Oresteia 2015 - Articles Page 10

Reviving important but neglected operas is one of the ways the Bard SummerScape festival has established itself as “a hotbed of intellectual and aesthetic adventure” (New York Times), and this year's immersion in “Chávez and His World” is no exception.

Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Managing Director Jeff Griffin, today announced plans for its 2015/2016 Season.

Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Managing Director Jeff Griffin, will present its 2015 annual gala, MUSICAL MASTERWORKS, Monday evening, May 11 at the Hudson Theatre at the Millennium Broadway Hotel (145 West 44th Street, NYC).  Tony Award-winner and CSC Associate Director John Doyle will helm an evening of memorable numbers from iconic American musicals-a rich and vital heritage that CSC has begun to explore with the critically-acclaimed productions of Passion and Allegro.

Two of the most highly acclaimed British actors of their generation, Clare Higgins and Greg Hicks, are to star in the World Premiere of Clarion, set in the office of Britain's worst newspaper, the Daily Clarion.

American Opera Projects (AOP) announces the return of its popular Composers & the Voice program for its 2015-17 seasons.

Joining Benedict Cumberbatch, who plays the title role in Lyndsey Turner's production ofWilliam Shakespeare's Hamlet, are Leo Bill as Horatio, Sian Brooke as Ophelia,Anastasia Hille as Gertrude, Ciaran Hinds as Claudius, Kobna Holdbrook-Smith asLaertes and Jim Norton as Polonius.

Wildspark Theatre & the Cockpit have announced their cast for forthcoming original production, The Bombing of the Grand Hotel.

?Two of the most highly acclaimed British actors of their generation, Clare Higgins and Greg Hicks, are to star in the World Premiere of Clarion, set in the office of Britain's worst newspaper, the Daily Clarion.

The Almeida Theatre announces its new season: Almeida Greeks.

'Annual performances of Handel's Messiah have been a New York tradition from the time New York culture began to assert itself,' says Oratorio Society of New York Music Director Kent Tritle. English choral societies, inspired by grand performances of Messiah at Westminster Abbey at the turn of the 19th century, would perform the work periodically, but the Oratorio Society of New York made it an annual tradition in New York City - in 1874, the year after the Society was founded.

Folger Theatre launches its 2014/15 season in Rome with William Shakespeare's enduring political tragedy, Julius Caesar from tonight, October 28 - December 7, 2014.

Haydn's oratorio The Creation (Die Schopfung) depicts nothing less than the creation of the world, based on the Bible's Book of Genesis and Book of Psalms, and Milton's Paradise Lost. It is the work with which the Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will open its 2014-15 season at Carnegie Hall on Monday, November 3, 2014, at 8:00 PM. OSNY Music Director Kent Tritle will conduct The Creation in its German language version, and the three soloists - representing the archangels Gabriel, Uriel, and Raphael - are Susanna Phillips, soprano; Aaron Blake, tenor; and Sidney Outlaw, baritone.

Folger Theatre launches its 2014/15 season in Rome with William Shakespeare's enduring political tragedy, Julius Caesar from October 28 - December 7, 2014. Robert Richmond (Richard III and Henry V at Folger) directs the epic portrait of the battle between ambition and honor, conspiracy and loyalty, leading an outstanding ensemble including Anthony Cochrane (Broadway's War Horse and Folger's Henry VIII) as the honorable Marcus Brutus, and Maurice Jones, making his Folger Theatre debut as Caesar's closest ally, Mark Antony.

Washington National Opera (WNO) today announced details for the third season of the American Opera Initiative, its comprehensive commissioning program that brings contemporary American stories to the stage while fostering the talents of rising American composers and librettists. Three teams of new opera composers and librettists—John Liberatore and Niloufar Talebi, Jake Runestad and David Johnston, and Rene Orth and Jason Kim—will premiere new 20-minute operas, each based on a contemporary American story, in a semi-staged concert performance on November 21, 2014 in the Kennedy Center Terrace Theater.

Washington National Opera (WNO) today announced details for the third season of the American Opera Initiative, its comprehensive commissioning program that brings contemporary American stories to the stage while fostering the talents of rising American composers and librettists. Three teams of new opera composers and librettists—John Liberatore and Niloufar Talebi, Jake Runestad and David Johnston, and Rene Orth and Jason Kim—will premiere new 20-minute operas, each based on a contemporary American story, in a semi-staged concert performance on November 21, 2014 in the Kennedy Center Terrace Theater.

Signature Theatre is proud to announce the cast of Sunday in the Park with George, the Pulitzer Prize and Tony Award®-winning musical

Classic Stage Company has announced that Dave Quay, who appeared in the company's recent production of David Ives' The Heir Apparent, is this year's recipient of the Rosemarie Tichler Fund grant.

San Francisco's cutting-edge Cutting Ball Theater proudly announces the lineup for its 16th season. The main stage season opens in November with the World Premiere of SUPERHEROES, written and directed by Sean San Jose (Campo Santo), followed by Sophocles' ANTIGONE in February, directed by Cutting Ball Associate Artistic Director Paige Rogers, in a new translation by Daniel Sullivan. Cutting Ball presents the World Premiere of resident playwright Andrew Saito's MT. MISERY in May. RISK IS THIS...THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL returns in May to round out the season with five new works, including two new plays from resident playwright Andrew Saito, in staged readings that push the boundaries of what theater can be. In addition to the main stage season, Cutting Ball Theater continues its Hidden Classics Reading Series with five new installments. The entire 2014-15 season will be staged in San Francisco at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street at Ellis). Single tickets on sale August 1. For information about season memberships, the public may contact boxoffice@cuttingball.com. For tickets and information, the public may visit cuttingball.com or call 415-525-1205.

Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Executive Director Greg Reiner, today announced plans for its 2014/2015 Season. The upcoming season for the esteemed off-Broadway company begins in October with Rodgers & Hammerstein's ALLEGRO, directed by Tony Award-winner and CSC Associate Director John Doyle. ALLEGRO marks the second installment of CSC's Musical Theater Initiative, which launched last year with the company's hugely-successful production of Stephen Sondheim and James Lapine's Passion, directed by Doyle. Considered one of Richard Rodgers' and Oscar Hammerstein II's most personal and groundbreaking works, ALLEGRO was their third collaboration and first premiered on Broadway in 1947.

American Opera Projects (AOP) announces the return of its popular Composers & the Voice program for its 2013-14 season. Created and led by Composers & the Voice Artistic Director Steven Osgood, six composers or composer/librettist teams will be selected for a year-long fellowship, working with the company's Reside nt Ensemble of Singers and Artistic Team. Applications and additional information can be found at AOP's website www.operaprojects.org/composers_voice. The deadline for applications is May 17, 2013. All sessions will be at AOP's home base in Fort Greene, Brooklyn.

Fort Worth Opera (FWOpera) announced today a call for submissions for its second annual Frontiers new works showcase to be held during the 2014 Fort Worth Opera Festival. A pioneering leader in the production of contemporary opera, FWOpera launched Frontiers in the 2012-2013 season. One of the only programs world-wide designed to seek out unproduced works by up-and-coming composers from North, South, and Central America, the showcase provides composers and librettists a platform by which to gain exposure for their pieces in a live performance environment while also affording them valuable networking opportunities with industry professionals, including artistic directors of opera companies, artist managers, classical music publishers, funding organizations, and conductors.