Brian Rivera News

San Francisco Playhouse and the San Francisco Mime Troupe announced casting for The Great Khan by Michael Gene Sullivan, directed by Darryl V. Jones. The play, a National New Play Network Rolling World Premiere, is co-produced by San Francisco Playhouse and the San Francisco Mime Troupe and presented at the Playhouse's Mainstage at 450 Post Street.

Word for Word, a program of Z space, Word For Wordcast 2021 season continues with  Anna Maria Ortese's 'A Pair of Eyeglasses' translated from the Italian by Ann Goldstein and Jenny McPhee posting on September 16.

Hollywood and Broadway stars are teaming up on Monday, May 17th to celebrate the resilience of the young people experiencing homelessness at Covenant House, the international charity providing housing, food and healthcare to children and youth facing homelessness.

Word For Wordcast now expands with three new podcasts. On December 28 The 14 Mission by Anita Cabrera posts to Word for Word’s site, on January 14 & 21 2021 Citizen by Greg Sarris goes up with Books & Roses by Helen Oyeyemi posting in three parts February 14, 21 & 28 2021.

Word for Word continues their 2020 Season with the debut of their new podcast, the  WORD for WORDcast. The three premier episodes feature  E.M. Forstera??s 'The Machine Stops' and will be released from September 17-October 1.

SFMT will share their unique style of theatrical performance in a different way, producing their first ever serialized radio play, Tales of the Resistance.

Last night, Care For the Homeless raised essential funds during Virtual Vereen & Friends, an online benefit to honor CFH healthcare and shelter heroes that provide care for New Yorkers experiencing homelessness every day.

Following the announcement of their Opening Night Film, Yen Tan's award-winning AIDS drama 1985, NewFest today announced the full lineup of their 30th annual celebration of the year's best LGBT films from around the world. The program of more than 140 narrative features, documentaries, episodic series and shorts runs from October 24-30 at the SVA Theatre, Cinépolis Chelsea, and The LGBT Community Center in New York City.

With sets, colors, and costumes setting the tone, THE KING AND I playing at the San Diego Civic Theatre through July 1st is a richly hued journey into the exotic.

BWW Review of The King and I at Popejoy Hall

Ambassador Theatre Group and NETworks Presentations LLC announce that the national tour of the Lincoln Center Theater Production of Rodgers & Hammerstein's THE KING AND I will make its Albuquerque premiere at Popejoy Hall for 6 performances June 20 - 24, 2018 as part of the Popejoy Presents and Haverland Carter Broadway in New Mexico series. To purchase tickets, visitunmtickets.com, popejoypresents.com, call 505-925-5858, or visit the UNM Ticket Offices at the UNM Bookstore and Dreamstyle Arena (The Pit). Ticket prices start at $45.

The national tour of the 2015 Tony Award-winning revival of THE KING AND I, now brightening the Hanover Theatre for the Performing Arts in Worcester, is a perfectly respectable production. The timeless and soaring Rodgers and Hammerstein score is beautifully sung and impeccably played by the 16-piece orchestra, and design elements (especially Catherine Zuber's elegant period costumes) effectively juxtapose the traditions of 1860s Siam against the encroaching modernization of the. But something is off balance in this Bartlett Sher directed re-visioning. The women, not the King, rule.

Like the steamboat that chugs into the harbor in its opening scene, THE KING AND I keeps arriving right on time, taking a whole new passenger's list of people to an exotic land. Some of the passengers arrive at the boat's port of call, the Ohio Theatre (located on 39 East State Street in downtown Columbus) for the first time; others have made the journey time and time again.

BroadwayWorld has a first look at Elena Shaddow in the Lincoln Center Theater production of Rodgers & Hammerstein's THE KING AND I! Check out new production photos below!

The national tour of the Lincoln Center Theater Production of Rodgers & Hammerstein's The King and I will make its Columbus premiere at the Ohio Theatre April 24-29 with an Ohio native in the lead female role of Anna Leonowens. Hailing from Chagrin Falls, Elena Shaddow takes on the character of the British schoolteacher hired by the King of Siam to educate his wives and children.

It was announced today that Elena Shaddow will join the Lincoln Center Theater production of Rodgers & Hammerstein's THE KING AND I as Anna Leonowens, beginning March 20 in Tempe, AZ.

Featuring outstanding performances from a cast led by Laura Michelle Kelly and Jose Llana, the beautiful and exquisite national tour production of Lincoln Center Theater's Tony Award-winning revival of the 1951 Rodgers and Hammerstein classic THE KING AND I leaves audiences utterly spellbound by its sweeping opulence and gorgeous, reverent staging-which notably combines the elegance and grace of the classic musical many of us have known and loved for decades with a knowing sensitivity to modern times that we exist in today. The national tour production continues its two-week run of performances at Orange County's Segerstrom Center for the Arts in Costa Mesa that continues through March 11, 2018.

At 67, this King is timely and timeless in a lush tour based on the Tony-winning Lincoln Center Theater revival directed by Bartlett Sher. As on Broadway, Lady Thiang steals the show.

Ambassador Theatre Group and NETworks Presentations LLC announce that the national tour of the Lincoln Center Theater Production of Rodgers & Hammerstein's THE KING AND I will make its San Jose premiere at the Center for the Performing Arts (255 S. Almaden Blvd.) February 20 25, 2018. Single tickets ($48 $128) are on-sale now online atwww.ticketmaster.com, in-person at the City National Civic Box Office (150 W. San Carlos St., San Jose), or by calling 800-982-ARTS (2787). Ticket prices are subject to change without notice.

A touring company of Rodgers and Hammerstein's THE KING AND I is currently playing the Fox Theatre, and it's a very engaging revival of the classic musical. It's an elegant and entertaining show that won a Tony for best revival in 2015, and it's easy to see why. With familiar and lovely songs like Getting to Know You and the rousing Shall We Dance, this venerable warhorse still lights up the stage, and I thoroughly recommend it!