Dale Clark News

Anniversaries are times to reflect, to evaluate, but also to celebrate. Yesterday with its 60 Years of Musical Theatre: The Best of Maine State Music Theatre gala concert, the Brunswick theatre pulled out all the stops with a big, beautiful Diamond Jubilee gala that proved a stunning culmination to this milestone season. And indeed, six decades after Victoria Crandall launched her dream at the Pickard Theater on the Bowdoin College campus, MSMT can boast numerous reasons to celebrate its history, as well as its present accomplishments and future aspirations. In a matinee and evening stagings that featured musical performances by twenty-one soloists and an ensemble of ten, as well a number of spoken tributes, Artistic Director Curt Dale Clark architected a program that was classy, heartfelt, and rich and deep in the talent it showcased. As with any commemorative event, the program tapped into nostalgia and memory but blended these with a strong sense of the vigorous, energetic, imposing presence this company has become - not only in Midcoast Maine but also as a force in national regional theatre.

As its main stage finale in this Diamond Jubilee season, Maine State Music Theatre chose to present the stage version of one of the most beloved musicals of all time, Singin' in the Rain. With its book by Betty Comden/Adolph Green, and songs by Nacio Herb Brown/Arthur Freed), based on the famed MGM musical, this iconic classic receives a production that recreates the glitter of Hollywood's Golden Age on a dazzlingly grand scale. MSMT's staging, directed/choreographed by Marc Robin, sparkles with the effervescence of fine champagne, bubbles with energy and originality, exudes sunshine and joy, and offers its audiences an exhilarating, entirely magical entertainment experience.

Replying to a question about how he has chalked up such an impressive performance roster, Broadway triple threat actor Brian Shepard, who plays Cosmo Brown in Maine State Music Theatre's new production of Singin' in the Rain, smiles and says," Good fortune, a lot of hard work, and I LOVE this! I am doing what I have always wanted to do. It was this or bust. I never had a fallback."

As part of Maine State Music Theatre's 60th Anniversary season, and as a thank to you the community that has supported it, the theatre will present a free concert - in collaboration with Brunswick Downtown Association - on the Brunswick Mall on Wednesday, August 15 at 5:30 PM.

' 'If laughter cures all ills, Nunsense will make doctors obsolete.' That is one of my favorite all time review quotes,' says Dan Goggin. 'Hearing an audience laugh and knowing you had something to do with it is one of the most rewarding experiences I can think of.' Despite the enduring international sensation Goggin's brainchild has become, the writer, director, and creator of a thirty-five-year musical theatre phenomenon and franchise that embraces seven musicals, three spin offs, television specials, a possible upcoming new television series, recordings, and an entire line of merchandise remains a bit bemused and amazed at his runaway success.

The very first number in the stage version of Saturday Night Fever is an ensemble piece, Stayin' Alive, which sets the tone for the raw, realistic musical drama which follows. 'This show gave us a little bit of an edge and by bookending it with Beauty and the Beast and Singin' in the Rain, which are sweet and a little sugary, this enabled us to do something a bit different - something with an edge, bite and grit,' says Maine State Music Theatre's Artistic Director Curt Dale Clark. Clark, together with cast members Jacob Tischler (Tony Manero), Alexandra Matteo (Stephanie Mangano), Christina Carlucci (Pauline), and Anthony J. Gasbarre III (Joey), are speaking to BWW's Carla Maria Verdino-Sullwold in the season's third Peek Behind the Curtain panel discussion at Curtis Memorial Library, devoted to the exploration of the company's current main stage production of Saturday Night Fever, playing on the Pickard stage until August 4.

Maine State Music Theatre's collaboration with Portland Stage continues with a production of Nunsense by Dan Goggin beginning August 14th has been extended to September 2nd by popular demand.

"Beauty and the Beast is the essence of that Disney magic! It brings people together and it is such a joyful experience!" Actress Lexi Rabadi plays Belle in Maine State Music Theatre's new blockbuster production of the Disney classic which closes its run July 14th. She and fellow cast members Darick Pead (the Beast) and Matthew Ragas (Gaston), together with MSMT Managing Director Stephanie Dupal are talking with Broadway World's Carla Maria Verdino-Sullwold about the experience of creating this timeless fairytale on stage. The panel discussion, the second in the annual Peek behind the Curtain Series at the Curtis Memorial Library drew a full house, as audience members and patrons listened to the group explore the factors they believe make this show a classic and make this particular production a work of incredible enchantment.

With what is arguably the largest production in Maine State Music Theatre's history, the company brings a level of opulence, sophistication, and magic to the Pickard stage that makes this production of Disney's Beauty and the Beast a fitting jewel in the Diamond Jubilee Crown. It is no secret that the company has used every single ounce of its resources (and overcome a number of unforeseen obstacles along the way) to create this magnificent production, but the result has been entirely worth the effort. This beloved fairytale dazzlingly comes to life in all its heartfelt beauty.

“I love telling stories; it doesn't matter what the form is. I like the struggle, the journey, the narrative,” says actor Darick Pead. Pead, who is about to open in Maine State Music Theatre's Beauty and the Beast in the title role of the Beast, has enjoyed a fascinating personal journey of his own in pursuing his dream of becoming an actor. Born and raised in Utah in a large Mormon family – he was the seventh child among ten – Pead says, “Except for doing my Mormon mission in Pennsylvania for two years, I had never been outside the state of Utah until I was twenty-seven.” Pead remembers that “I always enjoyed theatre, and I would go to watch my older siblings in school plays and think what fun that must be. Then in fifth grade my teacher suggested that I should try out for Wizard of Oz. I wanted to play Toto and get to bark onstage, and I was super disappointed when I was cast as the Scarecrow . But that was the start of it all.”

"As an actress I believe in pounding the pavement with positivity. One of my biggest things is knowing that I am a whole person with family, friends, and interests. Theatre is a passion and a life style, but it is one piece of the pie. My job is to make sure all the other pieces of the pie are just as delicious. So I keep a home for myself, surrounded by loved ones; yoga is a big thing for me in maintaining mental clarity and spiritual health, and I am a vegan because I feel that is a kinder way to eat. It may sound corny, but if you put out positive vibrations, they will come back to you."

Maine State Music Theatre steps back in time for its second show of the season, Disney's Beauty and the Beast. This revered fairytale runs from June 27 - July 14. Due to popular demand, the theatre has added performances on July 7 and July 14 at 2 PM.

MSMT's all-singing, all-dancing tribute to Irving Berlin, I Love a Piano, blew the Pickard Theater audience away at two Monday performances with its steady stream of classic hit tunes, its high energy choreography, and the dazzling virtuosity of its youthful cast. This was an afternoon and evening to sit back and revel in the rich history of American popular music and to celebrate a composer whose work provided the soundtrack for the American experience for almost seventy years. It is exciting to watch MSMT's cast of young professionals perform this material with so much connection and commitment. Though this is the music of past generations, the eleven-person ensemble of remarkable triple threat actors brings it vibrantly to life for a contemporary audience, affirming the truism that longevity is what makes great music.

There is a moment in Robin and Clark's musical version of Cinderella when the scullery maid screws up her courage and hurls a self-affirmation back to her abusive stepmother and sisters, saying, "No! I've always done everything you asked and now it is time for me to do something for myself!" The audience young and old erupts into spontaneous applause for this very contemporary heroine. Though Marc Robin and Curt Dale Clark's musical is more than twenty-five years old, it speaks with a freshness and an appeal that are as lasting as the fairy tale itself, and Maine State Music Theatre's most recent production captures all the delightfulness and the darkness of the story and serves it up with customary flair.

The Theatre for Young Audiences program at Maine State Music Theatre opens with Robin and Clark's Cinderella June 13 (10 AM, 12:30 PM) and June 16 (11 AM). 

When Rock n' Roll burst onto the scene in the late 1950s, it brought with it a veritable revolution in American popular music. Seen by some as 'the Devil's music,' by others as a passing fad, this vibrant, electric sound proved itself a lasting phenomenon. So perhaps it is fitting that more than sixty years later a musical celebrating four of the greatest legends of early rock should open Maine State Music Theatre's 60th anniversary season. And what an opening this is! Million Dollar Quartet explodes onto the Pickard stage with the energy of a mega concert and the intensity of a high-stakes drama. It is a tale that is at once about the music itself and the men who made it, about dreams and determination, about stumbling and success. In a dazzling production directed by Hunter Foster, MSMT scores the perfect kickoff to its own milestone season.

The Theatre for Young Audiences program at Maine State Music Theatre opens with Robin and Clark's Cinderella June 13 (10 AM, 12:30 PM) and June 16 (11 AM). 

For most of us who love the theatre, attending a performance is an exciting, stimulating, anticipated event, but for some children with sensory issues, going to the theatre can be fraught with anxiety; a room full of strange people, new sounds and fantastical characters - all can make this experience overwhelming. And yet, once immersed in the magic of the play, the children can find delight and connection. To encourage this journey of discovery and to provide families with a safe viewing experience, Maine State Music Theatre last year initiated a program of sensory friendly rehearsal performances of the Theatre for Young Audiences shows. MSMT uses its large rehearsal hall as the performance venue - a space less daunting than the 600-seat Pickard main stage. The hour-long shows are presented with piano (not full orchestra), in full costume with relevant props, and include interaction among the cast, crew, and directors with the young audience. The families have access to a quiet room, are free to move about during the performance, enjoy a snack break, and receive a study/activity guide and some small gifts to take home.

To an audience used to the likes of today's television talent show formats -The Voice, American Idol with their fiercely competitive, instant celebrity emphasis and often abrasive judging - the annual Midcoast Maine's Got Talent seems to hark back to a gentler era and a more positive model to showcase aspiring performers. Each year the Brunswick Rotary Club puts together this gala as a fundraiser for its social and civic programs, but also as a community service to help nurture the arts in Maine and to create an audience for the creativity and expression that artists provide.