Melody But News

Tonight was the inevitable night of songs from the year the contestants were born, but first things first: contestant Jermaine Jones, dubbed 'the gentle giant' by host Ryan Seacrest, has been caught telling some tall tales.

Matilda The Musical played to sold-out audiences at the RSC's The Courtyard Theatre in Stratford-upon-Avon for twelve weeks from November 2010 to January 2011. Roald Dahl's magical story about a girl with extraordinary powers has been a favourite novel for millions of people across the world since it was published in 1988.

Paula West has been hailed as one of the hardest-swinging jazz vocalists working today, a singer whose rich, dusky voice has captured the hearts of critics and audiences alike. On Saturday, November 19 she comes to 92nd Street Y with the George Mesterhazy Quartet for the first concert of the 92Y Jazz 2011-2012 season.

Lahr writes 'Taymor has a dynamic, painterly sense of space; she can marshal all the sensual elements of movement, light, and perspective into amazing stage pictures. (Two minutes after the show had ended, I couldn't recall a line of dialogue, a song lyric, or a melody, but I do remember any number of the show's images.) Before our eyes, for instance, the New York sky line is tipped ninety degrees, so that what begins at street level ends up a bird's-eye view, with buglike yellow cabs skittering below; in another scene, the spider chorines dance before us, with their eight syncopated limbs. In these moments-and there are plenty of them-the audience finds itself exactly where Taymor wants it to be: in a waking dream. The technicians of wonder are the real stars of 'Spider-Man': George Tsypin and his ravishing angular cityscape, with its monumental Cubist and Constructivist touches; Kyle Cooper and his ingenious projection design; Eiko Ishioka and her witty, beautifully made costumes (I loved Swarm, a one-man killer-bee hive, and the Green Goblin's scaly carapace). The stagecraft is about as good as it gets: all 'Spider-Man' needs now is a new book and new songs. Call me, Mister Mercury, this show will never be frozen.'

Rock tenor Rob Evan is perhaps most famous for his essaying of the dual title roles in Frank Wildhorn's JEKYLL & HYDE ten years ago on Broadway - and playing the leads in the new rock reinterpretation of the score known as JEKYLL & HYDE: RESURRECTION - but since that time he has appeared in entertainment entities as diverse as LES MISERABLES, Disney's TARZAN, Alan Menken & Howard Ashman's LITTLE SHOP OF HORRORS, concert performances of CHESS, THE MUSIC OF ANDREW LLOYD WEBBER, The Dream Engine and, of course, his muse-like work for Paul O'Neill, creator and composer of the international phenomenon known as the Trans Siberian Orchestra, as well as the Lord of Excess himself and a rock god like none other, BAT OUT OF HELL visionary Jim Steinman. There's a lot more to the story of Evan, Steinman and DANCE OF THE VAMPIRES than may seem at first bite. In this exclusive conversation, Evan and I discuss his many stage and concert appearances, as well as his extensive studio work - including BATMAN and many new, unheard compositions - with the resplendent and reclusive rock icon known to friends as just Jimmy. Here's a big bloody bite of my conversation with Rob Evan, who can be seen in a number of upcoming appearances on concert stages across the world, including his upcoming ROCK TENOR series of shows. More information is available at his official site here.

Today, in honor of the DVD release of Rob Marshall's film version of the 1982 Tony-winning Best Musical NINE, Maury Yeston was gracious and generous enough to grant me a few hours in which I could ask him intimate questions about his life, career and the future of theatre itself. Not one to mince words, Yeston is a veritable font of knowledge and it became clear during the interview that he may be as gifted and talented in his educational and mentorship skills as he is as a two-time Tony-winning composer and lyricist. His stage musicals include two Tony-winning Best Musicals, NINE and TITANIC, as well as: IN THE BEGINNING, GRAND HOTEL, PHANTOM, and the forthcoming DEATH TAKES A HOLIDAY, as well as a full-length ballet of TOM SAWYER premiering later this year. From the handwritten letter sent by Katharine Hepburn to Frederico Fellini after seeing the workshop of NINE thirty years ago to this very day when NINE hits DVD, we will take a look at this magnanimous maestro's starry career in this inaugural InDepth InterView. Enjoy!

Kathleen Marshall's mostly bland production only comes alive when the supporting players are allowed to inject their own personal sparkle and musical comedy expertise

We spoke to your favorites to find out what they thought was the most romantic Broadway love song.