Zack Winokur News

The San Diego Symphony's annual January Festival returns in its fourth year entitled, Hearing the Future. Throughout the festival, which runs January 9 - 27, 2019, the organization explores and celebrates the power of music and art to give voice to the evolution and revolutions in the world at large. The festival, curated by composer-conductor Matthew Aucoin (b.1990), will shine a spotlight on the music being made today - from composers and performers who are still in high school, to a 90-year-old jazz master. The festival will also explore the way music from the past - from Haydn, Beethoven and Berlioz to the creators of African-American spirituals - engaged with the most urgent issues of their time.

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature THE PHANTOM OF THE OPERA, LEGALLY BLONDE, AVENUE Q and More!

World premiere musical theater piece adapted by Davone Tines and Michael Schachter from 1931 Langston Hughes poem, 'The Black Clown.' Dramatic monologue with orchestral accompaniment is part elegy, part declaration of independence, and part celebration which resonates in 2018 America. Tines gives a full-throated performance as the titular character with support from a twelve-person ensemble of singularly-talented singers and dancers.

Check out photos of American Repertory Theater's world premiere production of The Black Clown!

Get a first look at rehearsals for The Black Clown at Loeb Drama Center!

American Repertory Theater at Harvard University (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, announces complete casting and creative team for The Black Clown. The production begins previews Friday, August 31; opens Wednesday, September 5; and closes Sunday, September 23, 2018 at the Loeb Drama Center in Cambridge, MA.

American Repertory Theater at Harvard University (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, announces complete casting and creative team for The Black Clown. The production begins previews Friday, August 31; opens Wednesday, September 5; and closes Sunday, September 23, 2018 at the Loeb Drama Center in Cambridge, MA.

American Repertory Theater (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, is pleased to announce its 2018/19 programming, including subscription offerings, A.R.T. Breakout, Live @ OBERON, and Afterglow @ OBERON.

The Juilliard School pulled out all the stops for Stephen Wadsworth's production of HIPPOLYTE ET ARICIE (1733) by Jean-Philippe Rameau this week. Gorgeously designed by Charlie Corcoran with marvelous costumes by Sarah Cubbage, Juilliard has the resources to do it right, with professional level performers from their Historical Performance, Marcus Institute for Vocal Arts and Dance departments plus the Juilliard415 early music ensemble under Stephen Stubbs.

Juilliard's Ellen and James S. Marcus Institute for Vocal Arts presents Jean-Philippe Rameau's opera, Hippolyte et Aricie, conducted by Stephen Stubbs and directed by Stephen Wadsworth with choreographed by Zack Winokur. The opera features singers from Juilliard's Marcus Institute for Vocal Arts, Juilliard Historical Performance's period-instrument ensemble Juilliard415, and dancers from Juilliard's Dance Division. 

Juilliard's Ellen and James S. Marcus Institute for Vocal Arts presents Jean-Philippe Rameau's opera, Hippolyte et Aricie, conducted by Stephen Stubbs and directed by Stephen Wadsworth with choreographed by Zack Winokur. The opera features singers from Juilliard's Marcus Institute for Vocal Arts, Juilliard Historical Performance's period-instrument ensemble Juilliard415, and dancers from Juilliard's Dance Division. 

MasterVoices - dedicated to celebrating the power of the human voice through the art of musical storytelling - presents two performances of a new production of Orphic Moments, in conjunction with producers Anthony Roth Costanzo and Cath Brittan. 

American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Producer Diane Borger, announces that it will present the inaugural Run AMOC! Festival, performed by the new American Modern Opera Company (AMOC) December 15 18, 2017.

Orchestra of St. Luke's (OSL) 43rd season continues in 2018 with 43 performances in 10 venues throughout New York City. The winter spring calendar offers wide-ranging programs from intimate chamber music concerts devoted to Baroque, Classical, and Romantic repertoire to a world premiere at Carnegie Hall by one of today's most lauded composers. Additionally, the Orchestra will play music for a legendary dance institution's Lincoln Center season and collaborate with a renowned choral group on a program that juxtaposes an established work with a new, dramatic oratorio based on the Orpheus myth.

OBERON, the American Repertory Theater's (A.R.T.) second stage and club-theater venue on the fringe of Harvard Square, announces events to be presented at OBERON during December 2017 and January 2018 - including Live @ OBERON, OBERON Presents, Glowberon, and usual suspects.

American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Artistic Director Diane Paulus and Executive Producer Diane Borger, announces that it will present the inaugural Run AMOC! Festival, performed by the new American Modern Opera Company (AMOC) December 15 18, 2017.

Artistic Directors Matthew Aucoin and Zack Winokur announce the launch of the American Modern Opera Company (AMOC). AMOC, an opera company on a new model, is the artistic home for some of the most innovative young singers, instrumentalists, and dancers active today. At once a traveling theater troupe, new-music ensemble, and artists' collective, AMOC will serve as the incubator and executor of its core members' most ambitious, boundary-pushing projects. AMOC's members share a belief that the creation of meaningful interdisciplinary work requires deep, consistent artistic relationships and close, long-term collaboration. This company, whose developing body of work ranges from intimate duets to evening-length stage works, aims to expand the definition and the reach of opera as we know it.

William Christie, artist in residence in Juilliard's Historical Performance program, returns for his annual concert with Juilliard415 on Thursday, October 5, 2017, at 7:30pm in Alice Tully Hall.

Works & Process at the Guggenheim announces the World Premiere of Works & Process Rotunda Project: Daniil Simkin Falls the Shadow with choreography by Alejandro Cerrudo

MasterVoices - dedicated to the art of musical storytelling and celebrating the power of the human voice - announces its 2017-18 season.