Jake Levy News

This week, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond.

Next month, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond.

Next week, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond.

Two different songs. Two different genres. One same title. See some of Broadway's greatest hits be mashed up with iconic pop songs, both of which share a name.

FEINSTEIN’S/54 BELOW, Broadway’s Supper Club, will present 54 Sings Olivia Rodrigo on September 4th and 11th at 9:45pm. Join Krystina Alabado, Jelani Remy, Danielle Wade, and more Broadway stars to celebrate the music of new pop sensation Olivia Rodrigo.

Bringing You Broadway is a new non-profit organization where Broadway artists create unique performances for children with developmental disabilities. Join Bringing You Broadway for a very special benefit concert on May 26th at 7pm. 

The up-and-coming Virtual Stage Company has released a series of six 'show-stopping' numbers from hit Broadway shows, all available to stream on YouTube.

BroadwayWorld has learned that all remaining performances on the Anastasia tour have been cancelled through Summer 2020, due to the health crisis.

Meet Anastasia on tour's new Anya, Beth Stafford Laird, who rejoins the national tour of Broadway's Anastasia beginning April 7, 2020.

Have you ever found yourself wrapped up in a rumor, and in the end, wasn't sure what was real or not? Or have you wanted something to happen so badly it feels as though it becomes a reality? This week Des Moines Performing Arts opened 'Anastasia' as part of the 2019-2020 Willis Broadway Series. This beautiful production will take you on a fantastic journey from Russia to Paris, all within the confines of two and a half hours.

'ANASTASIA,' with music and lyrics by Stephen Flaherty and Lynn Ahrens, and a book by Terrence McNally, based on the 1997 film of the same name, is now on stage at the Connor Palace, as part of the Key Bank Broadway series.

When the movie ANASTASIA was released in 1996, somewhere someone was humming along with the score of the 20th Century Fox film and thought 'This might make a fantastic musical.' It took nearly 20 years but the faith in the concept is paying off.

Perfectly timed for the blistery cold Rochester weather we're all suffering through, the RBTL is currently presenting 'Anastasia', the stage adaptation of the 1997 animated movie in which audience members are whisked away to snowy St. Petersburg during the height of the Russian Revolution of the 1920's. This era of political upheaval is the backdrop, but the story focuses on a young woman and her journey through the past to find her family and her identity.

A mysterious girl, who may or may not be the long lost Princess Anastasia Romanov of Russia, a grandmother intent on finding her, and the desperate men willing to do whatever it takes to get out of Russia. These are at the center of the musical ANASTASIA which is now playing at The Bushnell in Hartford.

In the last decade or so, musicals based on movies have become a regular occurrence. It seems like several new shows are opening each year, so it's not surprising that a?oeAnastasia,a?? Don Bluth's semi-unconventional take on a princess movie, made the transition a?' and thankfully, the end result maintains much of the magic of its source material.

Sony Masterworks Broadway just announced the December 6 release of SUPERHERO (ORIGINAL CAST RECORDING) with music and lyrics by Pulitzer Prize, Tony and Emmy Award-winning composer Tom Kitt (Jagged Little Pill, Next to Normal, If/Then) and book by Tony and Golden Globe Award-winning writer John Logan (Moulin Rouge! The Musical, Red).  Also making its debut alongside today's preorder is the album's lead offering a?oeIt's Not Like In The Movies,a?? performed by  Tony and GRAMMY Award nominee Bryce Pinkham and Kyle McArthur a?" listen here. 

At first glance, the musical stage adaptation of ANASTASIA looks and feels like an appropriately grand, luxe affaira?"from its gorgeous costumes designed to the lush soundscapes created by the orchestra and the vocal talents that have been assembled for this tour. But the undeniable wow factor of the show is, of course, the stunning visual trifecta of its scenic design working in keen harmony with dazzling projections and stage lighting. The overall technical prowess of this stage musical is just jaw-droppinga?"and, I must say, is quite an adequate enough reason to experience the show. The adaptation's execution of the story itself, however, suffers slightly from its well-meaning intentionsa?"revealing a stage show that feels stilted by its own drama, and with an unsure footing of what it truly wants to be.

The first clue that ANASTASIA was going to be different than what I expected was a note on the title page reading, “Inspired by the Twentieth Century Fox Motion Pictures.” Plural? A savvy journalist, I quickly asked Siri to bring up the imdb page for “Anastasia”. Turns out Fox made ANASTASIA twice, the 1997 animated off-brand Disney princess movie and a 1957 film that scored Ingrid Bergman's second Oscar and marked Helen Hayes' transition to the big screen. And it turns out the musical version has more in common with LES MISERABLES and RAGTIME than BEAUTY AND THE BEAST. Gone is the hell-wizard Rasputin, his talking fruit bat sidekick, and the singing demon caterpillars. At intermission, I asked my third grade niece, Adalyn, how she was liking it. “It's awesome…it's real people, like no Beast or anything. No animals.” We decide that Disney staged musicals are great but more it's more impressive when you can achieve the magic without a story that departs from reality. ANASTASIA is historical fiction hypothetical. It poses a “what if…?” that a daughter of the last czar of Russia (The Grand Duchess Anastasia Nikolaevna) escaped when the czar's family was executed in 1918. Rumors persisted for decades that Anastasia did, in fact, escape. In 2007, DNA testing confirmed the remains of all four Grand Duchesses were in the Imperial grave. In this version, Terrence McNalley's book follows Anastasia's rediscovery of her identity after surviving the attack on her family and sustaining some plot enabling amnesia. Renamed “Anya” she grows up and makes a life in post-Revolution Russia. Anastasia's grandmother, the Dowager Empress (in a staggeringly moving performance by Joy Franz) has fled to France and offered a cash reward for anyone escorting the rumored alive Anastasia to Paris. The wily duo Vlad (Edward Staudenmayer) and Dmitry (Jake Levy) pull a My Fair Lady style makeover on Anya to collect the Dowager's prize. They are pursued by Gleb (Jason Michael Evans). A Soviet officer drawn to Anya romantically but tasked with finding and eliminating the last Romanov. Anya's memory becomes somewhat coaxed back, but the Dowager has stopped seeing Anastasia claimants after too much heart-break from countless frauds. It sounds dark, but with high-tech digital scenery and inspired performances across the cast it is delightful. Stephen Flaherty (Music) and Lynn Ahrens (Lyrics), responsible for bringing us RAGTIME, ONCE ON THIS ISLAND, LUCKY STIFF, as well as the Oscar nominated songs carried over from the animated film. ANASTASIA is a perfect context for this pair. “Stay, I Pray You” (my favorite song of the evening) is evocative of RAGTIME's “New Music”. The two songs literally race my heart in a strangely specific way. My real test of a National Tour at Gammage is how fast I get the music playing in my car on the way home. At ANASTASIA I was already finding, “Stay, I Pray You” walking through the parking lot. The rest of the score is similarly haunting. Lila Coogan, as Anya/Anastasia, powers through the score with nuance, clarity, and passion. Tari Kelly, as Countess Lily, and Stadenmayer (Vlad) were Adalyn's favorite performances and I have to agree. This incredibly gifted pair take the “triple threat” designation (singer, dancer, actor) and go quadruple with the addition of flawless comic timing. The choreography by Peggy Hickey is masterful. It somehow combines inventive and traditional throughout and the ten-minute slice of “Swan Lake” infused into “Quartet at the Ballet” is the highlight of the second act. It's a fun-size version that gets an under-represented art form onto the plate. This kind of trope often means the plot putting the plot on hold. But here, it is the connective tissue between Anya, Dmitry, the Dowager, and Gleb as they each bring us up to speed heading into the show's climax. Ultimately, the show's success comes from applying a higher artistic standard to the “previously-animated-film-now-theatrically-staged” genre. It cashes in on the name draw of the 1997 film then gives the viewer something much more enriched than what they think they are coming to see.

We headed to St. Petersburg yesterday for an inside look at the Anastasia tour with Jake Levy as he took over BroadwayWorld's Instagram Story! So in case you missed it (or just want to relive all of the fun and excitement), we compiled clips for you to enjoy. Check it all out!

The National Tour of Anastasia had its official opening night in Schenectady, New York last week! The production stars Lila Coogan as Anya, Stephen Brower as Dmitry, Jason Michael Evans as Gleb, Joy Franz as Dowager Empress, Tari Kelly as Countess Lily, Edward Staudenmayer as Vlad and Victoria Amelia Bingham as Little Anastasia. The ensemble includes Brianna Abruzzo, Ronnie S. Bowman Jr., Alison Ewing, Peter Garza, Jeremiah Ginn, Brett-Marco Glauser, Lucy Horton, Mary Illes, Fred Inkley, Kourtney Keitt, Beth Stafford Laird, Mark Mackillop, Kenneth Michael Murray, Taylor Quick, Claire Rathbun, Michael McCorry Rose, Matt Rosell, Sareen Tchekmedyian, and Addison Mackynzie Valentino.