Lindsay Kruger - Page 5

One of the latest offerings from Mish Mash Media Productions, 5 LESBIANS EATING A QUICHE returns to the Artscape Arena before heading to the Galloway Theatre for a 2 week run. The fast-paced, 50s fabulous comedy sees a powerhouse of local actresses at its helm and guarantees a night of naughty giggles, gasp-worthy plot twists, and hilarious moments of audience participation.

Shedding a distinct light on Shakespeare's historic dark comic tragedy, Maynardville Open-Air Festival's offering of RICHARD III is a compelling and engaging example of the Bard done right. RICHARD III speaks volumes not only for the talent of the production, but for the timeless story of political conspiracy and reprehensible human determination.  

Welcoming 2019 with a heartwarming rom-com, HAPPY NEW YEAR (A PLAY WITH SONGS) is the latest adaption by David Kramer brought to the Fugard stage. Starring Bianca Flanders and Dean Balie, the play follows two out-of-luck and out-of-love souls in a hilarious and captivating whirlwind adventure of a weekend. Nicolas Kent, the London-based, award-winning director at the helm of the production, chats to Broadway World South Africa about his directorial beginnings at university, international aspirations, and involvement in this anticipated production.

Pulling off an icon in the music industry is daunting for any performer. When that icon is raised to the ranks of royalty, it's hard to believe anyone would dare expose themselves to being compared with a King. Taking on the challenge superbly, Showtime Australia's latest offering, MICHAEL JACKSON HISTORY SHOW, brings the music and man of Michael Jackson to the Artscape Opera House.

Fosse, Lauper, Sondheim, Lerner and Loewe: just a few of the names whose brilliant productions are gracing South African stages this year. From legendary musicals to captivating straight plays, here are 9 of the most talked about and anticipated shows to look forward to in 2019.

Arguably one of the most anticipated shows of 2018, MATILDA THE MUSICAL brings its spectacle from Johannesburg to delight audiences with its grand explosion of talent and technicalities in Cape Town. Its minute stars and phenomenal staging has far exceeded expectations; making it the holiday musical for audiences of all ages to revel in.

Born out of David Kramer's photographic intrigue and romantic imaginings, LANGARM presents a snippet into a lesser-explored world of 1960s District Six that combines the best of experienced local performers with rising talent to watch. From breaking laws to breaking hearts, this latest Kramer production is a magical musical and dance journey through a fresh offering to the Fugard stage.

Personally, the best part of theater is when you are transported into total escapism. A catchy soundtrack, an in-your-face stage presence, and an increasingly silly tale but with a number of life lessons beneath it, THE NOSE at the Artscape Arena offers the perfect summer night escape from the crazy festive season while skillfully serving some 'crazy' onstage itself.

With promises to take your breath away, David Kramer's LANGARM debuts at the Fugard Theatre later this month. Taking on the starring roles of a forbidden dance duo in 1960s Disctrict Six, Cameron Botha and Rushney Ferguson gush about this new musical, working with Kramer, and LANGARM's unique appeal.

Approaching politics in the arts is never an easy to feat, but one that is constantly necessary in a tumultuous political climate. Taking on the recent events of student uprisings, a change in president, and even Trump's election, FORCE combines political power with behind-closed-doors intrigue to present a production brewing with dramatic thrill.

Brian May once said, 'I don't think anybody comes close to The Beatles' - but BEATLEMANIA ON TOUR certainly does an excellent job trying. With their mop-top haircuts, replica guitars and talented musical stylings, be prepared with BEATLEMANIA ON TOUR to clap your hands, rattle your jewelry, and get out of your seat for a memorable night with the fab four.

With an international tour in its future, CALLING US HOME is a production South Africa can be very proud to send to overseas audiences. The entirely original South African musical showcases the excellence of local talent while presenting a story that will resonate globally. Incredible musicality, heart-wrenching storytelling, and phenomenal technical execution make CALLING US HOME a musical to be remembered.

Since its 2017 debut at the KNKK festival, DIE REUK VAN APPELS returns to the Fugard with almost 20 awards and nominations under its belt. Hailed as a 'must-see' piece of theater, leading man Gideon Lombard chats about the play's great success and his journey with this critically-acclaimed production.

In its South African debut, Candice Bernstein and Matt Newman star in the hilariously haunting GRUESOME PLAYGROUND INJURIES at Alexander Bar next month. In this interview they give us a glimpse into their journey with their complex characters of Kayleen and Doug, and how GRUESOME PLAYGROUND INJURIES affects those both on and off stage.

Divided into three acts, OLEANNA centers on the daily meetings and subsequent conversations between a verbose university professor John (Alan Committie) and his frustrated, failing student Carol (Nicole Fortuin). As accusations fly and tensions heighten, this unpredictable drama explores issues of language, political correctness, sexual harassment, and more.

Coming to The Fugard Theatre this month, OLEANNA is a two-character play by David Mamet. Stripped down to a discussion between a female student and her male professor, it addresses issues of inequality, language, gender, and more. In her role as student Carol, Nicole Fortuin delves deeper into her experience with this confrontational drama.

Eric Abraham's award-winning production of Shakespeare in Love is back at the Fugard Theatre by popular demand. Its highly anticipated return comes after a sold-out run at the end of 2017 and this latest production boasts a handful of fresh cast members as well as a new lead actor. While one might sometimes associate Shakespeare with languid lines of prose and a faint understanding of Early Modern English, there is nothing idle about this captivating romantic comedy.