Alexandra Tavares News

Dear Readers, it's my unfortunate job, at this moment, to tell you of a show that you'll probably never get to see. Public Works Seattle's "The Odyssey" at the Seattle Rep kicked off last night and unfortunately for those who don't already have tickets, is only running through Sunday and, I believe, is already sold out.

It's nearly here! An initiative and production years in the making comes to the Seattle Repertory Theatre Bagley Wright Theatre stage in just two short weeks in the form of a musical adaptation of The Odyssey, featuring an over-100-person cast.

It's nearly here! An initiative and production years in the making comes to the Seattle Repertory Theatre Bagley Wright Theatre stage in just two short weeks in the form of a musical adaptation of The Odyssey, featuring an over-100-person cast.

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?

Spanning 28 theater companies and 59 productions, from the largest and most prominent to small, humble and innovative, the Gypsy Rose Lee Awards honor as much professional theater as we reviewers can cram into our year.

It's been a crazy year, Dear Readers. Lots of ups, lots of downs, and LOTS of emotions. And I'm not just talking about on stage. But let's not dwell on the bad things that may have happened in the world and focus on some of the amazing things Seattle theater companies gave us this past year, and let me tell you there were quite a few. So many in fact that in some categories I simply had to call out more than the usual Honorable Mentions as some performances just needed to be noted. You'll see what I mean especially when you get to the female categories as the ladies were certainly bringing it this year. But let's get started shall we? Out of the myriad shows I saw this year in Seattle, here are the shows and performances that truly stood out to me.

Euripides' tragic title character in 'Medea' is one of those parts that actresses give their eye teeth (or even sacrifice their children) to play. She's a strong and committed woman with a wildly emotional arc. So with a role such as this where it's really all up to the lead, for the rest of the production I find it best to follow the rule of KISS (Keep It Simple Stupid). Unfortunately director Kelly Kitchens and the folks at Seattle Shakespeare Company had other ideas with their current production as it was so laden down with their storytelling gimmicks that the story and the stunning lead performance became diluted.

Wife. Mother. Exile. Medea abandons her home and country for Jason, the man she loves. When he discards her and their children for a new bride, the blow strikes deep into Medea's heart.

When your love story is built on danger, it can only end badly. Seattle Shakespeare Company will present Medea by Euripides at the Center Theatre at Seattle Center. Kelly Kitchens directs this searing Greek tragedy featuring choreography by Donald Byrd October 18-November 13, 2016.

When your love story is built on danger, it can only end badly. Seattle Shakespeare Company will present Medea by Euripides at the Center Theatre at Seattle Center. Kelly Kitchens directs this searing Greek tragedy featuring choreography by Donald Byrd October 18-November 13, 2016.

From Wes Hurley — The Advocate Magazine's Person to Watch — comes the second season of the acclaimed CAPITOL HILL.

Dear Readers, if you read my review for Part One of "The Brothers K", still playing at Book-It Repertory Theatre then you'll know the difficulties I had watching it what with all the onion cutting going on in the theater. Well last night with the premiere of "The Brothers K, Part Two: The Left Stuff" the onions were there in force along with tons of dust, pollen and cats. Must have been the case as the tears were flowing all night long. With just more of the same goodness from Part One, Part Two solidified just how good this story and this production is.

I would say that I loved every second of Book-It Repertory Theatre's current adaptation of David James Duncan's 'The Brothers K, Part One: Strike Zones' if it weren't for all the damned onions someone was cutting in the theater. What? There were no onions? So then I was just repeatedly tearing up over the story? Oh, well then, I guess I can say it. Yup, with its beautiful adaptation and stunningly honest performances, I loved every second of Book-It Repertory Theatre's current adaptation of David James Duncan's 'The Brothers K, Part One: Strike Zones'.

Who hasn't wanted a 'do-over' when on a date? Maybe you say the wrong thing, maybe you run into your ex or maybe you trip the waiter, which causes him to knock over a flaming dessert that burns the restaurant to the ground. We've all been there, right? Well according to Nick Payne's beautiful play 'Constellations', currently playing at the Seattle Rep, we might take solace in that there are multiple universes with multiple versions of us who might say or do something a little different.

Dear Readers, I hope you've all fared well over the holidays and had a good time with your families. It's been a tumultuous year with lots of great theater for us to take in. And so I'm pleased to share with you some of the best things I saw this past year and the ones that I felt worthy of getting my Critic's Choice Awards for 2015. So settle in and allow me to expound on all the amazing I saw over the year. The envelope please.

When going to see a show you hope for at least one aspect of the show be something good that you can hold onto. The acting, directing, sets, lights, something to make the night worthwhile. Lucky for all of us the current production of Shakespeare's tragic tale of betrayal and lies "Othello", currently playing from Seattle Shakespeare Company, is firing on so many levels that you're just not sure where to focus your attentions. But then, this should be no big surprise as it's from director John Langs whose name attached to a piece is usually the harbinger of "this one's gonna be good!"

Every season productions come along that are so good that they remind me why us theater folk perform, produce and see theater. Personally, these are the shows that recharge my theatrical batteries so I can sit through the not so great ones (I'm looking at you "Flashdance: The Musical"). Such a show is the latest installment from The Seagull Project, Chekhov's "The Three Sisters" which manages such clarity of story, intent and meaning that you can practically feel the pain and frustration in the character's lives along with them.

We don't live in Grover's Corners anymore and a lot has changed in the century since that time. So it stands to reason that a slice of life play like 'Middletown', currently playing at ACT would be a darker and grittier ride than its 'Our Town' predecessor. And while at times it seems like just a series of platitudes on how to live your life, what makes this production what it is are the stirring and heartfelt performances from the ensemble cast.

This is not a play. You are informed that as soon as you step into the oppressive world of New Century Theatre Company's current production of "Franz Kafka's The Trial" adapted by Kenneth Albers. And it's true; it's not so much a play as it is an existential experience as the bureaucracy of this world sorts even the audience as they enter (be sure to come in with the people you want to sit with). And what follows is a cool and finely crafted descent down the rabbit hole from one of Seattle's best theater companies.