On the verge of death for the umpteenth time, Anna (Linda Lavin) makes a shocking confession to her grown children: an affair from her past that just might have resonance beyond the family. But how much of what she says is true? While her children try to separate fact from fiction, Anna fights for a legacy she can be proud of. With razor-sharp wit and extraordinary insight, Our Mother's Brief Affair considers the sweeping, surprising impact of indiscretions both large and small.
It can't be easy for anyone to live up to Mr. Greenberg's analytical eloquence, especially in a lyrical memory play in which the object of his descriptions is often required to stand mute and embody what's being said about her. Yet throughout this Manhattan Theater Club production, directed a shade too tentatively by Lynne Meadow, Ms. Lavin's poses unfailingly match, and even amplify, Mr. Greenberg's exquisite prose. Anna is but the latest addition to a memorable gallery of sharp-tongued Jewish mothers created by Ms. Lavin during the past several decades...But none of those roles asked quite as much of her as Anna, who is required to exist in both middle and old age, in recollection and reality, sometimes all at once. Ms. Lavin fulfills these demands with such thoroughness and subtlety that I wish the play that surrounds her were more compellingly realized.
The playwright probably has something to say about forgiveness or the allure of bad boys, but while there's a decent amount of cleverness in his lines, the story never amounts to anything of significant consequence. Director Lynne Meadow's production is fine and neither she nor her actors should be blamed for the overall sluggishness of the overwritten proceedings, but aside from Lavin, who deftly blends from acerbic to gently sentimental, OUR MOTHER'S BRIEF AFFAIR is hardly one to remember.
2015 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
Videos