After two years of Reduced Shakespeare hijinx, Dustin heads out on tour in the stage version of a kid-lit classic.
RGA Productions presents Frankenstein, a concert and rock music telling of the iconic Mary Shelley tale featuring a Grand Rock style that evokes the sound of Pink Floyd, Evanescense, Alan Parsons Projects, Metallica, Stravinsky & Bartok.
MadLab Theatre will present The Quintessential Roulette, featuring the best plays from each of the 10 previous Theatre Roulettes, MadLab's annual shorts festival, the longest running such festival in Columbus.
MadLab Theatre will present The Quintessential Roulette, featuring the best plays from each of the 10 previous Theatre Roulettes, MadLab's annual shorts festival, the longest running such festival in Columbus.
Following a sold out performance The Wau Wau Sisters return by popular demand to conjure a funny, raucous, ridiculous reinvention of The Last Supper - complete with 12 Disciples, umpteen cocktails, endless fun and fearless abandon!
Following a sold out performance The Wau Wau Sisters return by popular demand to conjure a funny, raucous, ridiculous reinvention of The Last Supper - complete with 12 Disciples, umpteen cocktails, endless fun and fearless abandon!
MadLab Theatre will present The Quintessential Roulette, featuring the best plays from each of the 10 previous Theatre Roulettes, MadLab's annual shorts festival, the longest running such festival in Columbus.
MadLab Theatre will present The Quintessential Roulette, featuring the best plays from each of the 10 previous Theatre Roulettes, MadLab's annual shorts festival, the longest running such festival in Columbus.
Ericka moved up when Savannah did: from offstage voice to full ensemble player in her first show since returning from L.A.
Russ Lorenson, crooner Bay Area cabaret favorite, returns to The Rrazz Room in the Hotel Nikko, 222 Mason St., San Francisco, for a late night show, July 18 at 10:30 PM. The show, called After Hours, features special guest Alexandra Kaprielien.
MadLab Theatre will present The Quintessential Roulette, featuring the best plays from each of the 10 previous Theatre Roulettes, MadLab's annual shorts festival, the longest running such festival in Columbus.
DOG RUN REP at South Street Seaport (Deanna Henson, Producer), in association with Pat Blake, is pleased to announce the world premiere of The Soap Myth, a provocative new play about the Holocaust written by Jeff Cohen and directed by Larissa Lury.
Russ Lorenson, crooner Bay Area cabaret favorite, returns to The Rrazz Room in the Hotel Nikko, 222 Mason St., San Francisco, for a late night show, July 18 at 10:30 PM. The show, called After Hours, features special guest Alexandra Kaprielien.
In addition to 2 B'way shows, Brandi has chalked up several regional credits as a 'quirky character actress.'
The Canadian Stage Company wraps its 2008.2009 season with Doubt, a parable, the award-winning play that's taken North America by storm. The production stars Canadian theatre icons Seana McKenna (Canadian Stage's The Clean House, Wit) and David Storch (Canadian Stage's Frost/Nixon and director of Palace of the End), and is helmed by renowned director Marti Maraden (Canadian Stage's Trying).
'West Side Story' is Eric's 4th Broadway show and, he says, 'the pinnacle of dancing' in all musical theater.
The Canadian Stage Company wraps its 2008.2009 season with Doubt, a parable, the award-winning play that's taken North America by storm. The production stars Canadian theatre icons Seana McKenna (Canadian Stage's The Clean House, Wit) and David Storch (Canadian Stage's Frost/Nixon and director of Palace of the End), and is helmed by renowned director Marti Maraden (Canadian Stage's Trying).
MAUDE MAGGART, the critically-acclaimed chanteuse - hailed as 'bewitching' by The New York Times, 'utterly enchanting' by the New York Post and 'stunning' by the Los Angeles Times - will return to THE OAK ROOM of THE ALGONQUIN HOTEL for a six week engagement from April 14 - May 23.
Signature Theatre presents the Washington area premiere of the innovative musical See What I Wanna See, a fascinating exploration of three stories of lust, greed, murder, faith, and redemption. Written by Michael John LaChiusa, considered one of today's most intelligent and innovative musical theater composers, See What I Wanna See has been hailed for its cool, jazz-infused score and smart book and called 'a little powerhouse of a show whose sheer intensity will knock you flat - and make you think' (The Wall Street Journal). The show was named one of the Best Musicals of 2005 by New York Magazine and nominated for nine Drama Desk Awards, including Best Musical. See What I Wanna See runs in Signature's intimate 110-seat ARK Theatre from April 7 through May 31. Signature will also produce the world premiere of LaChiusa's Giant in the MAX Theatre April 28 through May 31.
If you've seen a Broadway musical in the past decade, chances are you've seen Lorin, who's also a choreographer and songwriter.
MAUDE MAGGART, the critically-acclaimed chanteuse - hailed as 'bewitching' by The New York Times, 'utterly enchanting' by the New York Post and 'stunning' by the Los Angeles Times - will return to THE OAK ROOM of THE ALGONQUIN HOTEL for a six week engagement from April 14 - May 23.
Simon Levy directs the West Coast premiere of the original drama about scientific intrigue and competition - and a woman's life in a man's world. Photograph 51 by Anna Ziegler opens on March 21 at The Fountain Theatre for a seven-week run through May 3.
Signature Theatre's Artistic Director Eric Schaeffer today announced Signature's 20th anniversary season, saluting the two decades that have led the company to its position as one of the nation's leading forces in musical theater. The company will present a world premiere musical through its innovative American Musical Voices Project; a masterpiece by the composer for which the company is renowned, Stephen Sondheim; the Washington premiere of a recent Broadway hit; and the reinvention of a classic musical, supporting Signature's 'much-deserved reputation for excellence in revisionist musical theater' (Chicago Tribune).
Simon Levy directs the West Coast premiere of the original drama about scientific intrigue and competition - and a woman's life in a man's world. Photograph 51 by Anna Ziegler opens on March 21 at The Fountain Theatre for a seven-week run through May 3. Low-priced previews begin March 14.
On March 12, 2009 at 7:00 p.m., The Collegiate Chorale appears with The New York City Opera Orchestra at the newly renovated Alice Tully Hall in a performance of Kurt Weill and Ira Gershwin's 1945 Broadway operetta The Firebrand of Florence. The performance, led by guest conductor Ted Sperling, stars baritone Nathan Gunn, soprano Anna Christy, baritone Terrence Mann, and soprano Victoria Clark. Krysty Swann, David Pittu and Patrick Goss complete the cast, and narration will be provided by Stage Director Roger Rees.
Boasting a score by Kurt Weill, lyrics by Ira Gershwin, and a book by playwright and screenwriter Edwin Justus Mayer, The Firebrand of Florence had a short run on Broadway in 1945. The work was subsequently not heard for over a half-century until three presentations - Ohio Light Opera (1999), the BBC Symphony Orchestra in London (2000) and the Radio Symphony Orchestra in Vienna (2000) - shed new light on the relatively obscure work. The performances were not only accepted, but widely acclaimed, thus giving hope for a new life in a new century. Variety's theater critic Steven Suskin says 'I have long believed that Firebrand in concert should be a dazzling delight.'
Benvenuto Cellini, the great Florentine artist, is sentenced to hang, but he is pardoned when the duke realizes that he has not completed a previously commissioned sculpture. Freed, he is able to turn his attention to his favorite model (and object of his affections), Angela. The Duke also is interested in Angela. In a typical operetta plot, Cellini swashbuckles around the stage, keeping the Duke away from Angela, keeping himself away from the Duchess, and escaping yet another death sentence by fleeing to Paris, as the end of the show recapitulates the beginning.
| 2005 | Off-Broadway |
Off-Broadway |
Videos
