John Proctor News

Tampa Repertory Theatre and ThinkTank Theatre will co-produce a stark and powerful production of Arthur Miller's classic play The Crucible, running from September 29th through October 15th at Stageworks Theatre in Tampa, with the Opening Night Celebration on Saturday, September 30th at 6:30pm.

Trinity Repertory Company opens its 60th Anniversary Season with two plays performed in rotating repertory, both dark dramedies with thematic ties to gender, power, and Arthur Miller's The Crucible.  

Get a sneak peek into the highly anticipated 2023-24 season at Ensemble Studio Theatre, featuring an impressive lineup of plays and events that are sure to captivate theater enthusiasts. Find out what to expect and mark your calendars for an unforgettable theatrical experience.

Olivier Award-winner Lyndsey Turner directs this electrifying new production with set design by Es Devlin in a ‘magnificent restaging’ (The Telegraph) of Arthur Miller’s masterpiece, a gripping parable of power and its abuse. 

Trinity Repertory Company, Rhode Island's Tony Award-winning theater, has announced on-sale dates for single tickets and expanded discounts for its 60th Anniversary Season. 

The National Theatre’s acclaimed new production of The Crucible transferred to the West End this June for a strictly limited season, featuring Milly Alcock (House of the Dragon) as Abigail Williams, Caitlin FitzGerald (Masters of Sex) as Elizabeth Proctor, and Brian Gleeson (Bad Sisters) as John Proctor. 

Immerse yourself in the captivating world of SALESMAN 之死, a bilingual adaptation of Arthur Miller's classic play taking place at Connelly Theater. Don't miss this riveting stage performance that showcases the talent and creativity of its cast and crew.

An all new trailer has been released for the National Theatre’s critically acclaimed West End transfer of Lyndsey Turner’s production of The Crucible. Check out the video here!

The Cape Cod Theatre Project (CCTP) finishes its 2023 season in its fourth week with playwright Mary Elizabeth Hamitlon's It's Still F-cking Tuesday. 

This Fall, Brooklyn performance and civic space JACK wrestles with family - both chosen and related in two theatrical premieres and the return of their experimental performance festival Radical Acts.

Rhode Island Latino Arts, in association with Trinity Repertory Company, will present La Luz Verde, the latest production by its bilingual community theater program Teatro en El Verano (Theater in the Summer).

Playing on Air has revealed its Summer 2023 podcast season, featuring an exciting lineup of nine audio plays curated and produced by Founder and Consulting Director Claudia Catania.

The Cape Cod Theatre Project (CCTP) starts its 2023 season this evening from 5-7 PM at the Falmouth Yacht Club, with a Q&A and mixer event honoring CCTP alum Sharr White (Pictures From Home).

The National Theatre’s acclaimed new production of The Crucible has now opened in the West End for a strictly limited season. Featuring Milly Alcock (House of the Dragon) as Abigail Williams, Caitlin FitzGerald (Masters of Sex) as Elizabeth Proctor, and Brian Gleeson (Bad Sisters) as John Proctor.

Brian Gleeson and House of the Dragon's Milly Alcock shine in this revival.

New production photos have been released for the National Theatre’s highly anticipated West End transfer of Lyndsey Turner’s acclaimed production of The Crucible. 

Led by a top-tiered cast, Tampa Rep’s ALL MY SONS finally gives us the production that this tremendous script deserves!

Lincoln Center Theater/LCT3 will present the world premiere production of LET’S CALL HER PATTY, a new play by Zarina Shea, directed by Margot Bordelon. See who is starring, and learn how to purchase tickets!

Trinity Repertory Company, Rhode Island’s Tony Award-winning theater, under the leadership of Artistic Director Curt Columbus and Executive Director Kate Liberman, announces its milestone 60th Anniversary Season.

What did our critic think of THE CRUCIBLE at Eisenhower Theater? Choreographer Helen Pickett does in her ballet The Crucible just exactly what Arthur Miller attempted in his 1953 play, her source. Both try to make a new language to express the Salem witch trials of 1692 because those events were too extraordinary for regular English or garden-variety ballet.