Elina Garanca News

National Chorale, New York's premier professional choral company, under the Artistic Direction of Everett McCorvey, continues its 2017-2018 Season at Lincoln Center with Beethoven Symphony #9 on Friday, April 13, 2018 at 8pm at the David Geffen Hall at Lincoln Center for the Performing Arts, 10 Lincoln Center Plaza, NYC.

Atlantic Theater Company s proud to announce that Tony Award winner Darko Tresnjak will stage the world premiere of This Ain't No Disco, a new musical from Stephen Trask and Peter Yanowitz.

Broad Stage's 2018 Celebrity Opera Series continues with Elina Garanca, mezzo-soprano with orchestra conducted by Karel Mark Chichon, in An Homage to Spain.

DON CARLOS runs at the Opera Bastille at The National Opera of Paris through November 11, see what the critics are saying!

The Met's first new production since 1969 of Strauss's rich, romantic masterpiece stars Renée Fleming in one of her signature roles as the Marschallin, opposite El?na Garan?a as Octavian, the impulsive young title character, on Great Performances

Classic and contemporary, opera and orchestral, the music doesn't stop when the temperatures climb in New York, whether you're in New York City, or ready to travel to one of the festivals that dot the landscape of the Northeast. Musical life doesn't stop when the Met closes its doors: Here's a look “from here to eternity”…in the first part of our series on summertime's opera/vocal venues, covering New York City and Westchester.

The Warner Theatre's 2016-17 Met: Live in HD Season closes with Strauss's DER ROSENKAVALIER held in the Nancy Marine Studio Theatre on Saturday, May 13 at 12:30 pm. A complimentary 45-minute pre-opera lecture by Jeffrey Engel will be offered to all ticket holders in the Main Theatre at 10:30 am.    

For a new production that was supposed to mark a farewell for soprano Renee Fleming to a role (the Marschallin) if not to staged opera performance in general, Robert Carsen's version of Richard Strauss's DER ROSENKAVALIER at the Met seemed more of a farce and less a tale of regret about passing time than usual. And the “star” role seemed more of an aside than the center of it all.

The dream cast of Renée Fleming as the Marschallin and El?na Garan?a as Octavian star in Strauss's grandest opera, Der Rosenkavalier, which opened at the Met on April 13th. In his new production, Robert Carsen, the director behind the Met's recent Falstaff, places the action at the end of the Habsburg Empire, underscoring the opera's subtext of class and conflict against a rich backdrop of gilt and red damask, in a staging that also stars Günther Groissböck as Baron Ochs. Sebastian Weigle conducts the sparklingly perfect score.

The dream cast of Renée Fleming as the Marschallin and El?na Garan?a as Octavian star in Strauss's grandest opera, Der Rosenkavalier, April 13-May 13. In his new production, Robert Carsen, the director behind the Met's recent Falstaff, places the action at the end of the Habsburg Empire, underscoring the opera's subtext of class and conflict against a rich backdrop of gilt and red damask, in a staging that also stars Günther Groissböck as Baron Ochs. Sebastian Weigle conducts the sparklingly perfect score.

21C MEDIA GROUP just released its season preview of opera, vocal and choral music for 2016-17. Scroll down for details!

“The Tudor Trilogy” --putting together Donizetti's ANNA BOLENA, MARIA STUARDA and ROBERTO DEVEREUX--was fabricated to light Beverly Sills' fire as “America's Queen of Opera” at the old New York City Opera. This season, soprano Sondra Radvanovsky was charged with bringing the trio of operas to the Met for the first time and, in completing this hat trick, she proved herself opera royalty indeed.

Tenor Matthew Polenzani--he of the refined singing, elegant deportment and serious nature--is having a great season at the Met, with major roles in a pair of new productions. First, he was Nadir, whose love for the priestess Leila (Diana Damrau) tempts her to give up her vows in Bizet's LES PECHEURS DE PERLES (THE PEARL FISHERS). Now he's working his mojo on no less than Elisabetta (Elizabeth I, the Virgin Queen of England), in the new production of Donizetti's ROBERTO DEVEREUX at the Met, premiering March 24.

With the season's first performance of Donizetti's ANNA BOLENA--that's Henry VIII's Anne Boleyn to all you Masterpiece Theatre fans--at the Met, the big news is that it's soprano Sondra Radvanovsky's first part of the Tudor Trilogy, with MARIA STUARDA and ROBERTO DEVEREUX to come later in the season. Alongside her, as Jane (here, Giovanna) Seymour, Boleyn's successor as consort to Henry, is mezzo Jamie Barton, this year's winner of the Richard Tucker Award, a past winner of the Met Council Auditions (and many other major awards) and a sensation when she sang her first big role at the Met two years ago, Adalgisa in Bellini's NORMA.

The Capitol Center for the Arts is pleased to announce that it will present 11 productions in next season's Met: Live in HD series, beginning with Verdi's Il Trovatore on Saturday, October 3, at 12:55pm. Single tickets for this series are on sale now for $26 Adults; $22 Seniors/Met/CCA Members; and $15 Students. Season subscriptions are also available at $234 Adults; $198 Seniors/Met/CCA Members; and $135 students.

From: Metropolitan Opera, Richard Eyre's production returns with its original star, Elina Garanca, who plays the title role of the ill-fated temptress. Roberto Alagna and Jonas Kaufmann take turns playing Carmen's desperate lover, Don José. Louis Langrée conducts. For more, click here.

On February 6, Richard Tucker and Plácido Domingo Award-winner Ailyn Pérez makes her house debut at New York's Metropolitan Opera in a star-studded production of Bizet's Carmen. This marks a major milestone for the American soprano, and comes at a key moment in her burgeoning career. Having achieved star status in Europe with a string of successes at the opera houses of London, Vienna, Milan, Berlin, and Moscow - her title role performance in Verdi's La Traviata this past spring at the Royal Opera House, Covent Garden made history with the company's first live streaming of a complete opera, and she made her debut at La Scala opposite Plácido Domingo in Simon Boccanegra - Pérez recently scored twin triumphs closer to home. This past summer, her Warner Classics album debut, Love Duets, was an 'irresistible' (Gramophone) Billboard bestseller, and earlier this fall she took Houston by storm in her house and role debuts as Desdemona in Houston Grand Opera's Otello, where she supplied 'white hot passion...in spades' (Houston Press).

Richard Tucker and Plácido Domingo Award-winner Ailyn Pérez makes her hotly anticipated Houston Grand Opera debut this Friday (Oct 24), in what also marks her role debut as Desdemona in Otello. Under the baton of Patrick Summers, Houston's artistic and music director, she stars opposite Simon O'Neill as Otello and Marco Vratogna as Iago in the company's staging of John Cox's hit production of the Shakespearean tragedy, which runs through November 7.

Described by Opera News as the “lyric soprano who truly seems to have it all,” Ailyn Pérez takes the stage at leading opera houses on both sides of the Atlantic in 2014-15 for an exciting new season that features house debuts at both the Metropolitan Opera and Houston Grand Opera, the latter also serving as a role debut for Pérez as Desdemona in Verdi's Otello.

Described by Opera News as the “lyric soprano who truly seems to have it all,” Ailyn Pérez takes the stage at leading opera houses on both sides of the Atlantic in 2014-15 for an exciting new season that features house debuts at both the Metropolitan Opera and Houston Grand Opera, the latter also serving as a role debut for Pérez as Desdemona in Verdi's Otello.