Review: RICHARD III at Chicago Shakespeare Theater
by Zac Thriffiley
- Feb 10, 2024
If new Artistic Director Edward Hall's RICHARD III is any indication of what Chicago audiences can come to expect during his tenure, they would do well to cheer, 'Long live the king.' The darkly comic historical thriller runs through March 3 at CST's Courtyard Theater.
Photos: Chicago Shakespeare Theater Presents William Shakespeare's RICHARD III
by A.A. Cristi
- Feb 7, 2024
Chicago Shakespeare Theater presents William Shakespeare’s Richard III, staged by Artistic Director Edward Hall in the Courtyard Theater, February 2–March 3. Power, greed, ambition. A world where to win is everything. And to win at all costs. This marks the first major US production of Richard III to feature a woman with a disability in the title role.
Video: Go Inside Rehearsals For RICHARD III at Chicago Shakespeare
by Joshua Wright
- Jan 26, 2024
Watch as Director Edward Hall and Katy Sullivan (Richard III) discuss reuniting to take on this epic political thriller RICHARD III at Chicago Shakespeare. Tony Award-nominated actor, Paralympic champion, and bilateral above-knee amputee Katy Sullivan makes her Chicago Shakespeare Theater debut in the title role.
EURYDICE Comes to Writers Theatre in September
by Stephi Wild
- Aug 29, 2023
Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Artistic Director Braden Abraham, kicks off its 2023/24 Season with Eurydice. Eurydice is written by Wilmette native and acclaimed playwright Sarah Ruhl and marks the directorial debut of Braden Abraham at Writers Theatre.
Cast Announced For MR. DICKENS AND HIS CAROL At Seattle Rep
by A.A. Cristi
- Oct 18, 2022
Seattle Rep has announced the complete cast and creative team for the upcoming world-premiere holiday production, Mr. Dickens and His Carol to be directed by Braden Abraham, who recently announced that this will be his last production as the theater's Artistic Director.
BWW Review: SEAGULL at Steppenwolf Theatre Company
by Rachel Weinberg
- May 9, 2022
Yasen Peyankov’s adaptation of Anton Chekhov’s SEAGULL proves a wry vehicle to showcase the talents of many of his fellow Steppenwolf ensemble members who haven’t graced the stage since before the COVID-19 pandemic. Peyankov’s adaptation is direct, self-aware, and rife with dry (extremely dry) humor. The ennui that pierces SEAGULL is deeply and obviously felt throughout this adaptation of the text. References to Chekhov’s native Russia abound in Peyankov’s script, but the language feels modern and direct.
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