Tosca - Articles Page 28

Patricia Racette will return to the title role of Puccini's Tosca, which she sang at the Met to great acclaim in the 2009-10 season, for six performances beginning January 10.

Patricia Racette will return to the title role of Puccini's Tosca, which she sang at the Met to great acclaim in the 2009-10 season, for six performances beginning January 10.

American Conservatory Theater (A.C.T.)'s Tosca Cafe, the new incarnation of its world premiere dance-theater piece The Tosca Project, was a sold-out hit with audiences and critics at Theatre Calgary, where it played September 13-October 2.

The Dicapo Opera Theatre opened its 30th season with Giacomo Puccini's Tosca. The sold out production was followed by a gala dinner at The Columbus Club.

American Conservatory Theater (A.C.T.)'s Tosca Cafe, the new incarnation of its world premiere dance-theater piece The Tosca Project, was a sold-out hit with audiences and critics at Theatre Calgary, where it played September 13-October 2.

American Conservatory Theater (A.C.T.)'s Tosca Cafe, the new incarnation of its world premiere dance-theater piece The Tosca Project, was a sold-out hit with audiences and critics at Theatre Calgary, where it played September 13-October 2.

Fort Worth Opera (FWOpera) will kick off its 66th season and its sixth Festival with Puccini's blockbuster Tosca, followed by Mozart's The Marriage of Figaro.

Bryn Terfel is unexpectedly stepping in at the last moment to sing the role of Scarpia for this evening's performance of Tosca, replacing James Morris, who is ill and withdrew early this afternoon.

American Conservatory Theater (A.C.T.) brings another acclaimed international hit to the Bay Area with the U.S. premiere of The Virtual Stage and Electric Company Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the French by Paul Bowles and conceived and directed by Kim Collier, this production arrives fresh from sold-out performances across Canada. When a mysterious valet ushers three people into a shabby hotel room, they soon discover that hell isn't fire and brimstone at all-it's other people. Sartre's existential masterpiece, skillfully reimagined through the perspective of a series of hidden cameras, turns the stage into a cinema, and the audience into voyeurs, as a thrillingly staged 'live film' takes place before your eyes. Described as 'epic, voyeuristic, theater-as-film staging . . . spectacularly brilliant' by the Calgary Herald and 'diabolically inventive . . . a riveting theatrical event' by the Georgia Straight (Vancouver), No Exit plays April 7-May 1, 2011, at the American Conservatory Theater (415 Geary Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8 p.m. Tickets (starting at $10) are available by calling the A.C.T. Box Office at 415.749.2228 or at www.act-sf.org. Collier, who recently received the prestigious Siminovitch Prize, Canada's largest theater award, explains the impulses behind her vision for Sartre's oft-visited play: 'In this new vision for No Exit, the sense of entrapment and alienation is more complete and palpable. By creating a theatrical space around the hotel room that traditionally defined the perimeter, we are 'widening the frame' on Sartre's play. This gives us a platform to continue our investigations of the intersection of live theater and film, and to investigate how a silent, physical narrative can reframe an existing, well-known piece.' Electric Company Theatre, a leading force in Canada's flourishing experimental theater scene, has made a name for itself since 1996 for pieces that are rich in spectacle and adventurous in form. As in No Exit, the audience is at the center of the company's creative process, and the act of watching usually becomes a theme of their work. In this production of No Exit, the Valet ushers each of the three visitors into a bunker onstage, where they are locked in with multiple cameras that feed their actions to three oversized screens. The audience experiences their interactions closeup and in real time, while the Valet's outside world creates an illuminating juxtaposition and framework for the action captured on film. With such shows as Brief Encounter and The Black Rider, A.C.T. has received recognition for presenting the American premieres of many groundbreaking theatrical works. Beginning with 2005's The Overcoat, Artistic Director Carey Perloff has formed strong connections with such acclaimed Canadian artists as Peter Anderson (who starred in The Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who wrote and directed last season's Vigil). Collier says: 'This U.S. premiere is a product of a few years of great conversations and visits with Carey Perloff and the tremendous staff at A.C.T. Over time we discovered not only a shared vision for theater, but also a fantastic, supportive, and inspiring partner.' The original cast of this new interpretation of No Exit will be performing at A.C.T. for the U.S. premiere: Lucia Frangione as Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding artistic and managing director of The Virtual Stage and designed the video projections, as Cradeau; and Jonathon Young as the Valet. The creative team, also from the premiere production and the Canadian tour, include sound designer Brian Linds, costume designer Kirsten McGhie, scenic designer Jay Gower Taylor, and lighting designer John Webber. A.C.T. will offer numerous InterACT events-many of which are offered free of charge-in association with No Exit that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater: * 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17 Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a ticket for Balcony seats during select performances. The third-floor Sky Bar opens one hour before curtain-show up early and mingle with other theatergoers while you enjoy happy-hour drinks and soak up the historic charm of one of the most beautiful theaters in the country. * Audience Prologue, featuring director Kim Collier: Tue., Apr. 12, at 5:30 p.m. Get inside the artistic process with a free half-hour preshow discussion with Kim Collier. FREE and open to the public (no tickets required). * Bring What You Can/Pay What You Wish: Thu., Apr. 14, at 8 p.m. Pay any amount for your tickets when you bring nonperishable food donations for the San Francisco Food Bank (sffoodbank.org). Patrons are limited to two tickets per donated item, two tickets per person. Tickets go on sale at 6 p.m. the day of the performance. Sponsored by Bank of the West. * Theater on the Couch: Fri., Apr. 15, at 8 p.m. Join members of the San Francisco Center for Psychoanalysis for an exciting postperformance discussion that explores the psychological aspects of the show and addresses audience questions. * Audience Exchanges: Tue., Apr. 19, at 7 p.m. / Sun. Apr. 24, at 2 p.m. / Wed., Apr. 27, at 2 p.m. After the show, stick around for a lively Q&A session with the actors and artists who create the work onstage. * OUT with A.C.T.: Wed., Apr. 20, at 8 p.m. Ten-year anniversary! Meet the cast and enjoy free cocktails and treats at these popular LGBT parties. Visit www.act-sf.org/out for more information about OUT night. A.C.T.'s presentation of No Exit is made possible by executive producers Mrs. Albert Moorman and Mary and Steven Swig; producers Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan Eckart, Roberta and David Elliott, Vicki and David Fleishhacker, Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms. Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T. would also like to acknowledge its 2010-11 season company sponsors: Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr. Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A. Van Wagner.

American Conservatory Theater (A.C.T.) brings another acclaimed international hit to the Bay Area with the U.S. premiere of The Virtual Stage and Electric Company Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the French by Paul Bowles and conceived and directed by Kim Collier, this production arrives fresh from sold-out performances across Canada. When a mysterious valet ushers three people into a shabby hotel room, they soon discover that hell isn't fire and brimstone at all-it's other people. Sartre's existential masterpiece, skillfully reimagined through the perspective of a series of hidden cameras, turns the stage into a cinema, and the audience into voyeurs, as a thrillingly staged 'live film' takes place before your eyes. Described as 'epic, voyeuristic, theater-as-film staging . . . spectacularly brilliant' by the Calgary Herald and 'diabolically inventive . . . a riveting theatrical event' by the Georgia Straight (Vancouver), No Exit plays April 7-May 1, 2011, at the American Conservatory Theater (415 Geary Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8 p.m. Tickets (starting at $10) are available by calling the A.C.T. Box Office at 415.749.2228 or at www.act-sf.org. Collier, who recently received the prestigious Siminovitch Prize, Canada's largest theater award, explains the impulses behind her vision for Sartre's oft-visited play: 'In this new vision for No Exit, the sense of entrapment and alienation is more complete and palpable. By creating a theatrical space around the hotel room that traditionally defined the perimeter, we are 'widening the frame' on Sartre's play. This gives us a platform to continue our investigations of the intersection of live theater and film, and to investigate how a silent, physical narrative can reframe an existing, well-known piece.' Electric Company Theatre, a leading force in Canada's flourishing experimental theater scene, has made a name for itself since 1996 for pieces that are rich in spectacle and adventurous in form. As in No Exit, the audience is at the center of the company's creative process, and the act of watching usually becomes a theme of their work. In this production of No Exit, the Valet ushers each of the three visitors into a bunker onstage, where they are locked in with multiple cameras that feed their actions to three oversized screens. The audience experiences their interactions closeup and in real time, while the Valet's outside world creates an illuminating juxtaposition and framework for the action captured on film. With such shows as Brief Encounter and The Black Rider, A.C.T. has received recognition for presenting the American premieres of many groundbreaking theatrical works. Beginning with 2005's The Overcoat, Artistic Director Carey Perloff has formed strong connections with such acclaimed Canadian artists as Peter Anderson (who starred in The Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who wrote and directed last season's Vigil). Collier says: 'This U.S. premiere is a product of a few years of great conversations and visits with Carey Perloff and the tremendous staff at A.C.T. Over time we discovered not only a shared vision for theater, but also a fantastic, supportive, and inspiring partner.' The original cast of this new interpretation of No Exit will be performing at A.C.T. for the U.S. premiere: Lucia Frangione as Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding artistic and managing director of The Virtual Stage and designed the video projections, as Cradeau; and Jonathon Young as the Valet. The creative team, also from the premiere production and the Canadian tour, include sound designer Brian Linds, costume designer Kirsten McGhie, scenic designer Jay Gower Taylor, and lighting designer John Webber. A.C.T. will offer numerous InterACT events-many of which are offered free of charge-in association with No Exit that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater: * 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17 Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a ticket for Balcony seats during select performances. The third-floor Sky Bar opens one hour before curtain-show up early and mingle with other theatergoers while you enjoy happy-hour drinks and soak up the historic charm of one of the most beautiful theaters in the country. * Audience Prologue, featuring director Kim Collier: Tue., Apr. 12, at 5:30 p.m. Get inside the artistic process with a free half-hour preshow discussion with Kim Collier. FREE and open to the public (no tickets required). * Bring What You Can/Pay What You Wish: Thu., Apr. 14, at 8 p.m. Pay any amount for your tickets when you bring nonperishable food donations for the San Francisco Food Bank (sffoodbank.org). Patrons are limited to two tickets per donated item, two tickets per person. Tickets go on sale at 6 p.m. the day of the performance. Sponsored by Bank of the West. * Theater on the Couch: Fri., Apr. 15, at 8 p.m. Join members of the San Francisco Center for Psychoanalysis for an exciting postperformance discussion that explores the psychological aspects of the show and addresses audience questions. * Audience Exchanges: Tue., Apr. 19, at 7 p.m. / Sun. Apr. 24, at 2 p.m. / Wed., Apr. 27, at 2 p.m. After the show, stick around for a lively Q&A session with the actors and artists who create the work onstage. * OUT with A.C.T.: Wed., Apr. 20, at 8 p.m. Ten-year anniversary! Meet the cast and enjoy free cocktails and treats at these popular LGBT parties. Visit www.act-sf.org/out for more information about OUT night. A.C.T.'s presentation of No Exit is made possible by executive producers Mrs. Albert Moorman and Mary and Steven Swig; producers Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan Eckart, Roberta and David Elliott, Vicki and David Fleishhacker, Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms. Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T. would also like to acknowledge its 2010-11 season company sponsors: Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr. Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A. Van Wagner.

Internationally acclaimed soprano Katarína Vovková has been invited to the United States by Shorewood based 501(c)(3) non-profit organization IAFED to perform 'Casta Diva,' a recital of famous opera arias from La Traviata, Aida, Il Trovatore, Tosca and more.

Internationally acclaimed soprano Katarina Vovkova has been invited to the United States by Shorewood based 501(c)(3) non-profit organization IAFED to perform 'Casta Diva', a recital of famous opera arias from La Traviata, Aida, Il Trovatore, Tosca and more.

American Conservatory Theater (A.C.T.) announces that its world premiere production of The Tosca Project (new title: The Tosca Cafe) will receive its Canadian premiere at Theatre Calgary this fall.

Internationally acclaimed soprano Katarína Vovková has been invited to the United States by Shorewood based 501(c)(3) non-profit organization IAFED to perform 'Casta Diva,' a recital of famous opera arias from La Traviata, Aida, Il Trovatore, Tosca and more.

Internationally acclaimed soprano Katarina Vovkova has been invited to the United States by Shorewood based 501(c)(3) non-profit organization IAFED to perform 'Casta Diva', a recital of famous opera arias from La Traviata, Aida, Il Trovatore, Tosca and more.

On Monday, January 10th, Sondra Radvanovsky made her Metropolitan Opera role debut as the passionate title character of Puccini's Tosca on January 10.

Roberto Alagna will make his Met role debut as Cavaradossi in tonight's opening performance of Tosca, replacing Marcelo Álvarez, who withdrew this afternoon due to the lingering effects of a cold.

Sondra Radvanovsky will make her Metropolitan Opera role debut as the passionate title character of Puccini's Tosca on January 10.

It is a season of momentous anniversaries for the Metropolitan Opera Guild: the Guild began the season-long celebration of its 75th anniversary this fall; as publisher of Opera News, the Guild celebrates the magazine's own diamond anniversary in 2011; and the January issue of Opera News marks the 40th anniversary of James Levine's Metropolitan Opera debut (which was June 5, 1971, conducting Tosca). The cover feature sees Scott Rose take on the difficult task of choosing 40 highlights from Levine's 40 storied years at the Met.

Opera San José continues its 27th Season with Giacomo Puccini's powerfully dramatic opera, Tosca. The story of a popular opera diva brought down by the chief of Rome's secret police, Tosca always leaves its audiences startled and breathless by the searing beauty of Puccini's melodies. Eight performances are scheduled from November 13 through 28 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, by phone at (408) 437-4450 or online at www.operasj.org. Tosca is made possible, in part, by a Cultural Affairs Grant from the City of San José.

Opera San José continues its 27th Season with Giacomo Puccini's powerfully dramatic opera, Tosca. The story of a popular opera diva brought down by the chief of Rome's secret police, Tosca always leaves its audiences startled and breathless by the searing beauty of Puccini's melodies. Eight performances are scheduled from November 13 through 28 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, by phone at (408) 437-4450 or online at www.operasj.org. Tosca is made possible, in part, by a Cultural Affairs Grant from the City of San José.

Amore Opera opens its 2010-2011 season with Giacomo Puccini's classic story of love and loss, Tosca, on October 15-31 at the Connelly Theatre (220 East 4 th Street). Tickets are $40 for general admission and $35 for students and seniors. Amore will also be offering family friendly 'Opera in Brief' matinee performances of Mozart's 'The Magic Flute.'

Amore Opera opens its 2010-2011 season with Giacomo Puccini's classic story of love and loss, Tosca, on October 15-31 at the Connelly Theatre (220 East 4 th Street). Tickets are $40 for general admission and $35 for students and seniors. Amore will also be offering family friendly 'Opera in Brief' matinee performances of Mozart's 'The Magic Flute.'

Opera San José continues its 27th Season with Giacomo Puccini's powerfully dramatic opera, Tosca. The story of a popular opera diva brought down by the chief of Rome's secret police, Tosca always leaves its audiences startled and breathless by the searing beauty of Puccini's melodies. Eight performances are scheduled from November 13 through 28 at the California Theatre, 345 South First Street in downtown San José. Tickets are on sale at the Opera San José Box Office, by phone at (408) 437-4450 or online at www.operasj.org. Tosca is made possible, in part, by a Cultural Affairs Grant from the City of San José.

The Metropolitan Opera announced plans for a series of free outdoor events this summer: operatic recitals that will take place in parks throughout the city and encore screenings of the Met's popular HD shows in Lincoln Center Plaza.