Photos: First Look at 1st Stage's THE LAST MATCH
by Blair Ingenthron
- Jun 11, 2023
The 1st Stage production of The Last Match by Anna Ziegler features Fabiolla Da Silva, Drew Kopas (previously seen in Airness), Ethan Miller (previously seen in Swimming with Whales), and Lynette Rathnam (previously seen in The Phlebotomist). The production is directed by 1st Stage Artistic Director, Alex Levy. Check out production photos here!
Review: INCENDIARY at Woolly Mammoth Theatre Company
by Peter Rouleau
- Jun 6, 2023
Let me tell you a bit about myself. Even before the death of George Floyd and the political earthquake that followed, I have long been of the opinion that drastic and systemic changes are needed in the American judicial system.
Review: THE BODY OF A WOMAN AS A BATTLEFIELD at ExPats Theatre
by Hannah R. Wing
- Apr 30, 2023
ExPats Theatre’s production of The Body of a Woman as a Battlefield, directed by Karin Rosnizeck, features two great actors, but stumbles with low production quality and a script which doesn’t do its characters justice.
Review: THE RAINMAKER at 1st Stage
by Peter Rouleau
- Nov 23, 2022
American literature has a soft spot for con artists, those ruffians who, lacking the skills or inclination to earn an honest living, prosper by using sheer charm and creativity to tell other people what they most want to hear. These rapscallions, despite living by lying, often find themselves in a position to help other characters discover certain truths about themselves. 1st Stage's production of N. Edward Nash's 1954 play The Rainmaker is an enjoyable and entertaining visit with one such miscreant.
Photos: First Look at THE RAINMAKER at 1st Stage
by Stephi Wild
- Nov 21, 2022
1st Stage is now presenting The Rainmaker, written by N. Richard Nash and directed by Deidra LaWan Starnes, through December 11, 2022. Check out all new production photos here!
Handsome Production, Tedious Script: THE LION IN WINTER at Everyman Theatre
by Jack L. B. Gohn
- Oct 30, 2022
You not only have to have the talent to do the technical side of costume drama well, and have actors who can emote convincingly and then (in this case) reverse gears convincingly, and then reverse gears again as many times as the script calls for. You need a script that doesn’t make them do it so often it makes the audience stop following and stop caring. That is a bar this script doesn't clear.
Photos: First Look at Everyman Theatre's Premiere Production of CRYING ON TELEVISION
by Marissa Tomeo
- Jun 4, 2022
Everyman Theatre will close out its live, 2021/2022 season with R. Eric Thomas's World Premiere comedy, CRYING ON TELEVISION. The production at Everyman Theatre is directed by Reginald L. Douglas and runs from May 31 through June 26, 2022. At-home streaming is also available from June 17 through July 10.
BWW Interview: Theatre Life with Ivania Stack
by Elliot Lanes
- May 24, 2022
Today’s subject Ivania Stack is currently living her theatre life as the costume designer for There’s Always the Hudson at Woolly Mammoth Theatre Company. The production runs through June fifth.
BWW Review: OUR TOWN at Shakespeare Theatre Company
by Pamela Roberts
- May 22, 2022
The Shakespeare Theatre Company’s Our Town is a triumphant production of vitality, and consequence. Thornton Wilder’s classic—a work that captures the universal experience of being alive—takes on new resonance and depth in the capable hands of an extraordinary ensemble.
This play is immediate—one to see and share and talk about.
BWW Review: Olney Theatre's THE JOY THAT CARRIES YOU a Touching Journey Towards Renewal
by Andrew White
- May 21, 2022
'The Joy that Carries You' is a touching and touchingly thoughtful journey, one which many might recognize in their own. But Secka and Stoller also make this a celebration of the relationships which until (only) very recently were taboo. Thank goodness we're no longer at the stage where seeing two women choosing each other as life-partners is a shock; we can now see them as human beings. But we also know that relationships like this are still fraught with a unique form of anxiety, between the women themselves but especially with their families.
BWW Review: THE UPSTAIRS DEPARTMENT at Signature Theatre
by Rachael F. Goldberg
- May 6, 2022
While ostensibly about grief and how we see the world, 'The Upstairs Department' is really more about the central sibling relationship, about how two people can drift apart and find their way back to each other along their journeys to better understand themselves.
BWW Review: THE MAMALOGUES at 1st Stage Theater
by Tavish Young
- Apr 25, 2022
Earnest, funny, and full of life, Lisa B. Thompson's The Mamalogues is an intimate piece about navigating the world and looking for a fulfilling way of life (and in particular America) as a single Black mother.
« prev 2 … next »
|
|