Art Lab News

Dickens did an excellent job of making us worry about Ebeneezer Scrooge's redemption in A Christmas Carol, but why is it we never worry about the ghostly Jacob Marley? We rarely, if ever, give a thought to Marley's motive in returning from the grave to redeem his penury partner.

Dickens did an excellent job of making us worry about Ebeneezer Scrooge's redemption in A Christmas Carol, but why is it we never worry about the ghostly Jacob Marley? We rarely, if ever, give a thought to Marley's motive in returning from the grave to redeem his penury partner.

Dickens did an excellent job of making us worry about Ebeneezer Scrooge's redemption in A Christmas Carol, but why is it we never worry about the ghostly Jacob Marley? We rarely, if ever, give a thought to Marley's motive in returning from the grave to redeem his penury partner.

The Repertory Theatre of St. Louis (The Rep) begins its 2009-2010 Studio Theatre series with Bob Clyman's Secret Order.

The Repertory Theatre of St. Louis (The Rep) begins its 2009-2010 Studio Theatre series with Bob Clyman's Secret Order.

The Repertory Theatre of St. Louis (The Rep) begins its 2009-2010 Studio Theatre series with Bob Clyman's Secret Order.

It's always amusing to get a peek behind the scenes to see how art is made, but rarely do audiences get to see a production such as Jane Martin's Anton in Show Business that combines razor-sharp wit with close-to-the-bone theatrical reality.

The Center Theatre Group in Los Angeles has announced its lineup for the 2009-2010 DouglasPlus series, according to a report in the Los Angels Times.

It's always amusing to get a peek behind the scenes to see how art is made, but rarely do audiences get to see a production such as Jane Martin's Anton in Show Business that combines razor-sharp wit with close-to-the-bone theatrical reality.

It's always amusing to get a peek behind the scenes to see how art is made, but rarely do audiences get to see a production such as Jane Martin's Anton in Show Business that combines razor-sharp wit with close-to-the-bone theatrical reality.