ZOETIC STAGE 2018-19 SEASON Equity Principal Auditions - Zoetic Stage, Inc. Auditions

Posted May 18, 2018
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ZOETIC STAGE 2018-19 SEASON - Zoetic Stage, Inc.

Zoetic Stage 2018-19 Season - Miami FL EPA

Zoetic Stage, Inc.


AUDITION DATES

Mon, Jun 04, 2018**

10:00 am - 6:00 pm (EDT)

Lunch 1 to 2.

**Accompanist provided on this day only.

Tue, Jun 05, 2018

10:00 am - 6:00 pm (EDT)

Lunch 1 to 2.

Accompanist not provided on this day.

APPOINTMENTS

For an appointment, please email rsvp@zoeticstage.com. AEA members without appointments will be seen as time permits.

CONTRACT

SPT Tier 5; $409/week min

SEEKING

Equity actors and actor/singers for various roles in the upcoming season. See breakdown.

PREPARATION

Prepare either two contrasting monologues not exceeding more than three minutes in length, or two contrasting monologues and 16 bars of a Sondheim song not from Sweeney Todd. Please bring 2 headshots & resumes.

Note: Accompanist only provided on June 4th.

LOCATION

Adrienne Arsht Center for the Performing Arts

1300 Biscayne Blvd

Miami, FL 33132-1608


PERSONNEL

Stuart Metlzer, Artistic Director/Director; Michael McKeever, Managing Director; Eric Alsford, Musical Director

Expected to attend: Amy Rauchwerger, Audition Coordinator; Caryl Fantel, Accompanist

OTHER

zoeticstage.org

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

DRACULA
A new version by Michael McKeever; Based on the novel by Bram Stoker
Directed by Stuart Meltzer
9/18/18 - first rehearsal; 10/11/18 - first performance; 10/28/18 - final performance

Count Dracula: Male 40's, any ethnicity (Cast)

Ingrid Van Hesling: Female, 40's - 50's, any ethnicity (Cast)

Jonathan Harker: Male, 30's, any ethnicity

Mina Murray: Female 20's- 30's, any ethnicity

Lucy Westenra: Female, early 20's, any ethnicity

John Seward/ Renfield: Male, 50's - 60's , any ethnicity (Cast)
__________________

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
By Simon Stephens; Based on the novel by Mark Haddon
Directed by Stuart Meltzer
first rehearsal; 1/17/19 - first performance; 2/3/19 - final performance

Christopher Boone: Male, must be over 18 but able to play 15, any ethnicity. Highly intelligent, autistic boy who is accused of killing his neighbor's dog. In order to prove his innocence, he investigates the murder himself. Must speak with a British accent. (Cast)

Siobhan: Female, 20's-30's any ethnicity, Christopher's teacher and mentor. A professional, caring woman who also serves as narrator. Must speak with a British - accent.

Ed Boone: Male, 40's- 50's, any ethnicity. Christopher's father who is estranged from his wife. Working class. Should have a violent streak. Must speak with a British accent.

Judy Boone: Female, 40- 55, any ethnicity. Christopher's mother. She left her child and husband and has made some difficult choices - many that are not sound. Must speak with a British accent.

Mrs. Sheers and Ensemble: Female, 35- 50, any ethnicity. Strong versatile actor who has good movement skills to play many roles. Must speak with a British accent.

Roger Sheers and Ensemble: Male, 35- 50, any ethnicity. Strong versatile actor who has good movement skills to play many roles. Must speak with a British accent.

A Policeman and Ensemble: Male 35-50, any ethnicity. Strong versatile actor who has good movement skills to play many roles. Must speak with a British accent.

Reverend Peters and Ensemble: Male 40- 60, any ethnicity. Strong versatile actor who has good movement skills to play many roles. Must speak with a British accent.

No. 37 and Ensemble: Female, 25-35, any ethnicity. Strong versatile actor who has good movement skills to play many roles. Must speak with a British accent.

Mrs. Alexander and Ensemble: Female, 50- 60, any ethnicity. Strong versatile actor who has good movement skills to play many roles. Must speak with a British accent.
_______________

EVERY BRILLIANT THING
By Duncan MacMillan with Johnny Donahoe
Directed by Stuart Meltzer
1/29/19 - first rehearsal; 2/14/19 - first performance; 3/3/19 - final performance

Narrator: Male/Female, 40's, any ethnicity. (Cast but looking for an understudy if needed)
______________

SWEENEY TODD: THE DEMON BARBER OF FLEET STREET
2/19/19 - first rehearsal; 3/14/19 - first performance; 4/7/19 - final performance

Book by Hugh Wheeler; Music & Lyrics by Stephen Sondheim
Directed by Stuart Meltzer
Music Direction by Eric Alsford

Sweeney Todd: Male, 30- 55, any ethnicity. Baritone with low Gb to high Gb. Must read music. British accent.

Mrs. Nellie Lovett: Female, 40- 55, any ethnicity. Mezzo soprano up to high E. Must read music. British accent. (Cast)

Judge Turpin: Male, 45-60, any ethnicity. Bass voice with low E to high F. Must read music. British accent.

Anthony Hope: Male, 20- 30, all ethnicities. Classic tenor voice with high F.

Johanna: Female, 18-24, any ethnicity. Excellent lyric soprano to a high B flat and up to a high D. Must read music. British accent.

Beadle Bamford: Male, 30- 60, any ethnicity. Strong tenor to a high D. Must read music. British accent.

Tobias: Male, 17-24, any ethnicity. Tenor voice to a high A flat. Must read music. British accent.

Beggar Woman/Pirelli: Female 30- 45, any ethnicity. Duel role. Strong soprano/mezzo soprano range from top C to G (below middle C). Must read music. British/Irish/Italian accents.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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