TO KILL A MOCKINGBIRD Comes to the Bushnell
by Stephi Wild
- Jun 7, 2023
The Bushnell is thrilled to announce that tickets are on sale now for the highly anticipated First National Tour of Harper Lee's To Kill A Mockingbird. The limited engagement will run for eight performances only from June 27 through July 2, 2023.
2023 Tony Awards Nominations- Live Reactions
by Team BWW
- May 2, 2023
Follow us throughout the day, as we'll bring you Tony nominee reactions, exclusive reports, surprises, behind the scenes coverage and oh, so much more!
Video: WORKING IN THE THEATRE Docuseries Spotlights THE PIANO LESSON
by Stephi Wild
- Apr 27, 2023
The hit Broadway revival of August Wilson's The Piano Lesson is featured in the latest episode of “Working in the Theatre” with director LaTanya Richardson Jackson and set designer Beowulf Boritt. The episode features exclusive interviews and discussion on their collaboration on August Wilson's The Piano Lesson.
The 25th Anniversary Tour of CHICAGO Comes to Segerstrom Hall
by Stephi Wild
- Apr 27, 2023
CHICAGO is BACK IN TOWN, and after 25 years, CHICAGO is still the one musical with everything that makes Broadway shimmy-shake: a universal tale of fame, fortune, and all that jazz, with one show stopping song after another and the most astonishing dancing you’ve ever seen.
Review: HARPER LEE'S TO KILL A MOCKINGBIRD Commands 'ALL Rise' At Straz Center For The Performing Arts
by Drew Eberhard
- Apr 12, 2023
Harper Lee’s To Kill a Mockingbird was adapted for the stage by Aaron Sorkin and opened on Broadway at the Schubert Theatre in December of 2018. The play is set in 1930s Alabama and follows the story of Atticus Finch, a small-town lawyer in his defense trial of Tom Robinson, an African American man wrongfully accused of rape. However, Sorkin’s adaptation differs from the book by Lee, in which we see Atticus as the protagonist here, unlike the portrayal of Scout in Lee’s novel. Witnessing Atticus as the protagonist of the story we go on an emotional journey, and are able to see the change in Atticus as the show progresses. As Sorkin developed his adaptation, the production was faced with its own legal disputes. One being with the Lee estate in regards to its faithfulness to the original narrative, and the other to exclusivity rights regarding the use of the script by Christopher Sergel.
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