With her family away at the 1965 state fair, Francesca Johnson looks forward to a rare four days alone on her Iowa farm. But when ruggedly handsome National Geographic photographer Robert Kincaid pulls into her driveway seeking directions, what happens in those four days may very well alter the course of Francesca's life. Based on the best-selling novel, and developed by a Pulitzer- and Tony Award-winning creative team, this new musical captures the lyrical expanse of America's heartland along with the yearning entangled in the eternal question, 'What if...?'"
The Bridges of Madison County stars four-time Tony Award nominee Kelli O'Hara (South Pacific, The Pajama Game) and Steven Pasquale (Rescue Me, reasons to be pretty). It features a score by Tony Award winner Jason Robert Brown (Parade, The Last Five Years) and a libretto by Tony Award and Pulitzer Prize winner Marsha Norman (The Color Purple, The Secret Garden). It will be directed by Tony Award winner Bartlett Sher (The Light in the Piazza, South Pacific), who reunites with his celebrated Tony Award-winning South Pacific design team, including scenic designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer, Donald Holder. Sound Design is by Jon Weston (How to Succeed..., The Color Purple).
It helps that Jason Robert Brown (Parade, The Last Five Years) has written a lush and deeply romantic score, filled with rich and melodic duets that show off its leads' terrific voices - their second act rafter-shaker 'One Second & a Million Miles' is destined to become a cabaret staple. The tunes help compensate for Marsha Norman's more problematic book, which stumbles whenever the spotlight isn't on Francesca and Robert. The story has no real villains, or even antagonists, to work up a plot worth sustaining for 2 hours and 45 minutes...Director Bartlett Sher does his best to fill the space in the Gerald Schoenfeld Theatre. Ultimately, this is a chamber musical that is both introspective and modest at its core. But when O'Hara lets her guard down and opens herself up to the possibility of romance, and when her magnificent soprano belts out Brown's swooping melodies, even a small space can seem as wide and expansive as an Iowa cornfield. B+
'The Bridges of Madison County' had only one path to artistic success: Its two lovers had to gain the empathy - a tear, a lump in the throat - of the audience. Mission, I would definitely say, accomplished.
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