Arnold Livingston Geis News

On Wednesday, May 13, 2020 at 5pm PST, Pacific Opera Project (POP) presents an interactive watch party for a rebroadcast of POP's 2019 critically acclaimed season opening production of Mozart's The Magic Flute (#SuperFlute), set in classic video games from the early 1990s.

Lincoln Center Theater will present Intimate Apparel, a new opera with music by Ricky Ian Gordon and a libretto by Lynn Nottage, based on her critically acclaimed play. The opera, directed by Tony Award-winner Bartlett Sher, will begin previews tonight, February 27 and open on Monday, March 23 at the Mitzi E. Newhouse Theater.

The Los Angeles Master Chorale, led by Grant Gershon, Kiki & David Gindler Artistic Director, today announced its 2020-21 season that showcases the immense power of voices united in song, including monumental testaments to the power of music by Bach, Haydn, and Handel; an exploration of American music; and a program that features newly appointed Swan Family Artist-in-Residence Reena Esmail's inspiring I Rise: Women in Song. This is a season that opens hearts to the glory of singing and celebrates the expression of spirituality through music.

 Dianne McIntyre has replaced Camille A. Brown as the choreographer for Lincoln Center Theater's current production of Intimate Apparel. Brown excited the production early on in the process due to scheduling conflicts.

Lincoln Center Theater will present Intimate Apparel by Ricky Ian Gordon and Lynn Nottage with Bartlett Sher. Previews begin February 27th.

Lincoln Center Theater (under the direction of André Bishop) has announced casting for its upcoming production of Intimate Apparel, a new opera with music by Ricky Ian Gordon and a libretto by Lynn Nottage, based on her play. The opera, which will be directed by Bartlett Sher, will begin previews Thursday, February 27 and open on Monday, March 23 at the Mitzi E. Newhouse Theater (150 West 65 Street).

On March 3, 2019, Pacific Opera Project (POP) presented its more-than-a-little-bit-zany version of Wolfgang Amadeus Mozart's THE MAGIC FLUTE (DIE ZAUBERFLÖTE) at Los Angeles's El Portal Theatre. POP Director and Designer Josh Shaw and Baritone E. Scott Levin premiered a new English version of Emanuel Schikaneder's German libretto in which the characters resembled those of a 1990s video game.

Pacific Opera Project (POP) opens its 2019 season with Mozart's The Magic Flute as never seen it before - set in classic video games from the early 1980s - in a return to the El Portal Theatre. Performances take place on March 2, 3, 8, 9, and 10, 2019, including two Sunday matinees. The 'super' production transports Papageno, Tamino, and the gang to the land of video games resembling Mario Bros. and Zelda with a new English libretto by Artistic Director Josh Shaw and E. Scott Levin. Edward Benyas conducts.

Pacific Opera Project (POP) opens its 2019 season with Mozart's The Magic Flute as never seen it before - set in classic video games from the early 1980s - in a return to the El Portal Theatre. Performances take place on March 2, 3, 8, 9, and 10, 2019, including two Sunday matinees. The 'super' production transports Papageno, Tamino, and the gang to the land of video games resembling Mario Bros. and Zelda with a new English libretto by Artistic Director Josh Shaw and E. Scott Levin. Edward Benyas conducts.

Washington National Opera (WNO) presents the seventh season of its acclaimed American Opera Initiative (AOI) with four world premieres from January 11-13, 2019, in the Kennedy Center Terrace Theater. A comprehensive commissioning program that originates and develops new works, the American Opera Initiative provides rare opportunities for emerging composers and librettists to partner and write for the opera stage. The Initiative encourages and ensures the future of contemporary American opera through development, mentorship, and performance, with works based on American themes and stories. Since its inception, the annual program has commissioned 28 chamber operas, with some going on to future productions around the country; notables include this summer's successful production by Opera Theatre of Saint Louis of An American Soldier, an AOI commission in 2014, and Opera Omaha's and Miller Theater's recent productions of AOI's 2018 commission, Proving Up.

One hundred years after the armistice of The Great War, it is still crucial to honor the memory of all who fought to create a better world for the future. Washington National Opera's production of Silent Night, which opened on Saturday night at the Kennedy Center, is a glorious celebration of the brave soldiers who have risked their lives for their countries. The production is weakened by some questionable staging choices but serves as a suitable showcase for opera's rising stars.

Washington National Opera celebrates the centennial of the WWI Armistice with Kevin Puts's Pulitzer Prize-winning opera Silent Night, November 10-25, in the Kennedy Center Eisenhower Theater. Tickets start at $35. Based on the true story of a wartime ceasefire, an event depicted by the 2005 film Joyeux Noel, Silent Night features a cast comprised entirely of WNO family-current members and alumni from the Domingo-Cafritz Young Artist Program and WNO Chorus-with libretto in multiple languages that capture a powerful vision of humanity and hope. With gratitude for their sacrifice and service, Washington National Opera presents Silent Night in honor of all Veterans and members of the U.S. Armed Forces. In addition to hosting a Military Appreciation Day on Sunday, November 25, additional discounts to see the production will be offered for active-duty service members for select performances.

Washington National Opera celebrates the centennial of the WWI Armistice with Kevin Puts's and Mark Campbell's Pulitzer Prize-winning opera Silent Night, November 10-25, in the Kennedy Center Eisenhower Theater. Tickets start at $35. Based on the true story of a wartime ceasefire, an event depicted by the 2005 film Joyeux Noel,Silent Night features music by Kevin Puts and libretto by Mark Campbell and stars a cast comprised entirely of WNO family-current members and alumni from the Domingo-Cafritz Young Artist Program and WNO Chorus-with libretto in multiple languages that capture a powerful vision of humanity and hope. With gratitude for their sacrifice and service, Washington National Opera presents Silent Night in honor of all Veterans and members of the U.S. Armed Forces. In addition to hosting a Military Appreciation Day on Sunday, November 25, additional discounts to see the production will be offered for active-duty service members for select performances.

Washington National Opera celebrates the centennial of the WWI Armistice with Kevin Puts's Pulitzer Prize-winning opera Silent Night, November 10-25, in the Kennedy Center Eisenhower Theater. Tickets start at $35. Based on the true story of a wartime ceasefire, an event depicted by the 2005 film Joyeux Noel, Silent Night features a cast comprised entirely of WNO family-current members and alumni from the Domingo-Cafritz Young Artist Program and WNO Chorus-with libretto in multiple languages that capture a powerful vision of humanity and hope. With gratitude for their sacrifice and service, Washington National Opera presents Silent Night in honor of all Veterans and members of the U.S. Armed Forces. In addition to hosting a Military Appreciation Day on Sunday, November 25, additional discounts to see the production will be offered for active-duty service members for select performances.

Washington National Opera opens its 2018-2019 season with a stunning new production by WNO Artistic Director Francesca Zambello of Verdi's La traviata, October 6-21, 2018, in the Kennedy Center Opera House. Tickets start at $45. From the famous brindisi drinking song to the heartbreaking 'Addio del passato' aria, the original 'Pretty Woman' proves it's better to have loved once than not at all. Verdi's romantic masterpiece and familiar tunes are as timeless as the storyline is contemporary, pitting tensions of social class against Violetta's personal sacrifice.

Washington National Opera opens its 2018-2019 season with a stunning new production by WNO Artistic Director Francesca Zambello of Verdi's La traviata, October 6-21, 2018, in the Kennedy Center Opera House. Tickets start at $45. From the famous brindisi drinking song to the heartbreaking 'Addio del passato' aria, the original 'Pretty Woman' proves it's better to have loved once than not at all. Verdi's romantic masterpiece and familiar tunes are as timeless as the storyline is contemporary, pitting tensions of social class against Violetta's personal sacrifice.

Washington National Opera (WNO) presents the seventh season of its acclaimed American Opera Initiative (AOI) with four world premieres from January 11-13, 2019, in the Kennedy Center Terrace Theater. A comprehensive commissioning program that originates and develops new works, the American Opera Initiative provides rare opportunities for emerging composers and librettists to partner and write for the opera stage. The Initiative encourages and ensures the future of contemporary American opera through development, mentorship, and performance, with works based on American themes and stories. Since its inception, the annual program has commissioned 28 chamber operas, with some going on to future productions around the country; notables include this summer's successful production by Opera Theatre of Saint Louis of An American Soldier, an AOI commission in 2014, and Opera Omaha's and Miller Theater's new productions of AOI's 2018 commission, Proving Up.

None of the three pieces that I saw at the Glimmerglass Festival near Cooperstown, NY, last weekend was exactly what it seemed to be: Is CUNNING LITTLE VIXEN a fairy story or a cautionary tale? Is WEST SIDE STORY simply in a class of its own? Does SILENT NIGHT find that war is hell—or that hell is simply other people? Let's begin with SILENT NIGHT.

Washington National Opera (WNO) presents the sixth season of its acclaimed American Opera Initiative, a comprehensive commissioning program that brings contemporary American stories to the stage while fostering the talents of rising American composers and librettists. All of the program's world premiere operas are presented during the American Opera Initiative Festival weekend,January 19 21, 2018, all in the Kennedy Center Terrace Theater. The festival begins with the world premiere of a new hour-long work by composer Missy Mazzoli and librettist Royce Vavrek, Proving Up, on January 19 and 21, 2018, directed by Alison Moritz and conducted by Christopher Rountree, both in their WNO debuts. Three new pairings of opera composers and librettists Nathan Fletcher and Megan Cohen, Gity Razaz and Sara Cooper, John Glover and Erin Bregman offer new, one-act operas during the festival. Two semi-staged concert performances of each 20-minute opera are presented on January 20, 2018.

Washington National Opera (WNO) presents the sixth season of its acclaimed American Opera Initiative, a comprehensive commissioning program that brings contemporary American stories to the stage while fostering the talents of rising American composers and librettists. All of the program's world premiere operas are presented during the American Opera Initiative Festival weekend,January 19 21, 2018, all in the Kennedy Center Terrace Theater. The festival begins with the world premiere of a new hour-long work by composer Missy Mazzoli and librettist Royce Vavrek, Proving Up, on January 19 and 21, 2018, directed by Alison Moritz and conducted by Christopher Rountree, both in their WNO debuts. Three new pairings of opera composers and librettists Nathan Fletcher and Megan Cohen, Gity Razaz and Sara Cooper, John Glover and Erin Bregman offer new, one-act operas during the festival. Two semi-staged concert performances of each 20-minute opera are presented on January 20, 2018.