BWW Review: Simon Godwin's Production of ROMEO AND JULIET
by Timothy Treanor
- Apr 26, 2021
The thing about Romeo and Juliet – but you know this, Grasshopper – is that it isn’t a love story – not at all, not even a little bit. It is rather a story of desperation, ego and self-regard. Juliet is a thirteen-year-old girl who has just been given the alarming news that she will be forced to marry a man she’s never met.
BWW Review: INSIDE, Orange Tree Theatre Online
by Aliya Al-Hassan
- Mar 26, 2021
Over a year since the lights went out, the Orange Tree Theatre is now entering the realm of live streaming with a new concept: Inside/Outside. This showcase of six new plays is written by both emerging and established writers, who were asked to think about the mental and physical thresholds that we have all been forced to confront during this past year. Inspired by this, the results provide contrasting interpretations of this concept.
PHOTO: First Look at Josh O'Connor and Jessie Buckley In the National Theatre's ROMEO & JULIET
by Stephi Wild
- Jan 27, 2021
A first-look image has today been released for the National Theatre’s Romeo & Juliet, a feature film for broadcast on Sky Arts and PBS this April. The image features Romeo, played by Josh O’Connor (The Crown, God’s Own Country) and Juliet, played by Jessie Buckley (Chernobyl, Judy), as they meet by moonlight at Juliet’s balcony. The image was taken during filming at the National Theatre.
Celise Hicks, Shelley Maxwell, Michelle McGivern, and Clement Ishmael Launch Bennu Creative House
by Chloe Rabinowitz
- Sep 21, 2020
The new multimedia production company Bennu Creative House Limited formed in May 2020 by Celise Hicks, Shelley Maxwell, Michelle McGivern, and Clement Ishmael, is opening its doors to build innovative artistic concepts encompassing content across film, television, theatre, and digital media.
BWW Review: BARBER SHOP CHRONICLES, National Theatre At Home
by Aliya Al-Hassan
- May 15, 2020
In these days of lockdown, the barber's shop and hairdressers have become a focal point; recent social media photos are proving that haircuts are not something we should undertake ourselves. For many, these places are not just somewhere to get a trim, but to socialise, debate, moan and joke.
Filmed in January 2018, this never-before-seen screening of Inua Ellam's delightful Barber Shop Chronicles is the latest offering from the National Theatre's wonderful At Home series and is a bittersweet reminder of the social interaction and gossip that takes place when we go for a haircut.
VIDEO: Watch Andrew Scott Performing HAMLET's 'To Be Or Not To Be'
by Marianka Swain
- Apr 3, 2020
London's Almeida Theatre has put together a fantastic playlist of monologues from its past productions to keep us entertained at home, including Andrew Scott performing the famous 'To be, or not to be' soliloquy from Shakespeare's Hamlet. Robert Icke directed Scott in the title role at the Almeida, to great acclaim, in 2017.
THE VOTE By James Graham Will Be Presented at Bush House Auditorium
by Stephi Wild
- Dec 7, 2019
The Vote 2019 looks at what happens in Britain on election night through the eyes of those at the polling station. Once every 5 yearsa?" although, in recent times, increasingly more! - we assert our rights as citizens to uphold or replace our government. As we engage with democracy, we do it in the most unremarkable and understated ways- in local parish churches, primary schools and community centres across the country. James Graham set out to illuminate a?oethe diverse, diligent and often hilarious individualsa?? who turn the a?oeunglamorousa?? settings of polling stations into a?oeplaces where history is made.a?? Labelled a?oea glorious night at the polling stationa?? (Observer) and a?oebrilliant apta?? (Telegraph),the original Donmar production was broadcast live on More4 in 2015 and nominated for a BAFTA
BWW Review: THE ANTIPODES, National Theatre
by Marianka Swain
- Oct 31, 2019
Is this a great time to tell stories, shedding light in dark times? Or is it an impossible task? That's the loose premise of Annie Baker's wilfully elusive new piece, featuring the brainstorming session from hell a?' or possibly about hell, or in hell. Immaculately directed by Baker herself and designer Chloe Lamford, it's monstrously clever: a philosophical Fright Night.
Photo Flash: First Look at THE ANTIPODES at the National Theatre
by Stephi Wild
- Oct 27, 2019
Their phones switched off, a group of people sit around a table telling, categorising and theorising stories. This is a world that is both familiar and fantastical. Their real purpose is never quite clear, but they continue on, searching for the monstrous. Part satire, part sacred rite, The Antipodesasks what value stories have for a world in crisis.
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