All Over 1971 - Articles Page 26

Victory Gardens opens its 2010/11 Season with Edward Albee's At Home At The Zoo directed by Artistic Director Dennis Za?ek. The production runs October 1 - October 31, 2010 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, October 11, 2010, at 7:30 pm.

Victory Gardens opens its 2010/11 Season with Edward Albee's At Home At The Zoo directed by Artistic Director Dennis Za?ek. The production runs October 1 - October 31, 2010 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, October 11, 2010, at 7:30 pm.

Victory Gardens opens its 2010/11 Season with Edward Albee's At Home At The Zoo directed by Artistic Director Dennis Za?ek. The production runs October 1 - October 31, 2010 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, October 11, 2010, at 7:30 pm.

Victory Gardens opens its 2010/11 Season with Edward Albee's At Home At The Zoo directed by Artistic Director Dennis Za?ek. The production runs October 1 - October 31, 2010 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, October 11, 2010, at 7:30 pm.

New York City Center's seventh annual Fall for Dance Festival, running September 28 - October 9, will showcase 20 national and international companies and choreographers. With ticket prices remaining at $10 for all seats, a night of dance is more affordable than a night at the movies. The festival will include world and U.S. premieres, and will feature several companies making their first U.S. appearances.

Victory Gardens opens its 2010/11 Season with Edward Albee's At Home At The Zoo directed by Artistic Director Dennis Za?ek. The production runs October 1 - October 31, 2010 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, October 11, 2010, at 7:30 pm.

Once again, Bryant Park will be a destination for film buffs on summer nights in New York City, with an all-star legendary film line up for the 18th year of the HBO Bryant Park Summer Film Festival Presented by Time Warner Cable in association with the Bryant Park Corporation.

Victory Gardens opens its 2010/11 Season with Edward Albee's At Home At The Zoo directed by Artistic Director Dennis Za?ek. The production runs October 1 - October 31, 2010 at the Victory Gardens Biograph Theater, 2433 N. Lincoln Avenue in Lincoln Park. The Press Opening is Monday, October 11, 2010, at 7:30 pm.

Inaugurated in 1971 under director of community programming Leonard DePaur, Out of Doors began as a small festival of street theater, in collaboration with Everyman Theater (co-founded by actress Geraldine Fitzgerald.)

Inaugurated in 1971 under director of community programming Leonard DePaur, Out of Doors began as a small festival of street theater, in collaboration with Everyman Theater (co-founded by actress Geraldine Fitzgerald.)

New York City Center's seventh annual Fall for Dance Festival, running September 28 - October 9, will showcase 20 national and international companies and choreographers. With ticket prices remaining at $10 for all seats, a night of dance is more affordable than a night at the movies. The festival will include world and U.S. premieres, and will feature several companies making their first U.S. appearances.

Rep Stage, the professional Equity theatre in residence at Howard Community College (HCC), closes its 17th season with Pulitzer Prize-winner Edward Albee's 'The Goat or, Who Is Sylvia?' 'The Goat...' is a dark comedy about Martin, a married architect coming to terms with middle age, his son's sexual identity, and his own recent adulterous relationship with an unlikely partner.

Once again, Bryant Park will be a destination for film buffs on summer nights in New York City, with an all-star legendary film line up for the 18th year of the HBO Bryant Park Summer Film Festival Presented by Time Warner Cable in association with the Bryant Park Corporation.

Once again, Bryant Park will be a destination for film buffs on summer nights in New York City, with an all-star legendary film line up for the 18th year of the HBO Bryant Park Summer Film Festival Presented by Time Warner Cable in association with the Bryant Park Corporation.

Today, we are taking a look at a clip from the 1971 Tony Awards in the title song from that year's Best Musical. The song is performed by the chorus members of the ALL ABOUT EVE musical, the Lauren Bacall-led APPLAUSE. This clip features a twenty-six-year-old Bonnie Franklin leading one of two featured numbers (and she was nominated for Best Featured Actress - losing out to Melba Moore for PURLIE) who would later find fame on the hit 80s sitcom ONE DAY AT A TIME… APPLAUSE had all the makings of a truly great musical: a score by then-white-hot songwriting team Charles Strouse and Lee Adams, a book by legends Betty Comden and Adolf Green, and a leading lady the likes of whom simply don't exist anymore in Lauren Ball. Stars like her don't shine, they radiate. They just ARE, and Bacall was (and still is). Don't let the fact that she can't really sing fool you: she could put over a number as well as Merman, Callas or Lotte Lenya, for that matter. So here, with a nod to the currently-running shows of that time - among them CABARET, FIDDLER ON THE ROOF, HELLO,DOLLY, MAME - and many others in a fun parody sequence that is not a part of the original cast album for what we would assume would be questionable copyright issues given the uncanny homage. Also, viewer beware that there is some slight nudity in the form of some bare backsides at one point in the clip, but surely something broadcast on national television nearly forty years ago could not be held accountable for too much prurience. It's a bit of a desperate ploy in a bit of a desperate song from an even more desperate show. It just screams "Like me!" but one may find it hard to fully embrace the at-times pure camp and over-the-top elements on display in an entirely serious way. Take it for what it is: frivolous fun. Whatever the case with APPLAUSE, it truly seems they threw everything and the kitchen sink into this number - with interesting, if not entirely successful, results. Be sure to stay tuned past the seven minute mark for a quite unexpected surprise. Speaking of which: Bonnie Franklin sure could tap, but her other talents are seemingly a bit less pleasurable from an audience member's point of view judging by this clip. See if you don't agree. The over-the-top camp and hokey allure of this clip justify this as the sole, perhaps, for-diehards-only entry in our Top Ten Tony Moments countdown. After all, a little frothy fun never hurt anybody. 'Til tomorrow…

Rep Stage, the professional Equity theatre in residence at Howard Community College (HCC), closes its 17th season with Pulitzer Prize-winner Edward Albee's 'The Goat or, Who Is Sylvia?' 'The Goat...' is a dark comedy about Martin, a married architect coming to terms with middle age, his son's sexual identity, and his own recent adulterous relationship with an unlikely partner.

Rep Stage, the professional Equity theatre in residence at Howard Community College (HCC), closes its 17th season with Pulitzer Prize-winner Edward Albee's 'The Goat or, Who Is Sylvia?' 'The Goat...' is a dark comedy about Martin, a married architect coming to terms with middle age, his son's sexual identity, and his own recent adulterous relationship with an unlikely partner.

Rep Stage, the professional Equity theatre in residence at Howard Community College (HCC), closes its 17th season with Pulitzer Prize-winner Edward Albee's 'The Goat or, Who Is Sylvia?' 'The Goat...' is a dark comedy about Martin, a married architect coming to terms with middle age, his son's sexual identity, and his own recent adulterous relationship with an unlikely partner.

Thanks to Street Theatre Company's stellar production of the William Finn-Rachel Sheinkin-Rebecca Feldman musical comedy, I'll be wallowing in self-pity (or maybe I'll be just a little melancholy and sanguine) until I find better ways to occupy my time and better memories to fill my mind - or a bright, shiny object catches my eye. But for now I am happy to reflect on the joyous and frivolous fun that is director Lauren Shouse's superb and sparkling staging of the musical that somehow manages to be both completely contemporary and gloriously traditional in a musical-comedy-sort-of-way. Shouse's exceptional cast of actors, accompanied by music director Rollie Mains' talented musicians and featuring the sprightly choreography of Paul Cook, are sheer perfection as The Bee's crew of over-achieving - sometimes cringeworthy, yet always lovable - middle school spelling phenoms. You'd be hard-pressed to experience a more satisfying night at the theatre.

Kenny Werner and his quintet featuring Randy Brecker, David Sanchez, John Patitucci and Antonio Sanchez will end their run at the Blue Note from April 18. Since the early ‘80s, Werner has performed with some of the finest musicians in jazz, and his trio featuring Johannes Wiedenmueller and Ari Hoenig was widely considered one of the most innovative of its kind over their nine years together, starting in 1999.

Kenny Werner brings his quintet featuring Randy Brecker, David Sanchez, John Patitucci and Antonio Sanchez to the Blue Note from April 13 - 18. Since the early ‘80s, Werner has performed with some of the finest musicians in jazz, and his trio featuring Johannes Wiedenmueller and Ari Hoenig was widely considered one of the most innovative of its kind over their nine years together, starting in 1999.

Playwrights Horizons, under the leadership of Artistic Director Tim Sanford and Managing Director Leslie Marcus, is proud to announce four additional productions for its 2010/2011 40th Anniversary Season. The three World Premieres and one New York premiere join the previously-announced New York premiere of Edward Albee's ME, MYSELF & I.

Kenny Werner brings his quintet featuring Randy Brecker, David Sanchez, John Patitucci and Antonio Sanchez to the Blue Note from April 13 - 18. Since the early ‘80s, Werner has performed with some of the finest musicians in jazz, and his trio featuring Johannes Wiedenmueller and Ari Hoenig was widely considered one of the most innovative of its kind over their nine years together, starting in 1999.

Village Theatre has announced its 2010-2011 Mainstage Season, comprised of five with five diverse stories. Last season, the Village Theatre achieved an all-time high 18,000 subscribers, and hope to build on that number with a season including two Broadway musicals as well as two world premieres.

udiences to the first ever NYC revival of Caroline, or Change at The Gallery Players proved to be generous with more than praise, contributing to a total of $3,495.03 toward the tragedy in Haiti. The Caroline, or Change performers made a direct appeal to the audience after each performance to give what they could towards those affected by the tragedy in Haiti, and the donations proved to be extremely charitable. All funds collected by the company will be donated to Doctors Without Borders.