Juan Diego Florez News

Welsh superstar Katherine Jenkins OBE makes her Cafe Carlyle debut with Viva La Diva, April 12-16. Katherine Jenkins is one of the world's most prolific classical crossover singers, having released ten chart-topping studio albums since being signed to Universal Classics. Over the course of her esteemed career, she has toured and recorded with the likes of Placido Domingo, Andrea Bocelli, Jose Carreras, David Foster, Dame Kiri te Kanawa, Bryn Terfyl, Rolando Villazon, Juan Diego Florez & Il Divo. At Cafe Carlyle, she will be joined by music director Gerard Steichen. Two-time Drama Desk nominee Ryan Silverman (Chicago, Phantom, Side Show) will make a special guest appearance.

The New Jersey Symphony Orchestra and Music Director Jacques Lacombe present Beethoven's iconic Ninth Symphony and Jennifer Higdon's blue cathedral, November 5-8 in Newark and New Brunswick.

The New Jersey Symphony Orchestra and Music Director Jacques Lacombe welcome legendary saxophonist Branford Marsalis for the Orchestra's 2015-16 opening-weekend concerts, this weekend, September 25-27 in Newark and New Brunswick.

The New Jersey Symphony Orchestra and Music Director Jacques Lacombe welcome legendary saxophonist Branford Marsalis for the Orchestra's 2015-16 opening-weekend concerts, September 25-27 in Newark and New Brunswick.

At a time when we're often inundated with yet another TOSCA, BOHEME or CARMEN at major opera houses, the Caramoor Festival in Katonah, NY--a couple of hours north of New York City in summer traffic--manages to bring some relief, thanks to the efforts of its Music Director Will Crutchfield. On July 11, Gaetano Donizetti's LA FAVORITE showed us that the composer of LUCIA DI LAMMERMOOR, L'ELISIR D'AMORE and the Tudor Queens Trilogy, among so many others, had more than a few tricks up his sleeve.

Gary Naylor is left awed by the performances, the spectacle and the sensory overload of the penultimate show in the New York Met's season of operas broadcast to cinemas around the world.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Maria Callas got the world used to hearing singing that was not always pitch-perfect yet still essential listening. I kept thinking about this at the Met the other night during the new production of Rossini's LA DONNA DEL LAGO with a cast headed by a couple of stars, mezzo Joyce DiDonato and tenor Juan Diego Florez, who are well known for their bel canto style.

DALLAS, FEBRUARY 20, 2015 – The Dallas Opera is preparing to whisk audiences away to the Latin Quarter of Paris for the blockbuster opera of the season: Giacomo Puccini's 1896 masterpiece, LA BOHÈME, based on Henri Murger's newspaper serial-turned-novel, Scènes de la vie de bohème.

Bartlett Sher's production of Rossini's IL BARBIERE DI SIVIGLIA is one of the best of the Gelb years at the Met, with its sliding-doors set by Michael Yeargan and luscious costumes by Catherine Zuber. It was great when it opened with an all-star cast--headed Diana Damrau, Juan Diego Florez and Peter Mattei--and remains sturdy even when some of the casting is a little wobbly.

Pretty Yende--a name that in itself brings certain expectations as well as smiles--burst on the New York opera scene at the start of 2013, in a baptism by fire. At just 27, the South African soprano from Piet Retief, Mpumalanga memorably stepped into one of the lead roles in the revival of Rossini's LE COMTE ORY (opposite, no less, star tenor Juan Diego Florez) on short notice.

Joyce DiDonato sings the title role in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, and Luca Pisaroni as Don Ramiro's tutor, Alidoro, onGreat Performances at the Met Sunday, September 7 at 12 p.m. on PBS. (In New York, THIRTEEN will air the opera at 12:30 p.m.) Check out a first look at the performance below!

The New Jersey Symphony Orchestra and Princeton University Department of Music announce the four composers of the inaugural NJSO Edward T. Cone Composition Institute, a multi-faceted program that promotes new music and emerging composers. The Institute is a collaboration between the NJSO and the Princeton University Department of Music and is generously funded in part by the Edward T. Cone Foundation.

The New Jersey Symphony Orchestra and Princeton University Department of Music announce the four composers of the inaugural NJSO Edward T. Cone Composition Institute, a multi-faceted program that promotes new music and emerging composers. The Institute is a collaboration between the NJSO and the Princeton University Department of Music and is generously funded in part by the Edward T. Cone Foundation.

“The party's over,” wrote Betty Comden & Adolph Green in BELLS ARE RINGING. “It's time to call it a day.” The opera season at the Metropolitan said its farewells to 2013-2014 on May 10 with a bel canto doubleheader of Rossini's LA CENERENTOLA (a shot heard round the world via radio and The Met's LIVE IN HD) and Bellini's IL PURITANI--not a bad swan song, considering the singing talent involved.

The New Jersey Symphony Orchestra (NJSO) and New Jersey Performing Arts Center (NJPAC) present Bell & Lacombe, a one-performance-only program tonight, May 9, at 8 pm in NJPAC's Prudential Hall. The Grammy Award-winning violinist performs Sibelius' Violin Concerto and Ravel's Tzigane on a program that includes Tchaikovsky's Romeo and Juliet Fantasy-Overture and Grieg's Peer Gynt Suite No. 1. NJSO Music Director Jacques Lacombe conducts.

The New Jersey Symphony Orchestra presents Saturday Night Out-an LGBT event-on tonight, May 3, at the New Jersey Performing Arts Center (NJPAC) in Newark. The NJSO will host a post-concert champagne and dessert reception for ticketholders who are LGBT community members and friends. The event follows the success of the Orchestra's Friday Night Out LGBT event at NJPAC in April 2013.

When the Met's production of LA CENERENTOLA, Rossini's version of the Cinderella story. arrives in movie theatres around the world next week, the star for many will be tenor Juan Diego Florez as the prince. But he didn't make it to the first three performances of the opera this season in New York--not that we got short-changed in the matter. Mezzo Joyce DiDonato was there in the title role, as scheduled, with her wonderfully sung, deeply felt portrayal and, as the prince, was Javier Camarena, the Met's own Cinderella man.

The New Jersey Symphony Orchestra and Music Director Jacques Lacombe present Brahms' First Symphony in concerts this weekend, May 1-4 in Englewood, Princeton and Newark. Metropolitan Opera Orchestra Principal Clarinet Anthony McGill joins the Orchestra for Richard Danielpour's Clarinet Concerto, an NJSO co-commission written for McGill. On Saturday, May 3, the NJSO hosts Saturday Night Out-a post-concert champagne and dessert reception for ticketholders who are LGBT community members and friends-at the New Jersey Performing Arts Center (NJPAC) in Newark.

The New Jersey Symphony Orchestra (NJSO) and New Jersey Performing Arts Center (NJPAC) present Bell & Lacombe, a one-performance-only program on Friday, May 9, at 8 pm in NJPAC's Prudential Hall. The Grammy Award-winning violinist performs Sibelius' Violin Concerto and Ravel's Tzigane on a program that includes Tchaikovsky's Romeo and Juliet Fantasy-Overture and Grieg's Peer Gynt Suite No. 1. NJSO Music Director Jacques Lacombe conducts.