Peter Crook News

Euripides' tragic title character in 'Medea' is one of those parts that actresses give their eye teeth (or even sacrifice their children) to play. She's a strong and committed woman with a wildly emotional arc. So with a role such as this where it's really all up to the lead, for the rest of the production I find it best to follow the rule of KISS (Keep It Simple Stupid). Unfortunately director Kelly Kitchens and the folks at Seattle Shakespeare Company had other ideas with their current production as it was so laden down with their storytelling gimmicks that the story and the stunning lead performance became diluted.

Wife. Mother. Exile. Medea abandons her home and country for Jason, the man she loves. When he discards her and their children for a new bride, the blow strikes deep into Medea's heart.

Some of Seattle's most talented actors will be hard at work in collaboration with writers from around the country in the rehearsal halls of The 5th Avenue Theatre this month as the company's NextFest: A Festival of New Musicals launches its three week intensive development cycle this weekend.

Dear Readers, I hope you've all fared well over the holidays and had a good time with your families. It's been a tumultuous year with lots of great theater for us to take in. And so I'm pleased to share with you some of the best things I saw this past year and the ones that I felt worthy of getting my Critic's Choice Awards for 2015. So settle in and allow me to expound on all the amazing I saw over the year. The envelope please.

Rehearsals started this week at The 5th Avenue Theatre for the exultant classic musical, Rodgers & Hammerstein's The Sound of Music, the iconic show sweeping Seattle for the holidays. Boasting such beloved songs as 'Do Re Mi,' 'My Favorite Things,' 'Sixteen Going on Seventeen,' and 'Climb Ev'ry Mountain,' this production of Rodgers & Hammerstein's The Sound of Music will be presented as only The 5th can do, complete with a sensational live orchestra, stunning costumes, and incredible sets. Under the direction of David Bennett and with choreography by Trina Mills and music direction by Kat Sherrell, this musical will feature an exuberant all-local cast of fresh faces and favorite performers that includes Anne Allgood as the Mother Abbess, joining the previously announced David Pichette as Max Detweiler and Jessica Skerritt as the Baroness Elsa Schraeder, with Hans Altwies as Captain Georg von Trapp and Kirsten deLohr Helland as Maria.

In our jaded and cynical world sometimes our inner cup of hope and romance can get a little low and we can use something to refill it. Well never fear romance seekers as ACT's World Premiere production of Steven Dietz's "Bloomsday" is here. This sweet little charmer is bound to fill up the romance cup of even the most jaded among us, at least a little bit.

ACT - A Contemporary Theatre is proud to present the world premiere of Bloomsday by Steven Dietz. Set against the backdrop of James Joyce's masterwork, Ulysses, an American man searches for the Irish woman who first captured his heart 30 years earlier while leading a "Bloomsday" walking tour in Dublin. We meet the couple at different points of their lives, as their younger and present selves. Told with humor, wit and heartache, this buoyant and moving new play commissioned by ACT brings the power and importance of living in the present to the light.

I have to say that when it comes to Kander and Ebb's "Cabaret" I prefer my Kit Kat Club dirty, my Sally Bowles damaged and my Berlin dangerous. And while the current production at Village Theatre has all of those elements, they're all very safe versions of those elements. And while director Brian Yorkey attempted a very thoughtful telling of the story, often times the pacing was so deliberately slow as to lose any urgency of the moment.

Every season productions come along that are so good that they remind me why us theater folk perform, produce and see theater. Personally, these are the shows that recharge my theatrical batteries so I can sit through the not so great ones (I'm looking at you "Flashdance: The Musical"). Such a show is the latest installment from The Seagull Project, Chekhov's "The Three Sisters" which manages such clarity of story, intent and meaning that you can practically feel the pain and frustration in the character's lives along with them.

Seattle Theater Writers critics' circle just announced the nomination slate of the fourth annual Gypsy Rose Lee Awards,theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.

ACT and Director John Langs completely nailed it again and then some. I saw the production last year of ACT's Seattle tradition of "A Christmas Carol" and found myself struck by how well they conveyed this classic tale. And as much as I enjoyed it last year there was something even more magical and special in the air for this year's production (or they spiked my eggnog) as I completely found myself swept away by this incredible show and, yes, crying my eyes out.

ACT - A Contemporary Theatre presents its 39th annual production of Charles Dickens' A Christmas Carol, adapted by Gregory A. Falls. This year, A Christmas Carol is directed by John Langs with award-winning actor R. Hamilton Wright returning to play Ebenezer Scrooge, in alternating performances with Seattle's critically acclaimed Peter Crook returning for his second run in the role of Scrooge.

ACT - A Contemporary Theatre presents its 39th annual production of Charles Dickens' A Christmas Carol, adapted by Gregory A. Falls. This year, A Christmas Carol is directed by John Langs with award-winning actor R. Hamilton Wright returning to play Ebenezer Scrooge, in alternating performances with Seattle's critically acclaimed Peter Crook returning for his second run in the role of Scrooge.

Before "Rent" put AIDS into the mainstream, before "The Temperamentals" looked at the plight of closeted gay men, there was "The Normal Heart", Larry Kramer's somewhat autobiographical, ground breaking master work which shoved the AIDS crisis and the gay lifestyle front and center at a time when people preferred to think of it as someone else's issue. The current production from Strawberry Theatre Workshop may have a few wrinkles to iron out but the performances from the stellar cast do honor to the iconic work.

Seattle Theater Writers, a critics' circle of local theater writers and reviewers, today announces the 2013 slate of nominees of the third annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters.

Holy Crap! That's really the most emphatic sentiment I can use to describe the internal battles I had when trying to pick my top picks for this past year. There were so many amazing performances and achievements that to pick just one was almost an impossibility (and as you'll see, WAS an impossibility for one category). But the battle is over and it's my distinct pleasure to announce my picks for the 2013 Broadway World Seattle Critic's Choice Awards (or Jay's Picks, if you prefer).

Holiday theatrical traditions are alive and well at ACT but the two shows playing couldn't be more different from each other. First off with their 38th annual production, ACT presents the classic “A Christmas Carol” with all the polish and flash that you've come to expect. And then with their 13th installment, Peggy Platt and Lisa Koch (AKA Dos Fallopia) present their irreverent sketch comedy show “Ham for the Holidays: Close Encounters of the Pork Rind”. I managed to see both in one night (it's possible but it's tight) and I went from sobbing to belly laughs that amounted to a lovely evening of holiday treats.

ACT - A Contemporary Theatre presents its 38th annual production of Charles Dickens' A Christmas Carol, adapted by Gregory A. Falls. This year, A Christmas Carol is directed by John Langs with Artistic Director Kurt Beattie returning to play Ebenezer Scrooge, in alternating performances with first timer Peter Crook making his first appearance in the role. Also new to the cast, G. Valmont Thomas, who's performance in 'Master Harold and the Boys,' just earned him the 2013 Gregory Award for Outstanding Actor. Mr. Thomas recently returned to Seattle after a long stint at Oregon Shakespeare Festival and will take on the charismatic role of Spirit 2 (Ghost of Christmas Present).

ACT - A Contemporary Theatre presents its 38th annual production of Charles Dickens' A Christmas Carol, adapted by Gregory A. Falls. This year, A Christmas Carol is directed by John Langs with Artistic Director Kurt Beattie returning to play Ebenezer Scrooge, in alternating performances with first timer Peter Crook making his first appearance in the role. Also new to the cast, G. Valmont Thomas, who's performance in "Master Harold and the Boys," just earned him the 2013 Gregory Award for Outstanding Actor. Mr. Thomas recently returned to Seattle after a long stint at Oregon Shakespeare Festival and will take on the charismatic role of Spirit 2 (Ghost of Christmas Present).

New Century Theatre Company's track record for putting on stunning shows remains brilliantly intact as they present another absolute winner with Enda Walsh's "The Walworth Farce". It's actually getting a little scary how they keep consistently putting up the goods show after show. It's almost like they've discovered some theatrical genie or wishing stone that magically turns their shows into gold. Or it could be that they just have the cream of the crop of Seattle theatrical talent on their team who not only know how to pick the slightly obscure shows but also how to produce and perform them. And "The Walworth Farce" is no exception as this four member cast goes from the raucously funny to the sublimely terrifying at the drop of a hat and takes you on a ride you won't soon forget.