Jane Anderson News

The Public Theater will begin previews for the New York premiere of MOTHER OF THE MAID September 25 and has been extended a final three weeks through Sunday, December 23.

ReFrameTM (ReFrameProject.org), a coalition of industry professionals and partner companies founded In Film and Sundance Institute-whose mission is to increase the and IMDbPro (imdbpro.com/)- the essential information resource for the entertainment industry-announced today the second round of feature films that qualify for the ReFrame Stamp to recognize standout, gender-balanced films. The complete list of stamp recipients can be found at ReFrameProject.org/stamp and imdb.com/reframe. The ReFrame Stamp program launched on June 8, 2018 with the announcement of 12 films that earned the stamp out of 100 films surveyed. We then expanded the program by inviting studio and independent films that have secured U.S. domestic theatrical or streaming distribution to submit their films for stamp consideration.

The Public Theater announces complete for the New York premiere of MOTHER OF THE MAID, written by Emmy Award winner Jane Anderson.

Glenn Close will be honored by Museum of the Moving Image at its 32nd annual Salute on December 3, 2018 at 583 Park Ave. in New York. The news was announced today by Ivan L. Lustig, Co-Chairman of the Museum's Board of Trustees and Carl Goodman, the Museum's Executive Director.

THE ROAD THEATRE COMPANY and Taylor Gilbert, Founder/Artistic Director together with Sam Anderson, Artistic Director, remain committed to their meaningful mission to produce and develop New Work for the Stage

Good morning BroadwayWorld! Today's top stories: watch highlights from this year's Stars in the Alley concert and more!

Public Theater Artistic Director Oskar Eustis and Executive Director Patrick Willingham announced the line-up today for The Public's 2018-19 Season at their landmark home on 425 Lafayette Street. The iconic New York destination, which includes five theaters and Joe's Pub, as well as The Library restaurant, has been home to over 50 years of revolutionary theater, and continues this season with new work by Emerging Writers Group alum and 2017-18 Tow Foundation Playwright-in-Residence Patricia Ione Lloyd, Public Studio alumni Hansol Jung and Jordan E. Cooper, Master Writer Chair Suzan-Lori Parks, Conor McPherson, Simon Stephens, Nick Payne, Jane Anderson, Tim Blake Nelson, and Luis Alfaro, as well as the continuation of year-round and community engagement programming: Mobile Unit, Public Works, Under the Radar Festival, Public Studio, Public Forum, Public Shakespeare Initiative, Emerging Writers Group, and the beloved Free Shakespeare in the Park.

Playwright Jane Anderson was revered for the Baby Dance and is currently represented at the Rubicon Theatre in Ventura with the Baby Dance: Mixed. In our conversation she tells us about the urgency of the updated, practically new play. Will you talk at length about the play and why the update at this time? I wrote the original Baby Dance in 1989 and the main theme of the play was about the class divide in America - white America, that is.  The adopting couple from Los Angles were affluent, educated and liberal. The birth couple were desperately poor, uneducated and living in a trailer park in the south. Both couples were white and the conflict between them was cultural and economic. Many years later, Jenny Sullivan, who directed the or

Casting has been announced for the World Premiere of THE BABY DANCE: MIXED, a new adaptation by Emmy Award-winner JANE ANDERSON ("Olive Kitteridge") of her acclaimed 2004 play The Baby Dance. A drama delicately laced with comic overtones, THE BABY DANCE: MIXED is a compelling and urgent play about race, class, and wanting the perfect child. In the story, Regina and Richard, an affluent mixed-race couple in Los Angeles, have everything except a baby. Wanda and Al, an African-American couple living in an overcrowded trailer in modern-day Louisiana, are too poor to keep their soon-to-be-born child. Through an adoption attorney, the two couples broker a deal. However, circumstances arise that affect their decision and the situation spins out of control. The Wall Street Journal described The Baby Dance as "filled with emotional power and nimble humor." The L.A. Times called it "a stunner…funny as well as perceptive."

Sundance Institute's Theatre Lab kicks off on May 6th, and today announced this year's participating acting company and creative advisors. The Lab, which runs through May 27 at the Fellah Hotel outside Marrakech, Morocco, is supervised by Artistic Director Philip Himberg and Producing Director Christopher Hibma, and is the centerpiece of the Institute's year-round work with the theatre community, alternating locations between Sundance Resort in Utah and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists writing in English and Arabic.

Casting has been announced for the World Premiere of THE BABY DANCE: MIXED, a new adaptation by Emmy Award-winner JANE ANDERSON ('Olive Kitteridge') of her acclaimed 2004 play The Baby Dance. A drama delicately laced with comic overtones, THE BABY DANCE: MIXED is a compelling and urgent play about race, class, and wanting the perfect child.

Sundance Institute announces the slate of theatremakers from the U.S. and Middle East / North Africa who will convene at the Theatre Program's second annual Theatre Lab in Morocco next month. The Lab, which will take place from May 6 - 27 at the Fellah Hotel outside Marrakech, comprises three uninterrupted weeks of consultation, mentorship and workshop performance of new work for the stage. The Theatre Lab alternates locations each season, moving between the Sundance Resort in Utah, and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists. Led by Sundance Institute Theatre Program Director Philip Himberg and Producing Director Christopher Hibma, teams of creative advisors, actors and dramaturgs will collaborate with writers and directors, independent from commercial or public pressures, as they develop their projects.

Sundance Institute announces the slate of theatremakers from the U.S. and Middle East / North Africa who will convene at the Theatre Program's second annual Theatre Lab in Morocco next month. The Lab, which will take place from May 6 - 27 at the Fellah Hotel outside Marrakech, comprises three uninterrupted weeks of consultation, mentorship and workshop performance of new work for the stage. The Theatre Lab alternates locations each season, moving between the Sundance Resort in Utah, and a venue in the Middle East/North African region, as part of a multi-year commitment to international work and a means of facilitating cultural exchange between artists. Led by Sundance Institute Theatre Program Director Philip Himberg and Producing Director Christopher Hibma, teams of creative advisors, actors and dramaturgs will collaborate with writers and directors, independent from commercial or public pressures, as they develop their projects.  

Company OnStage presents Quality of Life, by Jane Anderson, and directed by Neil Orts. Audience Advisory : This play explores a breadth of timely social issues - assisted suicide, medical marijuana, tolerance, and the many roles that spiritualism plays in our lives - with incredible insight and humor. PG - 13 Two wildly different couples - one New Age Liberal and the other Midwestern Conservative - meet one weekend in the wake of personal tragedies. Jeannette's husband, Neil, is dying of cancer.

Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director/CEO) are thrilled to announce an additional Unicorn Theatre production, the comedic double feature: Sister Mary Ignatius Explains It All For You and The Actor's Nightmare, featuring Tony Award-winner, Harriet Harris (Thoroughly Modern Millie, Phantom Thread, Frasier; BTG: Arsenic and Old Lace) as Sister Mary Ignatius.This cast also features Jenn Harris (Silence! The Musical, Modern Orthodox; BTG: Cat on a Hot Tin Roof, The Heidi Chronicles), Tom Story (BTG: The Glass Menagerie,Camelot, The Heidi Chronicles) and Matthew Sullivan (The Roads to Home; BTG:Arsenic and Old Lace).

Metropolitan Ensemble Theatre kicks off the new year with DEFYING GRAVITY, a clever and uplifting fantasy written by Jane Anderson, with ear catching musings about art, religion and the outer limits of human possibility. MET's production is directed by Bob Stewart, featuring: Bailey Rose Steinke, Laura Jacobs, Robert Gibby Brand*, Lewis J. Morrow, Shawna Pe a-Downing, Nancy Nail, and Tim Ahlenius.

Kiley Ensemble proudly announces its newest production, a revival of Jane Anderson's 'The Baby Dance.' It's the story of two couples: a well-off California husband & wife who have everything except a baby, and the struggling Louisiana parents who've agreed to give them for adoption their soon-to-be-born fifth child.

On the heels of his smash hit television series, Mike & Molly , and successful productions of his plays New Country, Rantoul and Die, and Parasite Drag, critically acclaimed playwright, actor, producer and director Mark Roberts unleashes his latest razor-sharp comedy Living the Dream for two special staged readings Friday, January 19 at 3:00pm and 7:00pm at The 52nd Street Project's New Angels Theatre, 789 10th Avenue. Plans are underway for a Fall, 2018 off Broadway run.

Laguna Playhouse has announced the fourth show in the Laguna Playhouse 97th season, I AM MY OWN WIFE, written by Doug Wright and directed by Jenny Sullivan and starring John Tufts.

Tennessee Women's Theater Project launches its eleventh season at Nashville's Z. Alexander Looby Theater with the regional premiere of a play that addresses a timely dilemma: Nikkole Salter's Lines in the Dust, which probes the timely topics of integration, racial privilege and school zoning manipulation. Lines in the Dust runs October 6-22.