Happy Holiday 1954 - Articles Page 7

You're sure to catch the spirit of the season when you come to see our big holiday musical, Irving Berlin's WHITE CHRISTMAS," states Christopher B. Manos, Producer of Theater of the Stars.

A strong lineup of productions for the 2010-11 season continues Children's Theatre of Charlotte's commitment to providing theatre that entertains, challenges and inspires young people and families. In its 63rd year, the Theatre presents a wide range of shows, including musical spectacular Disney's Aladdin, the return of popular holiday production Scrooge! and several storybook adaptations that are new to area audiences.

I originally saw Paul Blake and David Ives' adaptation of the 1954 movie WHITE CHRISTMAS back in 2006 at the Muny. There have been some minor changes made to it since then, but it still follows the basic plot of the movie fairly closely. In fact, most of the changes center on the inclusion of additional tunes by Irving Berlin. But, any time a film is reworked for the stage it's going to draw the inevitable comparisons to its original source material, and this version, which features some outstanding moments of song and dance, falls a bit short of expectations.

The 5th Avenue Theatre is accepting donations for Northwest Harvest during the run of their hit musical White Christmas throughout this month.

While there isn't anything terribly wrong with the new Broadway adaptation of the 1954 movie musical smash, White Christmas, hitting New York after four years of holiday season engagements across the country, there's also quite a bit that isn't especially right about it either. Yes, it's got those glorious Irving Berlin songs like 'Count Your Blessings Instead of Sheep', 'Let Me Sing and I'm Happy' and 'Blue Skies' - the kind of stuff that turns wearing your heart on your sleeve into a hip fashion statement - and Larry Blank's swing orchestrations provide choreographer Randy Skinner's dancers with a red carpet of sizzle, but too much of director Walter Bobbie's perfectly pleasant production settles snugly into a groove of innocuous entertainment that is swift, professional and rarely exciting.

Set in French Guiana, a region where on Christmas Eve the temperature has graciously dropped to 104 degrees, three amiable convicts are employed as roofers above the Ducotel's general store. The roof winds up being the least of the family's troubles.

The Tony Award® nominated hit musical IRVING BERLIN'S WHITE CHRISTMAS, the stage reinvention of the beloved classic film, directed by Walter Bobbie and choreographed by Randy Skinner, with music supervision by Rob Berman, is pleased to announce Broadway principal casting. James Clow, Melissa Errico, Tony Yazbeck and Mara Davi will star in the Broadway return production also starring Ruth Williamson, Peter Reardon, Remy Auberjonois, Cliff Bemis, Madeleine Yen and David Ogden Stiers, who will lead a cast of 33 in the limited holiday engagement at the Marquis Theatre (1535 Broadway).

The American Museum of Jewish History in Philadelphia will honor Barbara Streisand, Irvin Berlin, Leonard Bernstein and Steven Spielberg among 18 inductees into its 'Only in America' Hall of Fame, the Philadelphia Inquirer reports.

OCTOBER AT THE METROPOLITAN ROOM- Come join us every Friday and Saturday from 11PM-2AM for our piano lounge. No cover, no minimum!

The NYC400 is the first-ever list of New York City's ultimate movers and shakers since the City's founding?from politics, the arts, business, sports, science, and entertainment.

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17. First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch. 'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'

Today's Broadway Blogs on BroadwayWorld.com from Sunday, December 14, 2008.

Theatre Under The Stars (TUTS) is proud to produce the classic holiday story and brand NEW holiday musical, WHITE CHRISTMAS, December 4-21, 2008 at the Hobby Center for the Performing Arts in downtown Houston. The all-time number one pop song and most-recorded tune in history inspired first a beloved classic film, and now a brand-new, splashy family musical as rare as Texas snow.

White Christmas returned to San Francisco this week after last year's successful holiday run at the Curran Theatre, and this year boasts separate productions in Boston and Los Angeles.

Performances of THE PAJAMA GAME will begin Friday, January 27th on Broadway at the American Airlines Theatre with the official opening set for Thursday, March 2nd. The limited engagement is scheduled to run 20 weeks through June 18th, 2006.