U. Jonathan Toppo

Watch as Scene Shop Supervisor Jesse Delaney as he breaks down the complex build process happening in the scene shop for the History Plays: RICHARD II, HENRY IV and HENRY V at the Guthrie Theatre. 

Enjoy a first look into Shakespeare's History Plays and hear from Artistic Director Joseph Haj on the significance of this epic production and the chance to revisit rotating repertory. RICHARD II, HENRY IV and HENRY V make their historic return to the Guthrie stage for the first time in over 30 years beginning March 23.

Guthrie Theater will present a rotating repertory of Shakespeare's History Plays. Dive into the rich tapestry of historical dramas on stage.

The imminent start of the 2022 Oregon Shakespeare Festival season—Artistic Director Nataki Garrett’s first full season—marks a celebratory return to repertory producing. The 2022 lineup features eight on-stage plays and musicals, from classic Shakespeare to works by some of today’s most exciting playwrights.

Oregon Shakespeare Festival is offering its 2014 production of William Shakespeare’s The Comedy of Errors, directed by Kent Gash and choreographed by Byron Easley for on-demand streaming on the Festival’s website, June 1-26.

Pear Theatre meets 2021 — a year for change — with Fairfield, Eric Coble's hilarious and somewhat uneasy contemporary comedy. Just in time for Black History Month, Fairfield will be co-directed by Aldo Billingslea and Pear Theatre Artistic Director Sinjin Jones.

Karen Zacarias's hilarious play Destiny of Desire was set to end Milwaukee Rep's 2019/20 Season in the Quadracci Powerhouse. While the hope was to delay the production to June, that option is no longer possible.

Milwaukee Rep has announced the complete cast and creative teams for the final productions of the 2019/20 Season including the world premiere Antonio's Song / I Was Dreaming of a Son by Pulitzer Prize finalist Dael Orlandersmith and Antonio Edwards Suarez in the Stiemke Studio March 24 - April 5, 2020; the world premiere event Hootenanny: The Musicale by celebrated musician David Lutken in the Stackner Cabaret March 27 - May 24, 2020; and the telenovela of passion and deception Destiny of Desire by Karen Zacarías in the Quadracci Powerhouse April 21 - May 17, 2020.

Arena Stage at the Mead Center for American Theater announces casting for Octavio Solis' Mother Road, a sequel to John Steinbeck's The Grapes of Wrath. Mother Road premiered at the Oregon Shakespeare Festival in 2019 and will run at Arena Stage from February 7 - March 8, 2020 in the iconic in-the-round Fichandler Stage.

Folger's 2019 Season opener deftly tells the tale of king's reign and the rebellion he faces, a prince burdened by expectations, and the struggles of family, honor, and duty. Rosa Joshi's production enchantingly revives this age-old tale with the help of stunning sets, expert staging, and a phenomenal cast.

The Oregon Shakespeare Festival will open How To Catch Creation, helmed by Incoming Artistic Director Nataki Garrett in her OSF directorial debut, on July 27 in the Thomas Theatre. Preview performances are July 23, 25 and 26, and the play runs through Oct. 26, 2019.

In the past few weeks, we've watched the nominations roll in. Today the final crop of nominees have been revealed, all leading to next week's ultimate announcement- the 2019 Tony nominations.

The Oregon Shakespeare Festival invites audiences to enjoy two plays by William Shakespeare-plus one about a young girl with a crucial superpower, curiosity, and the beloved fantastical dream adventure in which she tries to figure out how to stay true to who she is-under the stars when its flagship outdoor theatre opens the weekend of June 7-9, 2019. The Allen Elizabethan Theatre will feature Macbeth, directed by Jose Luis Valenzuela; Alice in Wonderland, adapted from Lewis Carroll by Eve Le Gallienne and Florida Friebus, directed by Sara Bruner; and All's Well That Ends Well, directed by Tracy Young. Previews begin May 28, and all three shows will run through the weekend of October 11-13.

In the past few weeks, we've watched the nominations roll in. Today the final crop of nominees have been revealed, all leading to next week's ultimate announcement- the 2019 Tony nominations.

The Tony Award winning Oregon Shakespeare Festival (OSF) will launch its 84th year and Bill Rauch's final season as artistic director with preview performances beginning on March 1. The 2019 season officially kicks off Friday night, March 8, in the Angus Bowmer Theatre with Shakespeare's As You Like It (director, Rosa Joshi). On Saturday afternoon, Cambodian Rock Band (director, Chay Yew) opens in the Thomas Theatre, and Hairspray The Broadway Musical (director, Christopher Liam Moore) opens that evening in the Angus Bowmer Theatre. On Sunday afternoon, the drama by Southern Oregon based playwright Octavio Solis, Mother Road (director, Bill Rauch), will see its world premiere in the Angus Bowmer Theatre.

Theatre for a New Audience announces the seventeen-member cast and the creative team for its production of William Shakespeare's The Tragedy of Julius Caesar, directed by Shana Cooper in her Off-Broadway debut.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) will begin performances of the MOBILE UNIT NATIONAL TOUR of Lynn Nottage's powerful Pulitzer Prize-winning play, SWEAT, directed by Kate Whoriskey, on September 27 in Erie, Pennsylvania.

The Oregon Shakespeare Festival opened Rodgers and Hammerstein's Oklahoma!, directed by OSF Artistic Director Bill Rauch, on April 22 in the Angus Bowmer Theatre. Preview performances were April 18, 20 and 21, and the musical runs through Oct. 27.

The Oregon Shakespeare Festival will open the U.S. premiere of Frances Ya-Chu Cowhig's Snow in Midsummer, directed by Justin Audibert, on August 5 in the Angus Bowmer Theatre. Preview performances are August 2, 3 and 4, and the play runs through Oct. 27, 2018.

The Oregon Shakespeare Festival will open the world premiere of Idris Goodwin's The Way the Mountain Moved, directed by May Adrales, on July 14 in the Thomas Theatre. Preview performances are July 10, 12 and 13, and the play runs through Oct. 28, 2018.