Review: LOVE NEVER DIES IN CONCERT, Theatre Royal Drury Lane
by Franco Milazzo
- Aug 22, 2023
Over a decade has passed since Love Never Dies, Andrew Lloyd Webber’s sequel to The Phantom Of The Opera, was an undoubted flop during its first (and last) London run so this week’s revival in concert is a welcome retrospective. Was it a victim of its own hype or is it just a bad show?
BWW Review: ROCKETS AND BLUE LIGHTS, National Theatre
by Bella Bevan
- Sep 3, 2021
Winsome Pinnock's new political play finally gets a full run at the National, after its Royal Exchange Theatre premiere was curtailed due to Covid. It's apt since Pinnock began work on the play, which won the 2018 Alfred Fagon Award, while on attachment with the National Theatre's New Work Department in 2016.
Photos: The National Theatre Presents ROCKETS AND BLUE LIGHTS
by Chloe Rabinowitz
- Aug 31, 2021
The National Theatre has released production images for Rockets and Blue Lights. Directed by Miranda Cromwell, the play was first staged at the Royal Exchange Theatre in Manchester before being cancelled due to Covid-19 and will now open in the Dorfman theatre from 25th August to 9th October 2021.
BWW Review: DEATH OF A SALESMAN, Piccadilly Theatre
by Anthony Walker-Cook
- Nov 4, 2019
Following a sold-out run at the Young Vic, Arthur Miller's Death of a Salesman has transferred to the West End and, with blistering direction from Marianne Elliott and Miranda Cromwell, it remains one of the standout shows of the year.
Photo Flash: New Photos of the West End Production of DEATH OF A SALESMAN
by Chloe Rabinowitz
- Oct 29, 2019
The West End transfer of the highly acclaimed Young Vic production of Arthur Miller's Death of a Salesman, produced by Elliott & Harper Productions and Cindy Tolan and starring Wendell Pierce and Sharon D Clarke began its run at the Piccadilly Theatre in London on Friday 24 October 2019, where it will run until 4 January 2020.
BWW Review: DEATH OF A SALESMAN, Young Vic
by Marianka Swain
- May 10, 2019
Seventy years on from its Broadway opening, Marianne Elliott and Miranda Cromwell present Arthur Miller's masterpiece afresh in an inspired, shattering revival. One key change - making the 1940s Loman family African-American - gives the play a whole new texture, while retaining its searing condemnation of the American Dream's false promises.
THE STARRY MESSENGER Leads May's Top 10 New London Shows
by Marianka Swain
- Apr 25, 2019
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From timely plays to the beginning of open-air theatre season, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews, interviews and features!
VIDEO: Patti LuPone and More Talk Reimagining COMPANY for the West End
by Alan Henry
- Apr 4, 2019
The world is gearing up to watch the biggest night in London Theatre, The Olivier Awards! In anticipation, watch below as Patti LuPone, Rosalie Craig, Jonathan Bailey, and Richard Fleeshman talk reimagining this show in this revolutionary West End production.
VIDEO: Watch the Full COMPANY Episode of DOCUMENTARY NOW!
by Stephi Wild
- Feb 28, 2019
The Stephen Sondheim-themed episode of Documentary Now!, parodying D.A. Pennebaker's classic making-of Company documentary, aired last night! The episode, titled 'Original Cast Album: Co-Op,' can be watched in full here!
Song Insights: 'You Could Drive a Person Crazy', COMPANY
by Rona Kelly
- Feb 23, 2019
Is your life totally prepared for a gigantic change right now? Then brace yourself for the last in our Song Insights series for Company. Musical Director Joel Fram takes us through a number which proves 'a real surprise for the audience', and the process of updating this classic for Marianne Elliott's production: 'You Could Drive a Person Crazy'.
Patti LuPone Covers Set Breakdown During Performance of COMPANY
by Julie Musbach
- Feb 8, 2019
Last night's performance of Company in London encountered quite a hiccup when the set broke down and a cover performer took ill. Patti LuPone brought her show-must-go-on spirit to the audience and performed a quick number.
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