I just noticed on the West End website that they're selling tix until March 30th. Does anyone know whether Lupone will still be there next spring or if she's only in the production until end of December.
Wick3 said: "I just noticed on the West End website that they're selling tix until March 30th. Does anyone know whether Lupone will still be there next spring or if she's only in the production until end of December."
Her recent comments about the political situation in the US lead me to believe she’s not in a rush to come back. I wouldn’t be surprised if she stays through March 30th.
When I see the phrase "the ____ estate", I imagine a vast mansion in the country full of monocled men and high-collared women receiving letters about productions across the country and doing spit-takes at whatever they contain.
-Kad
I really want a cast recording too. If any production needs one it’s this - with the lyric changes, female ‘Bobbi’, gender swapping throughout nearly every song is different in some way. I can’t wait to hear the harmonies of ‘Poor Baby’ and ‘You Could Drive a person crazy” again.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
The producer tweeted (I believe) they are trying to make a cast recording happen. I’d blindly speculate at this stage the chances of a recording would be extremely high.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
If it transfers to Broadway, I definitely see a cast recording happening. Is it normally common to have a West End cast recording and a Broadway cast recording of the same revival production?
It is not common. But if they cast an a-list oscar winner on Broadway you can almost be guaranteed it will be re-recorded or new vocal tracks overlaid (assuming whoever it is actually sings and wants it to happen).
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I think a new London cast recording is highly likely. If the show transfers to Broadway with Rosalie Craig and Patti LuPone, a second cast recording is unlikely. If Anne Hathaway (or another name) does the role on Broadway, there would very likely be a separate Broadway cast recording.
The way the union contracts work these days, I actually don't believe its possible to simply "overlay" the tracks from a London production with Broadway performers. If a recording happened in New York, it would have to be a completely new recording.
“I knew who I was this morning, but I've changed a few times since then.”
Lots of factors go into a cast album (financial and the interest of record labels), but I think it's safe to assume there WILL be a cast recording. If this version of the show is going to get licensed, MTI is going to want an album to reflect that, even if they have to help pay for it. It's also theatre history: Sondheim's first new lyrics since Road Show, revised orchestrations, and a bold new stage production.
The question is, which cast? If it does move to Broadway with a star, waiting for NYC seems likely, where there might be more changes. If it doesn't move, then maybe they record the London cast. I wouldn't hate a live album for this show.
Semi-related for those who've seen it in London...: how many players are in the orchestra?
Craig is sounding much much better tonight. Definitely soaring in the right moments in “Someone is Waiting” and “Marry Me A Little”. Very skillfully acted singing too. I guess she really was just sick.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
And the raves for LuPone's performance are still coming in....
The second half of Company belongs mostly to Patti LuPone, who reprises the role of Joanne, which she played in the New York Philharmonic’s limited 2011 production. LuPone’s Joanne is as vodka-addled, bitter, and furious as the role demands, but her dynamic with Bobbie is altered by their newfound sisterhood. Joanne still stings in her skewering of nonworking women (few pleasures in life measure up to seeing LuPone sing “Ladies Who Lunch" , but she’s almost maternal toward Bobbie, protecting her rather than swooping in on the prey that a male Bobby represents to Joanne. Craig is mostly passive in this scene, giving space to LuPone to dominate the stage even as Bobbie begins to question her own desires with new intensity.
The orchestra/band is probably about 10 pieces (but don’t know the exact number). It’s not large. But not ridiculously small.
Re: transfer. We are assuming it would be a spring transfer - what if it transferred in the summer like Follies? If they really have an Oscar winner (and part of me does raise an eyebrow) what film star worth anything will be available to start rehearsals just a few months later?
—-
Revisited the show last night: with Craig actually being able to sing now the show is on another level, “Another Hundred People” still the only weak point. By far the biggest applause goes to “getting married today” and “ladies who lunch”.
The audience was full of Americans.
Mark Rylance was also there and went backstage. Overheard him describing one of the songs as ‘the most important’ in musical theatre or something like that. Didn’t know he was a musical fan.
LuPone: “SHOCKED. Shocking”. Sooo funnnnnny. And the way she screams “WILL SOMEONE GET ME A DRINK” then goes deadpan “oh you have”. I can’t help but wonder if she IS Joanne and it makes it all better.
Sitting up close is a better experience - Craig actually cries tears at a couple of points (I love it). And you start to notice small details, such as when they are sitting outside a row of apartments each apartment is number 35.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Where did you see it the first time? I'll be in London later this week (unexpected trip) and nabbed a 15 pound restricted view ticket in the grand circle. I'll be back in London in December and got a 2nd row ticket with friends. I figured I'll concentrate more on their singing voices when I see it later this week on my own and then concentrate on more the facial expressions/acting/set when I see it again in December with friends!
The only production I've seen of Company in the theater was at Barrington stage when Aaron Tveit starred as Bobby. I've seen the film with Raul Esparza. I'm relatively new to Sondheim but out of all his shows this one pertains to my age group at the moment (I'm currently 35.)
JBC3 said: "By London standards, tickets are pricey. It will be interesting to see if they can sustain that during the run."
I would think the limited inventory from the initial short engagement has helped drive sales up til now. But these are stellar reviews and to me, it seems like the West End is less infatuated with stars and more interested in good work.
Why don't West End productions release their grosses like Broadway? I like the transparency of Broadway and Hollywood. On the rare occasion when a Bway producer breaks with that tradition, everyone gets upset (Young Frankenstein).
He and Brantley both reviewed Follies last year (Matt in September, followed by Ben in November), so I still wouldn't be surprised if Brantley weighs in during his next London trip, whenever that may be.