGAL TIGER AT THE BAGDAD ZOO is presented by Mad March Hare Theatre with compact creativity at the Old Fitz Theatre as part of Red Line Theatre's season of Unspoken stories.

After six years of acclaimed cabaret performances, diva Mama Alto and her musical directress Miss Chief spent November 2016 in an extraordinary entirely analogue recording facility for vinyl records.

Presented by Sydney Philharmona Choirs, Johann Sebastian Bach's ST MATTHEW PASSION is a perfect escape from the chaos of commercialism to reconnect with the real reason for the Easter holiday.

Keith Robinson and Tony Taylor's fabulous imagining of the bigger story behind William Shakespeare's A Midsummer Night's Dream's misfit band of 'Rude Mechanicals' comes to life in THE POPULAR MECHANICALS.

Almost 105 years to the day that the famous unsinkable ship departed on her maiden voyage on the 10th of April 1912, BWW-Sydney had the opportunity to visit TITANIC THE EXHIBITION.

Jonathan Biggins (writer and director) looks at the apparent state of Australian media and news reporting in his new play TALK.

Sport for Jove Theatre Company has teamed up with She Said Theatre and the Seymour Centre to present Seanna van Helten's new play FALLEN which aims to expose a lesser known part of 19th Century British and Australian history.

The acclaimed play within a play THE PLAY THAT GOES WRONG is perfection in its precision to create the hilarious image of much less than perfect.

Terry Johnson (playwright) brings Sigmund Freud (Jo Turner) and Salvador Dali(Michael McStay) together in HYSTERIA for a bizarre and baffling evening of comedy, confusion and conscience.

Bram Stoker's Late Victorian Gothic Horror novel comes to life in Shake and Stir's terrifyingly wonderful adaptation of DRACULA.

Chatswood Musical Society brings Brian Hargrove and Barbara Anselmi's Broadway hit IT SHOULDA BEEN YOU to Independent Theatre for its Australian Premiere. A fun filled farcical musical first produced in in New Jersey in 2011 with a subsequent Broadway run in 2015 is distinctly "New York" in its characters but is very universal and current in its themes.

Bizet's CARMEN's big dramatic imagery, colourful crowd scenes and bold iconic music lends itself to a major spectacle like HANDA ON SYDNEY HARBOUR (HOSH), the jewel in Opera Australia's annual programme so it is understandable that they have opted to 'revive' the 2013 production.

Reviving a genre for a new era, Declan Greene's THE HOMOSEXUALS OR 'FAGGOTS' presents a farce where the taboo is less being caught in a compromising position but rather being caught with a compromising opinions.

Beth Henley's 1981 Pulitzer Prize winning CRIMES OF THE HEART delves into the tragedy riddled lives of three sisters, highlighting the importance of remembering that people have their own secret stories and not everything is as they first appear.

Jackie French and Bruce Whatley's international best selling children's book DIARY OF A WOMBAT makes its way to Australian stages in a wonderful new production from Monkey Baa Theatre Company.

Dylan Thomas' beautifully poetic and imaginative radio play come stage production UNDER MILK WOOD delights as an escape from the weight of the outside world.

Evan Placey's CONSENSUAL asks the audience to ponder questions plaguing students and educators around the world in a world where teachers are forced to distance themselves from their students for fear of being misconstrued.