Brodie Turner is an avid theatregoer and theatremaker. Trained as a publicist in Adelaide, Brodie's passion for performance art developed under the bright lights of the Fringe Festival which he would go on to support shows in for five years, then travel over to Edinburgh Fringe Festival to support companies there. Since moving to Melbourne, Brodie has focused more on writing and producing, leading MEAN Projects to create collaborative, multidisciplinary projects with a social impact.
BWW Review: WARREN FAHEY 40 WAYS TO LOVE YOUR CITY TAKES YOU BACK IN TIME at The Famous Spiegeltent
January 23, 2016
January 23, 2016
Warren Fahey returns to Sydney Festival to bring a retrospective to both intrigue and bemuse. To celebrate Sydney Festival's ruby anniversary, long-time historian, performer and orator Fahey takes his contemporaries through a nostalgic journey through Australia's history and Sydney Festival's place in it.
BWW Review: ALL THE SEX I'VE EVER HAD Liberates and Scintillates in Festival Highlight at Sydney Opera House, Drama Theatre
January 23, 2016
January 23, 2016
To open on a personal note, that was hands-down one of the best nights of my life. I swore an oath not to dish the delicious anecdotes or remarkable, revelatory stories, so you'll just have to see it for yourself tonight or tomorrow! Meantime, here's a little of what you can expect.
BWW Review: WIND IN THE WILLOWS EFFERVESCES THE SYDNEY SUMMER at Royal Botanic Garden
January 23, 2016
January 23, 2016
Don't let the threat of rain deter you from this wonderfully endearing adventure. What has become a Sydney tradition continues to delight as families and friends are drawn into the adventure of some peculiar animals. Much singing and interaction, a great way to spend a Saturday.
BWW Review: CUT THE SKY COMPELS CHANGE IN CONTEMPORARY CLIMATE CREATION at Sydney Opera House, Drama Theatre
January 18, 2016
January 18, 2016
How do Australia's native owners dream climate change? How do this country's custodians explain a destructive phenomenon brought about by the disastrous decisions of those who have worked hardest to displace them? How do the communities with the deepest knowledge of the land we live on see and understand its continued resilience and adaptation to what crimes are inflicted every second of every day? In a performance so compelling it made me question why I was wasting time watching it instead of writing more-than-firm letters to local government, Cut the Sky is undeniably unmissable.
BWW Review: THE MAGIC FLUTE Returns To Charm And Delight at Sydney Opera House, Joan Sutherland Theatre
January 14, 2016
January 14, 2016
THE MAGIC FLUTE Returns To Charm And Delight at Sydney Opera House
BWW Review: SANTA'S MAGICAL KINGDOM
December 18, 2015
December 18, 2015
Although any promise of Saint Nicholas, superb circus and carnival fun should be an easy sell to all families looking for a high-volume way to get their Christmas cheer happening this festive season, the promise of new Star Wars and end-of-year school reports can cause many a parent trepidation in the face of a large-scale Christmas event.
BWW Review: COMPANY at fortyfivedownstairs
September 21, 2015
September 21, 2015
A well-advised investment in real talent to professionally execute a boutique production is what made Watch This' Company an enjoyable experience. George Furth's book allows so much room for interpretation around Sondheim's tunes, that it would be all too easy to steep the content in self-indulgent intelligentsia or leave it dry and deadpan, but Kat Henry's direction makes marvellous entertainment to draw out fresh humour and intrigue from a story we've all heard before and is probably too close to home to begin with.
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