Ronald Hynd News

Works & Process, the performing arts series at the Guggenheim, presents The Washington Ballet: Julie Kent and Gemma Bond on Sunday and Monday, February 25 and 26, 2018 at 7:30pm.

On Sunday and Monday, April 30 and May 1, 2017 at 7:30pm, Works & Process at the Guggenheim presents performance highlights and discussion on American Ballet Theatre's newest production, Whipped Cream by Artist in Residence Alexei Ratmansky in collaboration with pop surrealist Mark Ryden.  Ratmansky and moderator John Meehan will discuss the new work and ABT dancers will perform excerpts prior to the New York premiere.

Ballet's production of The Nutcracker on December 3 and 4, 2016 at the Golden Gate High School Auditorium in Naples, Florida.

From June 9 - 19, 2016, Houston Ballet will conclude its 2015-16 season with the world premiere of artistic director Stanton Welch's Giselle. The world premiere of Giselle is made possible through the generosity of longtime Houston Ballet supporter and trustee Lynn Wyatt. This production will showcase the company's strength and depth of talent, while staying true to the original story of love, betrayal, and redemption, set in the Romantic era. The ballet is set to the famous score by Adolphe Adam and designed by renowned Italian designer Roberta Guidi di Bagno, who will create the scenery and costumes for the production.

From June 9 - 19, 2016, Houston Ballet will conclude its 2015-16 season with the world premiere of artistic director Stanton Welch's Giselle. The world premiere of Giselle is made possible through the generosity of longtime Houston Ballet supporter and trustee Lynn Wyatt. This production will showcase the company's strength and depth of talent, while staying true to the original story of love, betrayal, and redemption, set in the Romantic era. The ballet is set to the famous score by Adolphe Adam and designed by renowned Italian designer Roberta Guidi di Bagno, who will create the scenery and costumes for the production.

WASHINGTON, D.C. - This afternoon The Washington Ballet Board of Directors selected Julie Kent, retired Principal Dancer with American Ballet Theatre (ABT) and artistic director of the ABT Summer Intensive program, as Artistic Director of The Washington Ballet (TWB) effective, July 1, 2016. 

Pacific Northwest Ballet corps de ballet dancer Brittany Reid has announced she will be retiring at the end of the run of Kent Stowell's Swan Lake (April 10 - 19), following a 15-year career with PNB.

From the downbeat of the divine Fort Worth Symphony Orchestra, led to perfection by the talented Michael Moricz, to the final company bow, led by the show's original choreographer, Ronald Hynd, The Merry Widow offers an enchanted evening at Bass Performance Hall.

From the 10 - 15 March 2015 English National Ballet presents Modern Masters: Icons of 20th Century Choreography, a new triple bill at Sadler's Wells. The evening's programme includes works from two choreographers new to the Company's repertoire, William Forsythe's In the Middle, Somewhat Elevated and Spring and Fall by John Neumeier. The triple bill also includes Ji?í Kylián's Petite Mort, first performed by the Company in Ecstasy and Death in 2013.

From September 4-14, 2014, Houston Ballet launches its 45th season with the company premiere of John Neumeier's three-act ballet A Midsummer Night's Dream. The ballet is based on Shakespeare's lighthearted play of the same name and follows the hijinks and hilarity that ensues when a well-intentioned plan with a love potion goes awry. Created in 1977, A Midsummer Night's Dream has served as Mr. Neumeier's calling card, being seen as one of his most joyous and popular creations. Houston Ballet is the first American ballet company to perform the famous work and it is the first piece by Mr. Neumeier to enter the Houston Ballet repertoire.

The curtain comes down on Pacific Northwest Ballet's 41st season with its annual Season Encore Performance, a crowd-pleasing reprise of some of PNB's greatest hits. A thrilling evening of inspired repertory selections and awe-inspiring performances (including Crystal Pite's show-stopper, Emergence), the program will feature PNB's entire Company, along with the mighty PNB Orchestra. The Season Encore Performance will be presented one night only, Sunday, June 8 at 6:30 pm at McCaw Hall, 321 Mercer Street. Tickets may be purchased exclusively through the PNB Box Office (206.441.2424, online at PNB.org, or in person at 301 Mercer Street at Seattle Center.)

Paola Hartley and Astrit Zejnati, principal dancers of Ballet Arizona, will be members of the faculty for the Shreveport Dance Academy's Summer Intensive from July 28-August 1, 2014 in Shreveport, Louisiana.

GINGER THATCHER, former principal dancer of the Cleveland Ballet and former soloist of the Lar Lubovitch Dance Company, and PHILLIP BROOMHEAD, former principal dancer of the Royal Ballet and the Houston Ballet, will members of the faculty for the Goh Ballet Academy's Summer Program in Vancouver, Canada from July 7-August 9, 2014.

SEATTLE, WA-Pacific Northwest Ballet's 2013-2014 season continues with the perfect Valentine and a happily-ever-after experience for all ages, Ronald Hynd's The Sleeping Beauty. From fairies that really fly to the Prince's wakening kiss and an imperial wedding celebration, each moment of The Sleeping Beauty faithfully portrays the beloved fairy tale with grand storytelling, Tchaikovsky's beloved score, magnificent sets and costumes, and over 30 leading roles. Long regarded as the ideal classical ballet, The Sleeping Beauty's fairytale world was crafted to mirror the splendor of the Imperial Czars, its first patrons. Although this production is as discernibly English as its choreographer, the ballet remains true to Marius Petipa's 1890 original and each act - from the evil fairy Carabosse's flying entrance in the Prologue to the Rose Adagio's spectacular balances to Act III's celebrated Bluebird pas de deux - offers rich opportunities for dancers to demonstrate technique and artistry, and take star-turns. Ultimately, however, the pivotal brilliance of Beauty rests with Princess Aurora; she must captivate as a teenager, inspire a Prince's love as a vision, and awaken a queen, all while mastering some of the most technically grueling choreography in classical ballet's cannon - a genuine mark of distinction for a great ballerina. The Sleeping Beauty runs for nine performances only, January 31 to February 9, 2014 at Seattle Center's Marion Oliver McCaw Hall, 321 Mercer Street. Tickets may be purchased by calling the PNB Box Office at 206.441.2424, online at pnb.org, or in person at 301 Mercer Street.

SEATTLE, WA-Pacific Northwest Ballet's 2013-2014 season continues with the perfect Valentine and a happily-ever-after experience for all ages, Ronald Hynd's The Sleeping Beauty. From fairies that really fly to the Prince's wakening kiss and an imperial wedding celebration, each moment of The Sleeping Beauty faithfully portrays the beloved fairy tale with grand storytelling, Tchaikovsky's beloved score, magnificent sets and costumes, and over 30 leading roles. Long regarded as the ideal classical ballet, The Sleeping Beauty's fairytale world was crafted to mirror the splendor of the Imperial Czars, its first patrons. Although this production is as discernibly English as its choreographer, the ballet remains true to Marius Petipa's 1890 original and each act - from the evil fairy Carabosse's flying entrance in the Prologue to the Rose Adagio's spectacular balances to Act III's celebrated Bluebird pas de deux - offers rich opportunities for dancers to demonstrate technique and artistry, and take star-turns. Ultimately, however, the pivotal brilliance of Beauty rests with Princess Aurora; she must captivate as a teenager, inspire a Prince's love as a vision, and awaken a queen, all while mastering some of the most technically grueling choreography in classical ballet's cannon - a genuine mark of distinction for a great ballerina. The Sleeping Beauty runs for nine performances only, January 31 to February 9, 2014 at Seattle Center's Marion Oliver McCaw Hall, 321 Mercer Street. Tickets may be purchased by calling the PNB Box Office at 206.441.2424, online at pnb.org, or in person at 301 Mercer Street.

As a ballet, THE MERRY WIDOW is an adaptation of Franz Lehar's popular romantic operetta Die Lustige Witwe (The Merry Widow), which premiered in 1905. In the process of adapting the score for ballet, John Lanchbery and Alan Abott retained the style of Franz Lehar's orchestrations and included several of the well-known tunes from the operetta. Their score premiered in 1975 when The Australian Ballet, under the Musical Direction of John Lanchbery, produced the World Premiere production with choreography by Ronald Hynd and Scenario and Staging by Sir Robert Helpmann. This grandiose and radiant ballet of THE MERRY WIDOW had its Houston Ballet Premiere on September 17, 1995 in the Brown Theater. The Houston Ballet also performed it in 1999 and 2007. Now, in 2013, the lavish production is serving as Mireille Hassenboehler's gorgeous swan song and letter of admiration to the audiences of the Houston Ballet.

From tonight, September 19-29, 2013, Houston Ballet presents Ronald Hynd's comic and enchanting The Merry Widow.Adapted from Franz Lehar's beloved operetta, the internationally-admired British choreographer Ronald Hynd adds a new layer of lavish spectacle and choreography to the original story of The Merry Widow to create an irresistibly charming and intoxicating tale of high jinks, finance, romance, and intrigue. The production features magnificent scenery and costumes by Italian designer Roberta Guidi di Bagno. The company will give seven performances at Wortham Theater Center in downtown Houston.

From September 19-29, 2013, Houston Ballet presents Ronald Hynd's comic and enchanting The Merry Widow. Adapted from Franz Lehar's beloved operetta, the internationally-admired British choreographer Ronald Hynd adds a new layer of lavish spectacle and choreography to the original story of The Merry Widow to create an irresistibly charming and intoxicating tale of high jinks, finance, romance, and intrigue. The production features magnificent scenery and costumes by Italian designer Roberta Guidi di Bagno. The company will give seven performances at Wortham Theater Center in downtown Houston. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling 713 227 ARTS (2787).

From September 19-29, 2013, Houston Ballet presents Ronald Hynd's comic and enchanting The Merry Widow.Adapted from Franz Lehar's beloved operetta, the internationally-admired British choreographer Ronald Hynd adds a new layer of lavish spectacle and choreography to the original story of The Merry Widow to create an irresistibly charming and intoxicating tale of high jinks, finance, romance, and intrigue. The production features magnificent scenery and costumes by Italian designer Roberta Guidi di Bagno. The company will give seven performances at Wortham Theater Center in downtown Houston. Tickets start at $19, and may be purchased at www.houstonballet.org or by calling 713 227 ARTS (2787).

Pacific Northwest Ballet opens its Box Office for 2013-2014 ticket sales on Monday, July 22. As is its tradition, PNB is offering aspecial money-saving deal to celebrate the company's 41st season: Pay no service fees on tickets purchased thru July 31. Tickets (as well as subscriptions) may be purchased through the PNB Box Office, either by phone (206.441.2424), online (pnb.org) or in person at 301 Mercer Street.